San Francisco Chronicle's Scores
- Movies
- TV
For 9,305 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,161 out of 9305
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Mixed: 2,658 out of 9305
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Negative: 1,486 out of 9305
9305
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
A movie with an irresistible premise that ultimately collapses around the whole issue of motivation. Until it does, this is a thoroughly entertaining picture.- San Francisco Chronicle
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- San Francisco Chronicle
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- Critic Score
Takes its title from an early Artforum article that described the sleek aesthetic of the then-new Southern California art.- San Francisco Chronicle
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Reviewed by
Walter Addiego
A provocative character study and portrait of the times.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Stop laughing long enough, and you'll see that it's a picture about compromised lives and love for sale. But no one who watches Priceless will stop laughing for that long.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Clearly, Peirce's motives are pure. She's not using the "stop-loss" issue as a wedge to make the government or the administration look bad. She's using it to dramatize an injustice and to advocate on behalf of the soldiers.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
In the hands of visionary filmmaker Alexander Sokurov, this simple material makes for a haunting drama about war, generational relationships and the human condition.- San Francisco Chronicle
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Reviewed by
Walter Addiego
An austere rural landscape, festering hatred, class tensions, terse dialogue - these are common currency in indie movies these days. Shotgun Stories uses them all, but manages to stand out from the crowd.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Another dreadful, not-funny Owen Wilson movie, in which Wilson is the best thing.- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
Nothing groundbreaking, but there's an easy charm in the movie.- San Francisco Chronicle
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David Wiegand
Features a superb performance in the lead role, a strong supporting cast, very good cinematography and, most of all, emotional authenticity.- San Francisco Chronicle
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Peter Hartlaub
There are a few laughs and some touching moments, but nothing you couldn't get by watching episodes of "Good Times" and "Little House on the Prairie" back to back.- San Francisco Chronicle
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Fans of J-horror (for Japan, where the genre was born; its conventions have since spread to South Korea and Thailand) will find Shutter familiar; others may just doze.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Call it a victory of conviction over substance, but when Argento is onscreen, you look at her - not because she's good, but because she's there in a way nobody else is.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Sam Garbarski's use of slow-motion shots is pretentious, and he paces the film too slowly. But he captures the seedy side of London, giving you a feel for Soho during the day when sunshine exposes a cheap gaudiness.- San Francisco Chronicle
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Ruthe Stein
Although based on a fictional story, it has the feel of truth and is a vivid reminder of the hell Mexicans put themselves through to live in the United States, even illegally.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
A junior version of "Fight Club," only with no movie stars and different moves.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
A slow-moving family drama guaranteed to induce a nap if not somnambulism.- San Francisco Chronicle
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Peter Hartlaub
Has a solid story, which keeps things interesting during the quiet moments when nobody is getting kicked in the head.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
Just because it's a conscious commentary on other vile, useless, pointless cinematic exercises doesn't make it any less vile, useless and pointless.- San Francisco Chronicle
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Reviewed by
Walter Addiego
A potent drama from Yang Li, one of China's Sixth Generation filmmakers noted for the stark realism and documentary feeling of their work.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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Reviewed by
Walter Addiego
Relies on slapstick scenes that are neither essential nor especially clever.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
It's a drama with elements of black comedy and suspense, European in feeling but American in attitude. Just for fun, it's set in 1949, an era of glamour, of Hitchcock and of husbands even more clueless than they are today.- San Francisco Chronicle
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Reviewed by
Ruthe Stein
Frothy and exuberantly entertaining - in part because of the sexual innuendoes - it's the best romantic comedy so far this year.- San Francisco Chronicle
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