Screen Rant's Scores

For 2,041 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2041 movie reviews
  1. It walks the fine line between being too whimsical and too dramatic, yet maintains that delicate balancing act over the course of its entire runtime.
  2. A story of family expectations, self-realization, and political altercations, Uproar packs an emotional punch while remaining consistently funny.
  3. What Happens Later isn't without some hiccups in its execution, but with Ryan at the helm, it's impossible not to feel charmed.
  4. Yes, Charlie Heller (a brilliant Rami Malek) spends an appropriate amount of time dreaming up memories of his beautiful wife Sarah (an underutilized Rachel Brosnahan), but the screenplay by Ken Nolan and Gary Spinelli offers plenty more than the usual setup of a man hulking out over a woman's death.
  5. Heavy-handed and unnecessarily long, Spencer explores Diana as a prisoner of the royal family in heart-wrenching and beautifully haunting fashion.
  6. Skarsgård and Benjamin make for an odd pair that work well together at every turn. The vision of Mohr is clear and realized, and the resulting work of art will excite audiences around the world.
  7. Thanks to the movie's skillfully executed and relentless action and a couple of major twists, Kill largely overcomes its few hurdles to be an absolute thrill ride.
  8. Ghost Elephants is an almost diaristic documentary, eschewing normal pathways for a more esoteric exploration of survival, science, intuition and mortality.
  9. A fascinating character study that shows us the dangers of finding fulfillment in all the wrong places.
  10. The Electrical Life of Louis Wain is so utterly charming and buoyant that it makes even the frustrating aspects of the film forgivable.
  11. This isn't a Skywalker Saga installment, nor does it pretend to be all that much bigger than the show it comes from. This is a film focused on Din Djarin and Grogu, and it delivers on that point. With those expectations set, The Mandalorian and Grogu is genuinely delightful to watch. It's funny, sweet, very emotional at times, and full of action and adventure.
  12. Throughout the film, Arnow takes us on a quiet odyssey that captures the search for real intimacy, as Ann struggles to act on her desires in all parts of her life.
  13. It’s a fun B-movie with timely elements and some exciting kills. It may not be much more than that, but sometimes that’s enough.
  14. If Infested suffers from anything, it's that Vaniček makes its characters and themes too real, and the monsters can't keep up.
  15. Though Decibel boasts loud explosions and a stressful race against the clock, its secret weapon lies in Lee Jong-suk & Cha Eun-woo's emotional scenes.
  16. What You Wish For posits that the cycle of working for an evil, self-righteous entity never stops.
  17. Joker: Folie à Deux is not always fully thought through. This is why the original was often misread in the first place. This film is full of quality craftwork, performances, and images. There's much here to appreciate, especially visually, and I enjoyed my time with it. But I'd recommend not asking much more of it than that.
  18. While it can be too elliptical for its own good, Shirley is a frequently spellbinding blend of fiction and memoir anchored by a mesmerizing Moss.
  19. Costner and company know the importance of visual and sonic storytelling. In this film, the score, landscapes, and set pieces guide the stories along when the dialogue is limited, helping us to connect to the overall experience emotionally.
  20. Palm Trees and Power Lines is eerie, provocative, and thought-provoking.
  21. The film is a genuine pleasure to watch, especially for fans of either or both of the leading actors.
  22. Amrum doesn't fully confront all the questions it poses, instead serving as a meditation on the ways a child might respond to a world he doesn't fully understand.
    • 67 Metascore
    • 70 Critic Score
    Ultimately, Dead Man’s Wire succeeds as a comedy but often falters in its deeper social commentary. Though it lacks the critical bite that could make it one of Van Sant’s best, it sits comfortably among his most entertaining.
  23. Though the script fails to follow through on some of its promises, the subtext is there and Elordi, Edgar-Jones, and the rest of the cast give quietly devastating performances as their dreams manifest in ways they cannot predict.
  24. Black Cab has a pitch-perfect combination of Goodison's surreal direction and Gazelle Twin's ethereal score.
  25. Alice, Darling is a respectful and piercing character study that also serves as an excellent showcase for Kendrick's talents.
  26. Inside Out 2 leans more towards greatness than redundancy & though it falls short of being one of Pixar's best, it's a worthy addition to the library.
  27. This isn’t a film that relies on gimmicks and shock value. Instead, first-time feature directors Johnson and Merrick masterfully craft a story that relies on social media and technology to the benefit of the script. And thanks to a well-framed story and clever structure, everything comes together by the film’s end, revealing the answers from clues that just may have been there the entire time.
  28. While more could have been done to develop Dinklage and MacLaine's characters, or explore the outcome which comes in the film's sudden and succinct conclusion, American Dreamer does a tremendous job of exploring one man's American dream, the lengths he must go to achieve it, and what is waiting for him once he reaches that goal.
  29. If One Fine Morning offers no great revelations, it is full of echoes, parallels, and sparks that leave the viewer activated beyond its runtime, perhaps engaging with the world a little more thoughtfully than they were before watching.

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