Self Reliance doesn’t take itself too seriously, and it’s exactly the kind of directorial debut one would expect from Johnson — and he certainly delivers a wild, energetic, funny story that still works despite a lukewarm ending.

An emotional movie about family that showcases the strength and togetherness of rural America through a vibrant, moving presentation.

While not flawless in execution, it's daringly creative — the kind of movie that will inevitably cause those who see it to start talking about other movies as a way of understanding

The Christophers trusts its two leads and their characters to guide the audience to its desired conclusion, and watching it unfurl is a rewarding experience.

Anything is Possible is great for what it is, but its potential is even greater.

Censor is chilling, an assured horror that blurs the line of reality for its protagonist as she delves into that which makes her most vulnerable.

Cave's assured direction creates a sickly sweet, dreamy world, and though its story sometimes lacks the dynamism it needs to fully connect, Kidman, unsurprisingly, carries the film over the finish line.

While there are explorations of difficult topics in Remarkably Bright Creatures, the movie is ultimately about the good in people, and how human connection can lead to a fulfilling life. As such, it wouldn't be surprising for the film to wring a few (or a lot of) tears from its viewers, with its themes of resilience and recovering from devastating grief. But Newman and Whittington's script balances the darker moments of the movie's story with plenty of levity, helped along by Remarkably Bright Creatures' idiosyncratic octopus narrator.

Poignant and raw, the film is effective in all the ways it should be. While it does a better job engaging with its revenge-fueled storyline in lieu of a more familial exploration in the wake of the tragedy, the film still manages to land a heart wrenching blow.

How It Ends is a quirky and grounded indie feature about facing one's issues head-on when the world is about to be destroyed by an asteroid.

Led by the delightful pairing of Emily Blunt and Dwayne Johnson, Jungle Cruise knows how to enjoy itself, even if the journey is a bit overstuffed.

The film keeps things simple, but it shines like a lighthouse in the darkness nonetheless.

Anchored by strong performances from Daisy Ridley and Dave Merheje, the film has pacing issues, but it's emotionally resonant, humorous, and relatable.

Emotionally effective and often quite tender, the film boasts understated, powerful performances from Emilia Jones and Scoot McNairy.

Girls Like Girls is a familiar plot, which is part of the point. It's a grounded love story that isn't afraid to make characters messy or deal with trickier subjects, largely executing a painfully realistic story with a good sense of craft. While some elements feel underbaked or seem one-note, the central focus and performances by Myra Molloy and Maya Da Costa give Girls Like Girls an effective emotional core.

The Bluff is a rollicking throwback to the swashbuckling action of old. It is brutal and inventive enough to wash over its derivative narrative.

Often ridiculous, yet perennially fun, Psycho Goreman is a clever, schlocky genre-mash with characters one cannot help but ultimately root for.

Featuring interviews from his ex-wife Priscilla Presley and those who knew him best, and including four different actors portraying him at four distinct time periods of his life, it's a comprehensive, defining look at his rise as well as what continues to make him an enduring pop-cultural icon decades after the height of his career.

With a deliberate pacing that is aided by great performances and stellar cinematography, the movie does a phenomenal job at showcasing the human struggles that follow tragedy.

With an exceptional performance from Ahmed and style meets substance storytelling, Hamlet is a journey worth taking.

A fun film for all ages, Haunted Mansion may be the remake you never knew you needed. The feature is full of great laughs and some age-appropriate scares that will keep viewers of all types glued to the screen. While heavy on cheese and silliness, screenwriter Katie Dippold is never afraid to discuss an important topic like grief through her characters. It brings a realistic element to the film and balances out some of the fantastical elements. Haunted Mansion may not break any barriers when it comes to storytelling, but thanks to a dedicated cast and their commitment to their characters’ vivid personalities, you can’t help but smile throughout.

Fixed is fun while it lasts, more so than you might expect going in. Its most lasting effect on me might be a longing for more traditional, hand-drawn, 2D animation from our major studios, and anyone who might feel similarly shouldn't let this movie pass them by.

Left-Handed Girl is ultimately quite optimistic while never succumbing to the saccharine.

Because of its beautiful story about people simply living in 1980s Ireland, That They May Face the Rising Sun stands out as a perfect examination of the multifaceted nature of life.

Rez Ball is a wonderful sports drama with a story that is equal parts insightful and inspiring.

Miroirs No. 3 is a bucolic, poetic film of simple beauty with light, magical touches about the ability of a stranger’s love.

Yorgos Lanthimos’ Kinds of Kindness is a melting pot of anthology narratives that callously spotlight our desperation for affection and acceptance.