Screen Rant's Scores

For 2,026 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2026 movie reviews
  1. The only thing Harlin has done here is to remove the element of surprise. Without that, the film is nothing, nothing at all.
  2. After We Collided is riddled with cliches and tired young adult tropes, but its dramatic romance and laughable dialogue offers some escapist fun.
  3. Lumina is an impressively incoherent film.
  4. Jump Shot is an important basketball history lesson, shining a light on one of the game's unsung heroes who deserves more recognition.
  5. The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.
  6. Despite featuring a few well-executed, tense gore sequences towards the end, Smiley Face Killers is mostly uninspiring and makes for a tedious watch.
  7. Breach has its moments of B- movie fun, stemming more from utterly ridiculous execution than a sincere effort to create a gripping space horror.
  8. The Ultimate Playlist of Noise has some lovely and heartwarming moments, but it lacks a strong central relationship and is often too formulaic.
  9. Ultimately, First Blush works as an engaging, compelling exploration of how a change in a relationship can also wake up unresolved personal issues. However, while the first half is incredibly strong, Neumark struggles with bringing it all together in the end by rushing to bring the characters into conflict with one another.
  10. With no buildup, tension, or interesting characters, The Sinners fails in its execution and exploration in the themes it puts forth.
  11. Lacking narratorial depth, convincing characters, and a plausible storyline, Curse of the Blind Dead utterly fails the original tetralogy on all ends.
  12. Rooting itself in nuanced tech-noir, The Tangle unfolds into breathtaking lyrical poetry about human ambition and “the caverns measureless to man.”
  13. It’s a passion project that, while evoking emotion in the wake of grief, could have used some more editing and fine-tuning for a better and smoother journey.
  14. Unevenly paced and with few laughs, Love Spreads fails to tell an engaging story and focuses too much on underdeveloped, unlikable characters.
  15. After We Fell is the pulpy, melodramatic and messy continuation of Tessa and Hardin's story that may appeal to diehard fans, but no one else.
  16. Lair could have been a solid entry in the horror genre had it not been hindered by a muddled narrative and sub-par execution, which only leaves the viewer wishing for something far more substantial than what was given.
  17. Too little attention is granted to Apex’s world-building, and the sci-fi aspect of the film seems more of an afterthought rather than an active factor, making the film a terrible, mediocre letdown.
  18. Despite its potential, A House on the Bayou has nothing new or interesting to offer, with the final twist further undoing the film's scattered charm.
  19. No matter how ridiculous the plot, and no matter how super Christmas-y these films get, Hudgens will remain the steadfast north star.
  20. Sporting skilled choreographed action sequences, Castle Falls offers a mildly satisfying viewing experience despite a weak and muddled storyline.
  21. Mixtape feels familiar and new all at once thanks to its earnest story and central messages of family and grief that will touch viewers of all ages.
  22. A genuinely gritty premise paired with a 90-minute runtime is typically a recipe for success, but The Last Son never becomes the movie it's capable of being.
  23. The film is very pleasant and manages to succeed in what many romantic comedies often fail to do — be entertaining and worth revisiting.
  24. Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching.
  25. Netflix's The Knight Before Christmas is a perfectly charming holiday rom-com, with plenty of time-travel hijinks and a valiant effort from its stars.
  26. Achoura is by no means a bad film — quite the opposite in fact. There is potential for Selhami’s career as a horror writer-director as his vision and ambition shine bright through his film.
  27. The Kindred is overrun with clichés despite providing some solid concepts, marred completely by a sluggish pace and unconvincing writing.
  28. All in all, The Legend of La Llorona is a kooky movie with more laughs than scares, and is best watched after midnight alongside like-minded friends.
  29. Borrego, written and directed by Jesse Harris, is misguided and fails to be thought-provoking or contemplative on the matters it seems to be about.
  30. Sex Appeal has good intentions and good instincts, but a lack of nuance torpedoes the whole endeavor.

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