Screen Rant's Scores

For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2041 movie reviews
  1. X
    While X could have dug a bit deeper into certain aspects of the story, the film’s twists, layered themes, and intriguing character dynamics blend together to make it one of the best horror films of the year so far.
  2. The Half of It puts a queer YA spin on a classic romance story, but Wu makes it her own - delivering a charming, sweet and altogether heartfelt movie.
  3. Companion wants to surprise you, but has no real interest in trying to outsmart you.
  4. Audiences may not have much of an appetite after watching the film, but the experience, like Slowik’s promise to his own guests, will be one they won’t soon forget.
  5. A Haunting in Venice is standard Hercule Poirot mystery fare that is given a boost thanks to the stunning visuals and supernatural happenings.
  6. For those with even a general interest in gaming and looking for a charming twist on the theater industry, Grand Theft Hamlet is still worth a watch.
    • 40 Metascore
    • 70 Critic Score
    Ralph Bates gives a phenomenal interpretation of Victor Frankenstein himself, but it's David Prowse's musclebound monster that steals the show. It jumps through a lot of the same hoops as the Universal version, but it does stand out compared to other interpretations.
  7. Palestine 36 is beautifully shot and researched, and peppered with historical touches.
    • 58 Metascore
    • 70 Critic Score
    At its heart, it is Holt and Swindells’ performances that give the story its warmth and soul — qualities essential to any Christmas movie.
  8. Beau is Afraid will make one feel alongside its title character in a way few films do, and it's a torturous and glorious ride.
  9. It's one of Adams' best performances in a career full of them, messy and feral and unwiedly, just like Nightbitch itself.
  10. While the story leaves something to be desired, The Sparrow in the Chimney is a memorable family drama with plenty of layered symbolism that will keep you thinking long after the credits have rolled.
  11. It is the type of film that asks for a deeper engagement than it is willing to offer, but Hadžihalilović may just be pulling us into her conception of image-making as a process of self-actualization. If that is the case, the film does well to break from Andersen's tragic tale for something a bit more existential.
  12. With bi-erasure and transphobia both ballooning, I Wish You All The Best comes with a strong message of hope: that you, too, can be an awkward, flailing teen. That awkwardness is not exclusive to those who fit a traditional mold, and that we all deserve a chance to mess up.
  13. Gulner, who has five other writing credits but directs here for the first time, is a sturdy filmmaker with a solid feel for pace and tone. With The Beldham, she has crafted a clever piece of writing whose ending recontextualizes the whole film in a magnetic flash.
  14. Full of action sequences and an incredibly moving score to pair, this could be the kind of war drama that audiences have been missing. It’s heavy on the violence and anti-war messaging, and contains a beautiful story about survival, humanity, and doing the right thing even when there are countless obstacles in the way.
  15. I’m Still Here is an evocative, nuanced portrait of family and the lasting imprint of politics.
  16. The film makes up for some of the missed storytelling opportunities with its stylish, exciting action sequences, and its swift pacing, all of which combined make for a fun, overall enthralling time.
  17. The film is infectiously exuberant, with kinetic energy that never lets up. Paired with its lighthearted tone, Honor Among Thieves is a wildly good time at the movies.
  18. While the pacing dawdles just a bit in a few places, The Outside Story is an unexpectedly warm film that asks its audience to engage with their own surroundings in the hopes that they, like Charles, might find something worthwhile.
  19. Though following a familiar formula that's running the risk of wearing thin, Kung Fu Panda 4 still finds heart in the reliable Dreamworks franchise.
  20. Enhanced by an all-in performance from Watts and impressive behind-the-camera work, Infinite Storm is a ride that's both engrossing and emotional.
  21. The film's tone and performances are in lockstep, creating a familiar but effective vibe, making MK Ultra a no-frills thriller reminiscent of classic 70s paranoia.
  22. There may be few miracles in The Wonder, but it's clear that Pugh is one unto herself.
  23. Though Togo is headed straight for a streaming service, it's still feels like a very cinematic experience. Director Ericson Core (who also served as the movie's cinematographer), excels at portraying the brutal conditions Leonhard and his team endured during the serum run.
  24. The film offers an inspiring and remarkable story of hope, creativity, and adaptability, through the eyes of Mats and his alter ego, Ibelin.
  25. Moviegoers looking for something romantic and entertaining to catch on Valentine's Day weekend (or even later on in February) won't go wrong with The Photograph.
  26. Led by a great Lesley Manville, Mrs. Harris Goes to Paris is a delightfully wholesome film and the very definition of a "feel good" story.
  27. Generally, No Man of God takes a more mature and nuanced look at human evil, rejecting the impulse to glorify or romanticize figures like Bundy, but also reminding audiences that moral corruption manifests in many forms.
  28. The film brings the drama, but it’s never overdone and the performances from the cast elevate the material, adding dimensions to the characters’ lives.

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