Slant Magazine's Scores

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For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,350 out of 7776
  2. Mixed: 1,493 out of 7776
  3. Negative: 1,933 out of 7776
7776 movie reviews
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  1. Magician: The Astonishing Life and Work of Orson Welles
    Director Chuck Workman's simply compiles Welles's greatest moments, offering little in the way of an authorial point of view.
  2. American Sniper
    Clint Eastwood startlingly grips the audience with his sense of hypnotic silence, which carries suggestions of what might be termed politically apolitical pragmatism.
  3. Exodus: Gods and Kings
    It doesn't take long to realize that Ridley Scott's adaptation is only aiming for certain forms of credibility, and callously eschewing others.
  4. Still Alice
    Julianne Moore and Kristen Stewart's artful consideration of familial friction acerbated by disease, and vice versa, nearly saves Still Alice from the banality of its Lifetime-movie execution.
  5. Miss Julie
    The film is no tearjerker, but it makes the stage play's hidebound, soul-baring pleasures mesmerizing on screen, and without copping to reductivism.
  6. Wild
    Director Jean-Marc Vallée has created a film out of Cheryl Strayed's beloved 2012 memoir that never quite matches the blunt audacity of its simple title.
  7. Concerning Violence
    Here is a film that isn't afraid to risk didacticism in order to put across its vision of the debilitating physical and psychological effects of colonialism.
  8. The Hobbit: The Battle of the Five Armies
    These films, and Tolkien's entire oeuvre, are most affecting in their depictions of friendship, and the performances here represent plutonic male intimacy in convincing, often moving ways.
  9. Comet
    Its time-jumping strategy cleverly illuminates the way in which we go over and fixate on isolated incidents in our minds of breakups past.
  10. Pioneer
    Its greatest asset, and another trait it shares with Mann and Fincher's work, is a careful attention toward the particulars of its milieu in a way that doesn't call attention to those period touches.
    • 70 Metascore
    • 100 Critic Score
    A Spell to Ward Off the Darkness
    It captures a kind of essential form of self-expression (and pleasure) that exceeds categorization, creating a shared experience between the musicians, the filmmakers, and the viewer that feels sublime.
  12. Dying of the Light
    Paul Schrader's personality reveals itself in the film's joylessness, which is meaningless without the director's accompanying and occasionally poignant existentialism.
  13. Horse Money
    Costa's storytelling is illusory at best, but Horse Money's self-contradictions are communicated not via plot half as much as in scenography, even in the costuming.
  14. Once Upon a Time Verônica
    The film is simply too conscious of its form and its global-market ambitions to ever feel honestly interested in the themes it purports to cherish.
  15. Remote Area Medical
    Despite the subdued anger and drawn-out suffering on display, the documentary is primarily a work of hope.
  16. The Immortalists
    Some voices of reason and skepticism do make an appearance to rebut and deflate Bill and Aubrey's monumental claims, but aren't allowed to fully elaborate on their arguments.
  17. Penguins of Madagascar
    It does well to put more focus on delivering a plethora of jokes, imitations, zippy repartee, and sight gags than its plot's familiar machinations.
  18. The Kingdom of Dreams and Madness
    The documentary is hesitant to show the great work that resulted from Hayao Miyazaki's "grand hobby," never including clips from the classics referred to throughout.
  19. Antarctica: A Year on Ice
    Anthony Powell's vision as a filmmaker is frustratingly limited to an information-style presentation that doubles as an enthusiastic advert for the transcendental qualities of the terrain.
  20. Escobar: Paradise Lost
    Benicio Del Toro's performance is showy, a great actor's parade of indulgences that occasionally sets the deranged camp tone that should have been the narrative's starting point.
  21. Before I Disappear
    Even at its most compelling, it remains inconsistent and superfluous, a lesson that sometimes a movie can feel more fully formed in 19 minutes rather than 90.
  22. Horrible Bosses 2
    If your answer to the question "When are rape jokes funny?" is anything aside from "never," the good news is that you may still find a lot to hoot over throughout the film.
  23. Story of My Death
    True to its title, the film approaches death as both narrative endpoint and formal focus, its initial vivacious mischief giving way to a Manichean fable about the waning of the light.
  24. The Hunger Games: Mockingjay - Part 1
    As a metaphor for the way we respond to the media, and the way our politics are funneled through the media lens, the film succeeds most when it revels in ambiguity.
  25. Extraterrestrial
    A knowing mélange of recognizable genre tropes bordering on shopworn cliché, with little else introduced to the equation to justify its existence.
  26. Flamenco, Flamenco
    It's as if Carlos Saura were calling the bluff of spectacle-oriented narrative cinema that necessitates excusing its excesses with characters and plotting.
  27. The King and the Mockingbird
    If the film were to propose a mandate for animation, it would be what the medium's etymology has longed suggested: to make the inanimate full of life.
  28. The Circle
    The film refuses to tease us with suspense, overwhelm us with sentimentality, or defy us with nuance.
  29. Late Phases
    Adrián García Bogliano ends up merely toying with the death-steeped concerns of his characters, and taking the furious and bitter perspective that powers the narrative's ponderous dramatic core for granted.
  30. V/H/S: Viral
    One need go no further than the film's first segment to grasp how little interest the latest entry in the anthology series has in generating chills from the lo-fi.
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