For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Clayton Dillard
The premise amounts to numerous raised glasses and classical music cues, but little of this schmoozing strikes a notable chord beyond the démodé back-patting engaged throughout.- Slant Magazine
- Posted Mar 1, 2015
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Reviewed by
Nick Prigge
The film begins as a moodily introspective drama about grief before implausibly morphing into a stale thriller.- Slant Magazine
- Posted Mar 1, 2015
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Reviewed by
Chuck Bowen
The film ultimately understands poverty as a profound and often irreversible desolation of terra firma.- Slant Magazine
- Posted Mar 1, 2015
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Reviewed by
Chris Cabin
The film turns out to instead be a strained trumpeting of the return of the proverbial king of the box office.- Slant Magazine
- Posted Feb 26, 2015
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Reviewed by
Ed Gonzalez
David Gelb doesn't evince so much as a single compositional sleight of hand, merely delighting in turning lights on and off and watching Zoe appear in random places.- Slant Magazine
- Posted Feb 25, 2015
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Reviewed by
Diego Semerene
It suggests that a disease isn't a product of one single person's body, but the eruption of an entire family history of unarticulated desire.- Slant Magazine
- Posted Feb 25, 2015
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Reviewed by
Nick McCarthy
Unable to reconcile plot with poetry, Bluebird is knitted-together by its sense of place and lived-in performances, yet unraveled by anemic false melodrama and overbearing music.- Slant Magazine
- Posted Feb 24, 2015
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Reviewed by
Drew Hunt
The cogent character study nestled inside all the bombast remains crafty for its rare commingling of artful storytelling and genre nonsensicality.- Slant Magazine
- Posted Feb 23, 2015
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Reviewed by
Nick Schager
An unfocused mishmash that thrives only when it fixates on footage of actual bouts.- Slant Magazine
- Posted Feb 23, 2015
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Reviewed by
Clayton Dillard
A ferocious plea for character salvation within a milieu where money and bodily affect are the raison d'ĂȘtre for human existence.- Slant Magazine
- Posted Feb 22, 2015
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Reviewed by
Clayton Dillard
It masks depleted drama under a progression of long takes, various music cues, and a three-chapter structure that grows successively tedious.- Slant Magazine
- Posted Feb 22, 2015
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Carson Lund
Its lack of dramatic specificity places it in a precarious middle ground between exacting character study and ethereal parable.- Slant Magazine
- Posted Feb 22, 2015
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Reviewed by
Nick Prigge
Lawrence Michael Levine's film occupies a sweet spot between the self-aware and taut.- Slant Magazine
- Posted Feb 22, 2015
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Reviewed by
Chuck Bowen
Yet another boring ode to heavy breathing that's offered under the hypocritical pretense of celebrating female empowerment.- Slant Magazine
- Posted Feb 22, 2015
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Reviewed by
Christopher Gray
Kirby Dick's films don't go far enough in explaining how a culture of rape can pervade in vastly different institutions, but they're ruthless about holding them accountable.- Slant Magazine
- Posted Feb 21, 2015
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Reviewed by
Jesse Cataldo
The film achieves nothing more than hollow caricature, too caught up in dumb dress-up pageantry to accomplish anything else.- Slant Magazine
- Posted Feb 21, 2015
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Reviewed by
Eric Henderson
The film deposits its heroine and everyone in the audience looking toward her for image-maintaining guidance back at square one.- Slant Magazine
- Posted Feb 19, 2015
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Reviewed by
Chris Cabin
Josh Heald's script takes the easy way out, ending the film with a torrent of slapdash sentimentality.- Slant Magazine
- Posted Feb 19, 2015
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Reviewed by
Chris Cabin
If there's a general air of emotional authenticity woven throughout all this garden-variety, faith-in-family hokum, it's in the racing scenes.- Slant Magazine
- Posted Feb 18, 2015
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Reviewed by
Christopher Gray
The film's 90 minutes are a disorienting cyclone of destructive incidents and propulsive energy.- Slant Magazine
- Posted Feb 17, 2015
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Wes Greene
In the end, Adam Green reminds us that he's all to eager to go for the easy thrill.- Slant Magazine
- Posted Feb 17, 2015
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Reviewed by
Chuck Bowen
The images gorgeously embody both the fear and the beauty of James's exploratory experiments with socialization.- Slant Magazine
- Posted Feb 15, 2015
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Reviewed by
Clayton Dillard
The film lacks an ability to construct significant instances of character drama as symbolic of larger concerns pertaining to nationalist dilemmas.- Slant Magazine
- Posted Feb 15, 2015
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Reviewed by
Chuck Bowen
Each of the six vignettes that make up this unusually energetic anthology pertains to the methods of calculated mass dehumanization that are (barely) hidden beneath the practices of social institutions.- Slant Magazine
- Posted Feb 13, 2015
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Reviewed by
Chuck Bowen
So flimsily constructed, visually and narratively, that it resembles a middle-school play that's been hastily filmed on an antique camcorder.- Slant Magazine
- Posted Feb 13, 2015
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R. Kurt Osenlund
Jamie Dornan somehow manages to render his sculpted beauty moot, which throws a major wrench in the gears for a film dependent on eroticism.- Slant Magazine
- Posted Feb 11, 2015
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Reviewed by
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Reviewed by
Clayton Dillard
It convincingly insists that the human figure is no more vital to the image than the rapidly shifting landscape it inhabits.- Slant Magazine
- Posted Feb 10, 2015
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Reviewed by
Elise Nakhnikian
The courtroom's cramped, near-featureless air of bureaucratic stagnation becomes oppressive even for the audience, making it easy to identify with Viviane's growing hunger for freedom.- Slant Magazine
- Posted Feb 10, 2015
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Reviewed by
Chuck Bowen
Director Kiah Roache-Turner's film is an excitingly efficient and ultraviolent zomedy.- Slant Magazine
- Posted Feb 9, 2015
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Reviewed by
Carson Lund
Any masochistic joy that can be derived from watching the film owes to seeing it take its bullheaded conceit to its logical, artless extreme.- Slant Magazine
- Posted Feb 9, 2015
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Reviewed by