A lot happens, story-wise, but if the film had just followed Sylvia and Saul learning how to be around each other, it would've been enough.

It may not push the envelope or be as innovative as other films out right now, but Just Mercy is nevertheless able to captivate the audience and could even inspire people to try to make a difference.

It is a solid sports biopic that aims to celebrate the cherished memories the Antetokounmpos have and their continued success as a united, happy, and prosperous family.

Stanicky is a character to cheer for, and Cena's energy in the role makes Ricky Stanicky an entertaining watch with some surprising depth to it.

The film balances multiple storylines with intense action sequences and, despite pacing issues, packs a major punch that will keep audiences riveted.

There is a lot to recommend it, including a strong visual sense (especially when it comes to the many scenes that feature single light sources), solid performances (particularly Apte, who commands every second of her screentime, which is essentially every second of the movie), and plenty of kooky moments the likes of which are not going to be seen in any other movie this year.

Much like its main character, To All the Boys: P.S. I Still Love You is so sweetly, openly earnest in its love of love that it transcends cheesiness and gives viewers permission to indulge in unabashed intimacy and romance for its entire one hour and 40-minute runtime.

Few stones are left unturned in the callbacks to different parts of his career, and those unfamiliar with Shatner's lower-profile roles will get a kick out of seeing him outside his most iconic roles.

Bloody, fun and achingly heartfelt, Spontaneous presents a clever and original story about life, love and how suddenly things can change.

The biggest drawback of Migration is that it doesn't play to its strengths as often as it should.

Piggy (Cerdita in Spanish) has a slow-burn intensity that culminates in a superb ending and, though the film could have had tighter writing and better pacing in places, it’s still a satisfying watch.

Diallo knows how to create a deeply disconcerting atmosphere.

Luckily, Johnson and Penn's compelling dynamic keeps us hanging on, right up until the moment they part. That final beat could've been shorter to make more of an impact, but that doesn't lessen the satisfaction of the journey overall.

Raiff captures how relationships can blossom through connection and how affecting they can be when the two people in question are both trying to take the next steps in their lives but are not quite sure how to do it. To that end, Cha Cha Real Smooth is a triumph in its exploration of its characters, and the honesty it brings to the forefront.

It’s a rousing horror with entrancing lore, an eco thriller with interesting themes, and a hostage drama that banks on gruesome and disorienting actions. Not everything comes together cohesively, but the story has a lot to offer and it’s grounded enough to leave a big and lasting impression.

The film is earnest and full of yearning and intimacy, elevated by the performances of its lead actors who, even in the film’s most abrupt moments, have so much chemistry to keep audiences watching.

There’s Something in the Barn is a horror comedy that seems destined to be a cult classic. It ultimately delivers on its premise and has a whole lot of fun while doing so.

What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.

Ultimately, The Long Walk is a terrific, entertaining film with some interesting things to say about the state of the world. They're not all fully articulated, but I’ll always prefer a film that advances cautiously in the right direction rather than one that hits the ground running without knowing where it’s going.

Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.

Thanks to the intriguing nature of the titular character’s existence, audiences everywhere can expect a thrilling horror feature that capitalizes on the charm and acting of its leads, campy sequences, and fun uses of music. This is the type of film enjoyed best with a crowd.

The movie's atmospheric approach to horror sometimes works against it, but stellar performances from Dan Stevens and Schafer ultimately make it a home run.

Even as it veers into darker thematic territory, Feig's light touch and Seyfried's committed performance add an air of deranged enjoyment that make The Housemaid one of the most fun movies of 2025.

It’s a film like no other that you’ll see this year, and though not everything works, River is a time loop jaunt that isn’t easy to forget, bolstered by fantastic performances and a deep sense of fun.

The Holdovers won’t blow you away in any particular category of filmmaking, but in the capable hands of Payne, every one of these categories is above average, making the overall film equally enjoyable and well-made.

By reflecting the difficulties of life with the hope that comes from one's passion, this film does a great job at emphasizing how, even in the face of insurmountable adversity, passion can triumph over even the toughest of times.

Barthes’ thought-provoking script is backed by phenomenal performances from Clark and Ejiofor. And despite its longer-than-needed runtime, the feature is sure to keep audiences entertained from start to finish.

Those who enjoyed Cavill's Sherlock in Enola Holmes will be especially happy to see him more involved in the story of the sequel, but this remains Brown's franchise. She's become a powerhouse and continues to capitalize on her skill and charm to keep this film series engaging, and viewers will be won over by the better constructed mystery and delightful dynamic between the two Holmes siblings.