Laymon expertly crafts a narrative that feels as universal as it is unique. This film embraces a hopeful path, expressing with absolute sincerity that believing in the humanity of others is essential to healing.

Soderbergh fans and those looking for a slick thriller should be inclined to check KIMI out when they get a chance.

Meyers' disjointed approach to Human Capital expertly weaves its story into a gripping mystery that's further elevated by exceptional performances.

Thanks to a stunning lead performance from Jean-Baptiste and an ending that doesn’t take the easy way out, it is a must-watch.

Brian and Charles is a soothing, lighthearted, and warm story about friendship and connection that is strengthened by its titular characters.

It's gut-wrenching, emotional, and worth seeing, driven by a fantastic performance from Deadwyler that is sure to bring many to tears.

It's a strong, engaging story that showcases some striking animation, and if I am to return to the wider world of Peter Jackson's Middle-earth, this seems to me an ideal way to go about it.

While it's not as good as the first, it ups the ante on gore and insanity, and will delight those who enjoyed Re-Animator.

Bolstered by a moving performance by Jennifer Kim, the film is a slow-burn, character-driven thriller that brings us to question what is real and what is imagined.

The film may be a simple story of survival on the surface, but the deeper layers offer universal messages that are potent and powerful. Even with its pacing issues, this movie is a strong look at the nature of grief, while showcasing important themes in very meaningful ways.

Though Baylin & Coogler’s script gives just enough to not be forgettable, Jordan’s direction seals the deal and provides fulfilling entertainment.

Ignore the publicity bluster, and you'll find at the core of Song Sung Blue the same modest dream to entertain that drives the Sardinas. Is it one of the best films of the year? Certainly not. But a good time at the movies? You betcha.

Thanks in large part to Moss's performance, The Invisible Man becomes a fascinating dive into a survivor's psyche wrapped up in a compelling and truly scary horror movie.

Ultimately, this story, likely unfamiliar to the masses, conveys the hidden history behind Miranda Rights with conviction and great storytelling.

It is a pretty average "day at camp goes horribly wrong" story. It stands a little higher, however, because it deals with an underrated bug that horror films should honestly put to work more.

If Heated Rivalry could help with queer representation in sports, perhaps Youngblood could help crack the foundation of racism in hockey.

The film may not always conquer its genre's tendency toward oversimplification, but what complexity makes it to the screen is enough to come away from it with something to chew on.

It brings in new characters who stand apart and maintains the connection to the other films, all while critiquing these very aspects in the same breath. The horror commentary remains top tier, with the fifth installment proving the Scream franchise has still got it.

Directed by Rob Savage, The Boogeyman does an outstanding job of terrifying without forgetting about the very human emotions and relationships that anchor and elevate the story.

Jurassic World Dominion is a messy but fun end to the Jurassic Park sequel trilogy, bringing franchise themes, characters, and nostalgia full circle.

Its charms grew on me so fast that I couldn't help but love almost everything about it, logic be damned.

DaCosta makes some key changes to the ending of this story that slightly undermine its more subversive inclinations, but that doesn't make the film any less effective. Her confident direction and Sean Bobbitt's lush cinematography make Hedda an electrifying adaptation that relishes the chaos as much as its characters, even as blood, bullets, and booze continue to fly.

Its entertaining approach to the history it portrays works to make the movie memorable, resulting in a must-see biopic that's perfect for those who want to learn about women's wrestling history.

A tale of power and misogyny masquerading as honor, the film is engaging and occasionally funny, embracing its themes despite a narrative imbalance.

Death of a Unicorn is incredibly entertaining. It's weird and a bit goofy (in the best way), with a satisfying ending and character interactions that are off the wall.

No Hard Feelings is a dual coming-of-age story hidden inside a raunchy comedy that, despite its faults, is both sweet and hysterical, with a chaotic performance from Lawrence that shows the actress can do just about anything.

A Desert is the scariest movie I've seen all year.

The Long Game doesn’t push itself far enough, but ultimately, it successfully and truthfully tells the story it set out to tell and has fun along the way.