Thanks in large part to Moss's performance, The Invisible Man becomes a fascinating dive into a survivor's psyche wrapped up in a compelling and truly scary horror movie.

Ultimately, this story, likely unfamiliar to the masses, conveys the hidden history behind Miranda Rights with conviction and great storytelling.

It is a pretty average "day at camp goes horribly wrong" story. It stands a little higher, however, because it deals with an underrated bug that horror films should honestly put to work more.

If Heated Rivalry could help with queer representation in sports, perhaps Youngblood could help crack the foundation of racism in hockey.

The film may not always conquer its genre's tendency toward oversimplification, but what complexity makes it to the screen is enough to come away from it with something to chew on.

It brings in new characters who stand apart and maintains the connection to the other films, all while critiquing these very aspects in the same breath. The horror commentary remains top tier, with the fifth installment proving the Scream franchise has still got it.

Directed by Rob Savage, The Boogeyman does an outstanding job of terrifying without forgetting about the very human emotions and relationships that anchor and elevate the story.

Jurassic World Dominion is a messy but fun end to the Jurassic Park sequel trilogy, bringing franchise themes, characters, and nostalgia full circle.

Its charms grew on me so fast that I couldn't help but love almost everything about it, logic be damned.

DaCosta makes some key changes to the ending of this story that slightly undermine its more subversive inclinations, but that doesn't make the film any less effective. Her confident direction and Sean Bobbitt's lush cinematography make Hedda an electrifying adaptation that relishes the chaos as much as its characters, even as blood, bullets, and booze continue to fly.

Its entertaining approach to the history it portrays works to make the movie memorable, resulting in a must-see biopic that's perfect for those who want to learn about women's wrestling history.

A tale of power and misogyny masquerading as honor, the film is engaging and occasionally funny, embracing its themes despite a narrative imbalance.

Death of a Unicorn is incredibly entertaining. It's weird and a bit goofy (in the best way), with a satisfying ending and character interactions that are off the wall.

No Hard Feelings is a dual coming-of-age story hidden inside a raunchy comedy that, despite its faults, is both sweet and hysterical, with a chaotic performance from Lawrence that shows the actress can do just about anything.

A Desert is the scariest movie I've seen all year.

The Long Game doesn’t push itself far enough, but ultimately, it successfully and truthfully tells the story it set out to tell and has fun along the way.

Finding ‘Ohana continues the tradition of balancing heartwarming family bonding time with genuine humor and wondrously exciting escapades.

In the end, Standing Up, Falling Down is all the better because of Schwartz and Crystal. Their comedic delivery is effortless and their personalities beautifully mesh together. Even as the story becomes more somber, they dive into dramatic elements with ease, turning this story's familiar plot into an interesting meditation on regret and the way it takes its toll.

Ultimately, Bullet Train is one of the most entertaining and flashy films of 2022, thanks to lively performances, incredible fight setups, stylish cinematography, and punchy writing.

Though its characters and story could've benefited from a deeper, more original development, Roache-Turner ultimately knows what audiences are coming to see and delivers that in droves, offering horrific deaths, a tense atmosphere and stylish direction to entertaining effect.

Somewhere between Alien & Aliens — fitting given its place in the timeline — Romulus serves up blockbuster-level action & visceral horror all in one.

It is, ultimately, a film completely uninterested in subtlety. That's both to its credit and to its detriment.

By the end of Dragon Ball Super: Super Hero, fans will feel both nostalgia and elation for the direction the franchise is going.

At times coming across like a fusion of Babe and The Thursday Murder Club, The Sheep Detectives gets by a lot on pure charm. The mystery is compelling enough to keep audiences guessing, while the central characters are engaging enough to follow as they find out more about George's death. The film doesn't quite overtake other entries in the cozy mystery genre, but the sweet morals and clever twists make this a worthwhile watch.

Quietly immersive and poignant, Supernova excels as a showcase for leads Tucci and Firth, even when the story can't quite match them.

It’s an imperfect film that is intriguing until the end.

Shannon and Neveu’s compassionate display of understanding different perspectives when it comes to something as tragic as a school shooting is simply beautiful storytelling.

That the film is so admirably sex-positive, especially as it is from the too-often silenced perspective of female pleasure, makes it all the more refreshing.