For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Diego Semerene
It's a quiet thud of a film, which embraces, with grace and precision, the nastiness of growing up with desire stuck in one's throat like a muffled scream.- Slant Magazine
- Posted Jan 18, 2015
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Reviewed by
Chuck Bowen
Peter Strickland charges full-tilt into the objectifying whims of his fantasies in order to somehow reach the other end of perception, which acknowledges the ultimate empathetic limitations of said fantasies.- Slant Magazine
- Posted Jan 18, 2015
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Reviewed by
Nick Prigge
This snapshot of catharsis follows a familiar trajectory, but Kate Barker-Froyland refreshingly resists elevating her characters' relationship to the level of grandiose.- Slant Magazine
- Posted Jan 18, 2015
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James Lattimer
The set pieces follow their own insane, unstoppable logic, with each new twist yielding its own outré surprises.- Slant Magazine
- Posted Jan 17, 2015
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Reviewed by
Christopher Gray
The film has the requisite iconography of a crime thriller, but no investment in any of it.- Slant Magazine
- Posted Jan 17, 2015
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Reviewed by
Drew Hunt
This big, brash, occasionally clever, but mostly dumb comedy is so gallingly derivative that watching it feels like playing a game of basic-cable bingo.- Slant Magazine
- Posted Jan 15, 2015
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Reviewed by
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Reviewed by
Diego Semerene
Desiree Akhavan's tale of queer post-breakup funk shows more nuance, and racial dimension, than its cinematic cousins.- Slant Magazine
- Posted Jan 15, 2015
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Glenn Heath Jr.
This insane masterpiece shows the self-destructive properties of myth making and how they overlap with the downfall of a community damned from the beginning of time.- Slant Magazine
- Posted Jan 13, 2015
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Jesse Cataldo
Michael Mann's camera elegantly collapses the spaces between bodies and objects without sacrificing spatial coherence.- Slant Magazine
- Posted Jan 13, 2015
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Reviewed by
Nick Prigge
Writer-director Andrea Pallaoro's feature-film debut isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.- Slant Magazine
- Posted Jan 12, 2015
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Reviewed by
Jesse Cataldo
A chronicle the act of labor as both a universal function of life and a spectacle in itself.- Slant Magazine
- Posted Jan 12, 2015
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Chris Cabin
As much as the film is primarily a genre workout for director Kevin McDonald, the script makes room for a tough-minded, psychologically corrosive depiction of vengeance.- Slant Magazine
- Posted Jan 12, 2015
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Carson Lund
Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.- Slant Magazine
- Posted Jan 12, 2015
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Kenji Fujishima
The film recalls its stylistic forbears at their best: flowing with whimsy, but never at the expense of the beating heart of its human (and animal) characters.- Slant Magazine
- Posted Jan 12, 2015
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Wes Greene
Its fixation on life's quotidian aspects gives way to a less imaginative focus on an inevitable and overly familiar romance.- Slant Magazine
- Posted Jan 12, 2015
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Reviewed by
Clayton Dillard
Vice takes the basic premise from 1973's Westworld and morphs it into an incoherent slog.- Slant Magazine
- Posted Jan 12, 2015
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Reviewed by
Chuck Bowen
It's a comedy concerned with myopia that doesn't succumb to the self-obsessed pitfalls of that subject.- Slant Magazine
- Posted Jan 11, 2015
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Reviewed by
Abhimanyu Das
Patrick Stewart's performance is practically an argument for Belber to jettison everything else and take the actor on the road as a one-man spoken-word act.- Slant Magazine
- Posted Jan 11, 2015
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Elise Nakhnikian
Empowerment porn for those who long for the Cold War's clarity of purpose and American dominance in this murky age of terror.- Slant Magazine
- Posted Jan 9, 2015
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Nick Prigge
A movingly authentic exploration of a working-class milieu and the psychological and economic trauma that ripples through a town in the wake of a tragic accident.- Slant Magazine
- Posted Jan 9, 2015
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Reviewed by
Wes Greene
The film isn't so much about "the end of cinema" as it is about the people who abuse the medium and their subjects for their own political agenda.- Slant Magazine
- Posted Jan 8, 2015
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Jaime N. Christley
The film turns what at first seemingly appears as Kodak moments into a study of a soul in transition.- Slant Magazine
- Posted Jan 7, 2015
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Nick McCarthy
At once a microcosmic expression of frustration and another of auto-critique, When Evening Falls devilishly recalls and riffs on seemingly shapeless conversations between its very small ensemble of characters without succumbing to soporific navel-gazing.- Slant Magazine
- Posted Jan 6, 2015
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Reviewed by
Wes Greene
The sobering quality that informs both the documentary's aesthetic and content largely suppresses any spontaneity or much-needed moments of levity.- Slant Magazine
- Posted Jan 5, 2015
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Carson Lund
There's literally no way to miss the memo that It's All So Quiet is about dealing with the encroachment of death, as it's there in every scene.- Slant Magazine
- Posted Jan 5, 2015
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Sean Nam
The moody lighting and the ubiquity of deciduous trees provide a canvas for bracing drama, but the film undoes itself by its desire to impart revelatory history lessons.- Slant Magazine
- Posted Jan 5, 2015
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Reviewed by
Nick Schager
Chockablock with instances of characters not shooting, running, attacking, or sneaking away when they can or should, this thriller comes off like the world's most rigged game.- Slant Magazine
- Posted Jan 5, 2015
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Reviewed by
Ed Gonzalez
The cacophony of visions, broken mirrors, and mutilations only points to the ghost in the machine respecting The Craft as its spirit animal.- Slant Magazine
- Posted Jan 5, 2015
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- Critic Score
Cheery and happily empty-headed, the present-day subplot adds little but sentiment to a film shot through with cliché characters, a predictable plot, and undisguised reverence.- Slant Magazine
- Posted Jan 5, 2015
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Reviewed by
Chuck Bowen
Any pretense of satire collapses by the film's midpoint, leaving only the contempt.- Slant Magazine
- Posted Jan 3, 2015
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Reviewed by