Screen Rant's Scores

For 2,008 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2008 movie reviews
  1. Although the film's narrative is passable at best, it struggles to maintain any momentum due to uninteresting characters and predictably bad writing.
  2. Die in a Gunfight is utterly empty, with poorly developed characters, clunky dialogue, and a disingenuous romance that attempts to be epic in nature.
  3. This shocking horror comedy is a train wreck that you can’t look away from. Whether the filmmakers intended this to be the case is a question on its own, but I’m sure Krazy House will acquire a following.
  4. We’re only halfway through the year, but I wouldn’t be surprised if Bride Hard ends up being the worst movie of 2025.
  5. Alarum fails on all counts, and the few positives aren't successful in bringing the movie out of the gutter.
    • 22 Metascore
    • 30 Critic Score
    If you've ever wondered what a remake of PrettyWoman written and directed by Guy Ritchie would look like, then Duchess (2024) is the film for you.
  6. Replete with atrocious visual effects and sound design, Vanquish emerges as a ghost of an exciting action thriller with a tired, deadpan storyline.
  7. There's a sense of respect for both the L.A. gang codes and Latinx cultural traditions on display, but they're let down by the the film's plot and characters. Combined with Ayer's continued storytelling missteps, The Tax Collector amounts to a lot of blood and brutality without the soulfulness to match.
  8. The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.
  9. Asking For It is a pop-rock take on the revenge thriller that tries to take a stance, but fails to make a case for why it exists. Asking For It often feels like a mansplaining version of what a modern revenge thriller should be.
  10. Nearly everything Ritchson and James do in the name of comedy is forced and untethered from reality. Then again, so is the movie, so at least it's consistent.
  11. On a Wing and a Prayer will certainly find its audience and pays respect to a man who did the impossible, but as a viewing experience, it misses the mark at every turn.
  12. The only thing Harlin has done here is to remove the element of surprise. Without that, the film is nothing, nothing at all.
  13. After We Collided is riddled with cliches and tired young adult tropes, but its dramatic romance and laughable dialogue offers some escapist fun.
  14. Lumina is an impressively incoherent film.
  15. Jump Shot is an important basketball history lesson, shining a light on one of the game's unsung heroes who deserves more recognition.
  16. The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.
  17. Despite featuring a few well-executed, tense gore sequences towards the end, Smiley Face Killers is mostly uninspiring and makes for a tedious watch.
  18. Breach has its moments of B- movie fun, stemming more from utterly ridiculous execution than a sincere effort to create a gripping space horror.
  19. The Ultimate Playlist of Noise has some lovely and heartwarming moments, but it lacks a strong central relationship and is often too formulaic.
  20. Ultimately, First Blush works as an engaging, compelling exploration of how a change in a relationship can also wake up unresolved personal issues. However, while the first half is incredibly strong, Neumark struggles with bringing it all together in the end by rushing to bring the characters into conflict with one another.
  21. With no buildup, tension, or interesting characters, The Sinners fails in its execution and exploration in the themes it puts forth.
  22. Lacking narratorial depth, convincing characters, and a plausible storyline, Curse of the Blind Dead utterly fails the original tetralogy on all ends.
  23. Rooting itself in nuanced tech-noir, The Tangle unfolds into breathtaking lyrical poetry about human ambition and “the caverns measureless to man.”
  24. It’s a passion project that, while evoking emotion in the wake of grief, could have used some more editing and fine-tuning for a better and smoother journey.
  25. Unevenly paced and with few laughs, Love Spreads fails to tell an engaging story and focuses too much on underdeveloped, unlikable characters.
  26. After We Fell is the pulpy, melodramatic and messy continuation of Tessa and Hardin's story that may appeal to diehard fans, but no one else.
  27. Lair could have been a solid entry in the horror genre had it not been hindered by a muddled narrative and sub-par execution, which only leaves the viewer wishing for something far more substantial than what was given.
  28. Too little attention is granted to Apex’s world-building, and the sci-fi aspect of the film seems more of an afterthought rather than an active factor, making the film a terrible, mediocre letdown.
  29. Despite its potential, A House on the Bayou has nothing new or interesting to offer, with the final twist further undoing the film's scattered charm.

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