San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,306 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9306 movie reviews
  1. A legit action movie.
  2. Isn't likely to win Murphy another Oscar nomination, but it allows him to do what he does best - loads of physical comedy.
    • 63 Metascore
    • 50 Critic Score
    A pleasant but mild-mannered experience.
  3. With a subject like Roman Polanski, you don't really need to do much to capture audience interest. But maybe that's the reason Roman Polanski: Wanted and Desired doesn't live up to its promise.
  4. The film is thorough and entertaining. It's enthusiastic about his contributions, but it's no hagiography, and it serves as both a celebration and a cautionary tale.
  5. Eventually comes into its own as a wacky commentary on the state of America in the fifth year of the Iraq war.
  6. When it's good, it's good, and when it fails, it's still clear what Levine was trying to do.
    • San Francisco Chronicle
    • 82 Metascore
    • 75 Critic Score
    It just does everything really well: perfect pacing, lovely camera work, spot-on acting and an ingenious plot.
  7. More intelligent than most summer blockbusters and features at its center a thought-out and committed performance by Will Smith. But in the end it's merely ALMOST good.
  8. Finding Amanda is a minor movie for Broderick, but considering where it takes him, it's understandable why he took the role.
  9. In the moment, it's intermittently transcendent, heartrending and beautiful ... and busy, repetitious and boring.
  10. Either a go-for-broke action movie or a sick, sick movie for a sick, sick public.
  11. Trumbo is welcome just to bear witness to the severe consequences meted out to one man who dared to do the right thing.
  12. Worth seeing just to admire how Argentine writer-director Marcos Carnevale avoids so much as a whiff of condescension.
  13. Breillat is inviting us to really look at sex as it occurs in life, and to engage with it mentally, as a driving mystery of human existence.
  14. A poignant, quirky and effective alternative to the usual soulless, computer-generated summer fare.
  15. Remaking Get Smart for the big screen might have sounded like a bad idea, but the movie shows it to have been something else: a REALLY bad idea.
  16. A disappointment, but it's not a disaster, and that's at least something.
  17. Has beautiful scenery and some enjoyable moments but leaves the viewer feeling the need to find the book to get the rest of the story.
  18. Much as she did in "Little Miss Sunshine," Breslin imbues Kit with joy.
  19. Under the subdued, dignified surface, this movie - about the 24 hours after a one-night stand - churns with a filmmaker's fascination and wonder, sadness and longing.
  20. It's an entertaining movie, which is half the game, but it's not scary, which it should be. Neither is it something to be taken seriously, though it's intended to be.
  21. Embraces its identity as a sci-fi-summer-action-blockbuster extravaganza. Along the way, it actually comes close to finding the balance that Lee was looking for.
  22. This is the portrait of a marriage as full and enviable as the greatest unions in literature.
  23. The best way to take this film is with a box of popcorn and a grain of salt.
    • 55 Metascore
    • 25 Critic Score
    Quid Pro Quo, billed as a "neo-noir" about a paraplegic journalist drawn into a shadowy world of disability fetishists, is choked by allegory and pretension. It's an O. Henry tale gone wrong.
  24. We're compelled to admire these athletes because, despite their obvious skill, they are in constant danger.
  25. An enjoyable example of this extraordinary director's documentary work.
  26. I'm going to go out on a limb here and say that this is probably the best movie so far this year about a kung-fu fighting panda.
  27. Serious intent may be lurking somewhere in there, but it's buried under layers of stupidity - not just stupid jokes, which is what you want from Sandler, but also stupid, shallow thinking.

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