Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. It's a quiet thud of a film, which embraces, with grace and precision, the nastiness of growing up with desire stuck in one's throat like a muffled scream.
  2. Peter Strickland charges full-tilt into the objectifying whims of his fantasies in order to somehow reach the other end of perception, which acknowledges the ultimate empathetic limitations of said fantasies.
  3. This snapshot of catharsis follows a familiar trajectory, but Kate Barker-Froyland refreshingly resists elevating her characters' relationship to the level of grandiose.
  4. The set pieces follow their own insane, unstoppable logic, with each new twist yielding its own outré surprises.
  5. The film has the requisite iconography of a crime thriller, but no investment in any of it.
  6. This big, brash, occasionally clever, but mostly dumb comedy is so gallingly derivative that watching it feels like playing a game of basic-cable bingo.
  7. Desiree Akhavan's tale of queer post-breakup funk shows more nuance, and racial dimension, than its cinematic cousins.
  8. This insane masterpiece shows the self-destructive properties of myth making and how they overlap with the downfall of a community damned from the beginning of time.
  9. Michael Mann's camera elegantly collapses the spaces between bodies and objects without sacrificing spatial coherence.
  10. Writer-director Andrea Pallaoro's feature-film debut isn't especially beholden to plot or dialogue, impressionistically shaping its story through pervasive silence.
  11. A chronicle the act of labor as both a universal function of life and a spectacle in itself.
  12. As much as the film is primarily a genre workout for director Kevin McDonald, the script makes room for a tough-minded, psychologically corrosive depiction of vengeance.
  13. Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.
  14. The film recalls its stylistic forbears at their best: flowing with whimsy, but never at the expense of the beating heart of its human (and animal) characters.
  15. Its fixation on life's quotidian aspects gives way to a less imaginative focus on an inevitable and overly familiar romance.
  16. Vice takes the basic premise from 1973's Westworld and morphs it into an incoherent slog.
  17. It's a comedy concerned with myopia that doesn't succumb to the self-obsessed pitfalls of that subject.
  18. Patrick Stewart's performance is practically an argument for Belber to jettison everything else and take the actor on the road as a one-man spoken-word act.
  19. Empowerment porn for those who long for the Cold War's clarity of purpose and American dominance in this murky age of terror.
  20. A movingly authentic exploration of a working-class milieu and the psychological and economic trauma that ripples through a town in the wake of a tragic accident.
  21. The film isn't so much about "the end of cinema" as it is about the people who abuse the medium and their subjects for their own political agenda.
  22. The film turns what at first seemingly appears as Kodak moments into a study of a soul in transition.
  23. At once a microcosmic expression of frustration and another of auto-critique, When Evening Falls devilishly recalls and riffs on seemingly shapeless conversations between its very small ensemble of characters without succumbing to soporific navel-gazing.
  24. The sobering quality that informs both the documentary's aesthetic and content largely suppresses any spontaneity or much-needed moments of levity.
  25. There's literally no way to miss the memo that It's All So Quiet is about dealing with the encroachment of death, as it's there in every scene.
  26. The moody lighting and the ubiquity of deciduous trees provide a canvas for bracing drama, but the film undoes itself by its desire to impart revelatory history lessons.
  27. Chockablock with instances of characters not shooting, running, attacking, or sneaking away when they can or should, this thriller comes off like the world's most rigged game.
  28. The cacophony of visions, broken mirrors, and mutilations only points to the ghost in the machine respecting The Craft as its spirit animal.
    • 61 Metascore
    • 38 Critic Score
    Cheery and happily empty-headed, the present-day subplot adds little but sentiment to a film shot through with cliché characters, a predictable plot, and undisguised reverence.
  29. Any pretense of satire collapses by the film's midpoint, leaving only the contempt.

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