San Francisco Chronicle's Scores

  • Movies
  • TV
For 9,305 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Mansfield Park
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
9305 movie reviews
    • 49 Metascore
    • 50 Critic Score
    Some jokes work, some don't and, frankly, I can't remember either, but it leaves a sweet aftertaste. Slight, but sweet.
    • 69 Metascore
    • 100 Critic Score
    Cconsistently entertaining.
  1. Lacks, a story that makes it feel personal.
  2. Why is Breakfast With Scot in theaters instead of set for broadcast on the Lifetime, Hallmark or ABC Family channels?
  3. An impressive and imaginative fantasy.
  4. Deserves plenty of credit for exploring racial issues story in more realistic terms.
  5. It is crystal clear who screwed up this tortuously slow-moving romantic drama.
  6. The key to enjoying the film is warming up to the heroine, Poppy.
    • 69 Metascore
    • 75 Critic Score
    Elliptical, sweeping, lovely and thoroughly confusing.
  7. RocknRolla attempts to depict a world of ever-expanding chaos. But the chaos is only in the way the story is told. The actual vision Ritchie offers is pedestrian and tame.
  8. A fine ensemble piece, but a maddening and unjustified length.
  9. Maher makes Michael Moore look incredibly likable in comparison.
  10. Depending on your tolerance for talking Chihuahuas, this could make for a fun family night out.
  11. At times almost unbearably ugly, but by the time you walk out of the theater, you know you've seen something.
  12. An enjoyable way to start the Oscar season.
  13. A sharp-witted satire of celebrity journalism.
  14. Within the realm of a mildly good time.
  15. A film that doesn't let go from the very first moment.
  16. Truly a winter's tale.
  17. As the film meanders, the powerful moments barely outnumber the ridiculous. And another excellent performance from McAdams isn't quite good enough to mask the distractions.
  18. The movie doesn't have three brain cells to rub together, but the premise carries it a long way.
  19. The first and most honest thing to say about Miracle at St. Anna is that it's an awful mess.
  20. An annoying little film that attempts to be lascivious but is merely ludicrous.
    • 39 Metascore
    • 50 Critic Score
    The film tastefully yet unenergetically chugs along.
  21. Has an impressive cast and captures some of that era's fuzzy rebelliousness and humanism, but taken on its own the picture is finally thin stuff.
    • 66 Metascore
    • 100 Critic Score
    For a film that depends so heavily on talking heads, it has both a dramatic arc and a sense of character development.
    • 64 Metascore
    • 75 Critic Score
    Has a jangly, improvisational tone, with nuanced moments of humor and pathos.
  22. Most of the time, the movie is appropriately gritty and plenty engaging.
    • 54 Metascore
    • 50 Critic Score
    Getting an inside view on events is fascinating enough to carry the movie.
  23. It tells the amazing, but mostly true, story of a late-18th century aristocrat who made an indelible mark on English society akin to that of her direct descendant, Lady Diana.

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