With limited role-playing components, a so-so narrative, dialogue choices that don't seem to have significant impact, and a lack of replayability, Strays Gods: The Roleplaying Musical doesn't quite come together as well as it could. Still, this unique blend of styles will scratch those with an itch for an urban fantasy musical with entertaining songs.

Wastelanders won't convince anyone who thought Fallout 76 was irredeemable to begin to believe otherwise, it's simply not enough of a marked improvement to wholesale change many people's minds. For those that left a sliver of a chance for redemption, however, it's one small, wobbly step in the right direction.

With three more episodes to come, it wasn't a surprise to discover that The Council: Episode 2 - Hide and Seek was more transitionary by design. It has its fair share of minor revelations to make, but, continuing to be hampered by the same technical issues, it's important the next episode needs to up the ante and correct some missteps before my interest in the whole spectacle falls apart.

Mary Skelter: Nightmares straddles the line of having fun mechanics and story hooks with a mediocre plot featuring a poor conclusion. If you’re into the whole dungeon crawler with cute anime girls approach, like Demon Gaze or Operation Abyss, you’ll appreciate what Mary Skelter has to offer, providing dozens of hours of interesting content. While I wouldn’t recommend picking it up right away, it’s at least worth a try whenever it goes on sale.

Danganronpa V3: Killing Harmony is destined to be a title the fans are going to be split over. The game has a very clear message it wants to rub off on the player, and it’s the sort of thing you’re going to have to mull over for a while to determine whether or not it earns its thesis. For me, it all just felt like desperation laced with fatigue. When the game wasn’t dragging me through incredibly long-winded exposition and plot bits, it was disappointing me with the direction the story took. If Spike Chunsoft wanted me to get a sense of closure from the series, they may have succeeded, because I’m not sure I’m up for another one.

Super Neptunia RPG is a fun little game but leaves a lot more to be desired. I could see a sequel full of potential, but at its current state with all the technical hiccups, it really boils down to you being a Neptunia fan or not. The game lacks enough polish for it to be a great game, but perhaps a sequel down in the line or even using a fresh IP without Neptunia holding it back can make room for a more interesting project.

God Wars has a surprisingly cohesive job and skill system under the hood. However, the rest of the game falls short in too many places to make it an easy recommendation in the genre. If you can't get enough tactical RPGs, God Wars can be worth checking out but it's not a stand-out in the genre.

While Trillion: God of Destruction does an exceptional job in setting up its premise and having you care about the plight of its characters, the gameplay and combat mechanics left me feeling disappointed. Fans of turn-based dungeon crawlers may want to give this one a try, but be prepared for a marathon of character building.

If you really enjoyed Tales of Arise's cast or combat, then you may come away from Beyond The Dawn satisfied, as there are certainly more battles and banter. But stale questing, trite plotting, and thin content overall mostly left me apathetic more than anything else.

When I hit the credits of Towa and the Guardians of the Sacred Tree, I felt a little bit bummed out. I don't regret my 25 hours spent playing the game, but it never elevated beyond just being an acceptable action roguelike. Many of the game's unique components in the combat & structure feel either inconsequential or insignificant. The overall presentation is stellar, and the Shinju Village NPC stories are endearing. However, stale combat, underbaked sub-systems, and a mediocre overall narrative bring down a game that I wish left more of an impression on me.

Star Ocean: First Departure R is a fine port of a mediocre RPG. It's great that the game is playable now on modern platforms outside of a PSP UMD, but the all same flaws are still present, and a couple of small opportunities to potentially smooth out the experience weren't made. Check out the game if you are curious to experience the original Star Ocean story in some form, but it doesn't stand tall against its peers.

Tokyo Dark isn’t necessarily breaking new ground for adventure games, but it’s one worth checking out. Its spin via S.P.I.N presents an intriguing approach to depict a psychological thriller. Instead of leaning heavily on environmental puzzles, Tokyo Dark focuses more on multiple solutions to character interactions. The uneven pacing and inconsistent artstyle hold Tokyo Dark back from being great, though it’s certainly an impressive first game from Cherrymochi.

The truth of Hellpoint is that even with all the jank and annoyance, it’s working with a well-known and beloved formula in an interesting setting, with enough tweaks to feel like its own thing. All of the satisfaction from near-deaths against big bosses and slow mastery of enemies and mechanics is here, it’s just dressed differently. The technical issues and world progression hold Hellpoint back, but for fans of the Soulsborne or sci-fi horror genre it’s worth checking out.

I wouldn’t be against seeing a Monark 2 one day, I’d love to get more of this combat, and if they can get the character models to look more like the drawings - even better. If we do get a sequel, I will definitely be approaching it with far less excitement than I went into this first Monark game with. Get yourself the free demo and when it’s over, ask yourself if you would have fun doing that same stuff over and over and over. If you think you would, then maybe you will have a better time with Monark than I did.

Even though Atomfall didn’t fully click for me, I believe its unique approach to the survival genre will attract a passionate community. I applaud Rebellion for its extensive accessibility settings and innovative “Lead” system, which I hope they refine in future games. However, for every aspect I enjoyed, there were two or three strange omissions or design choices that held the game back. I hope Rebellion revisits this IP in the future, but next time, I’d like to see Atomfall feel more cohesive and fully realized.

Eastward Octopia is a fun little distraction, that doesn't stray too far from the usual farming sim formula. Changes to certain important side jobs like fishing and mining help to elevate it, but the lack of constant progress mid-way really drags the experience down. I’d really not rather wait around for a game to let me play it, and in my sixteen hour playthrough (which you can continue after the credits roll), at least a couple hours were spent heading straight to bed each day until something changed. On it’s own as a farming game Octopia isn’t really comparable to the major hitters, even if it does get most systems right, it’s still not competing with them on the same level. If you’re a fan of Eastward who also happens to enjoy farming games, this is a light recommendation. For anyone else, you should definitely try Eastward first.

Chocobo GP is a wonderful controlling Final Fantasy-themed kart racer held back by a lack of content and uncomfortable monetization. When you’re in the zone, playing a race, you’ll be sure to have a great time. However, it’s hard to give the game an outright recommendation when all the fun is locked behind a story mode that is easy to bounce off of. There’s also a strange lack of QoL in vital areas and a menu that presents its modes in an unintuitive way. It’d be nice to see Chocobo GP make a comeback from its messy launch. There’s potential here, and a brilliant Kart Racer underneath the monetization. Your mileage will vary on how much they impede enjoyment in the short term.

Right now, I don't recommend System Shock remake on Switch 2 if you want to play handheld. If you want to play docked, it is better than last month, but not as stable as it should be. This is definitely one to play on PS5 or Steam Deck if you have access to those platforms. I hope the Switch 2 version improves before the physical cartridge release because I was excited to buy that for my collection. I don't think I will bother if it ships with this current build though.

Voice of Cards: The Beasts of Burden is an overall more streamlined experience than the other entries. With the frequency of releases in the series compared to the number of improvements made, the cards are starting to wear a bit thin. My playtime sat at around eleven hours, including filling in the whole map, clearing every difficulty in the mini-game, and doing half a quest line. This could perhaps be the shortest of the (so far) three games, and I feel if you’re going to make three entries in less than a year, paring things down is probably not the best approach. While I’m a fan of these games, I do hope there’s a bit more of a break before they go fish another one out. It’s still an enjoyable game but this third entry sits distinctly in third place to me.

Assassin's Creed Valhalla is a great-looking open-world game with impressive landscapes and cinematography. However, the checklist collectible open-world still needs some work to feel truly engaging, and combat is too tedious and too frequent to be compelling. As a lapsed fan of Assassin's Creed trying to see if I can click with the series once again, Valhalla didn't quite hook me as I was hoping it would.

Disgaea 6 makes a lot of changes, not all of which are for the best, leading to a somewhat unsatisfying experience. The autobattle system is useful in some aspects but could cheapen the experience for those who don’t restrain themselves. Parts of the campaign, like constantly having to fight the God of Destruction at the end of each chapter, got extraordinarily tiring. Due to streamlining, the systems in and outside of battle shouldn’t be hard to grasp for new players. Yet I feel a lot of returning players will find this entry inadequate and not just because of missing classes.

It's difficult to recommend 7th Dragon III: Code VFD. The unique class and party systems are watered down by mundane structure and generally low game difficulty. Story beats are either too predictable or lessened by a connection to other games most English players haven't experienced. Those who are fans of turn-based class systems can still find enjoyment here, but it's hard to see the game leaving any lasting impact.

All in all The Witch’s House MV is an okay indie horror experience but nothing spectacular, especially given other similar games with more compelling narrative that have since then been released to better effect. However, those familiar with The Witch’s House’s original release may enjoy the slight graphic upgrades and those looking for a short, quick scare might also enjoy this re-release.

There are aspects about GreedFall: The Dying World that remain compelling -- the overall world-building remains top-notch, the RPG progression systems are well-designed, and fans of GreedFall's established lore will have plenty to latch onto. However, the narrative doesn't carry the same inventiveness as the original game, the combat changes appear to be courting a more niche playerbase, and multiple gameplay and technical shortcomings compromise the experience entirely. If Spiders and Nacon can manage to support the game after release, it's possible that many of these issues could be addressed, but the state in which this game was released doesn't have me feeling optimistic.

Peril on Gorgon is largely more of the same as what's found in the original game, with a bit more of a focus on exploration than questing. It's a fine addition for those who just can't get enough, but I feel it is not enticing enough on its own to spend $15 to revisit the game if you already completed The Outer Worlds months ago.

Through the animations alone I can see there was a lot of care put into creating this game, with some serious attention to detail (even down to Sanji refusing to damage the sole female enemy in the game). But there are some very basic design decisions, especially regarding game progression that hamper the experience greatly. The backtracking continues throughout even all the way to the very end, to the point that I really wondered what the extra padding was for. I’m not even interested in the post-game quest of fighting tougher opponents since all the boss fights prior were so basic. The great cast just isn’t enough to not make certain parts of the game feel like a chore. For the One Piece fan who can handle a bit of tedium and lackluster bosses, I can recommend it, for anyone else I wouldn’t suggest it.

While some of the tank building and character class systems in Metal Max Xeno are moderately interesting, nothing else in this RPG is remarkable enough to stand out, which makes this a difficult game to recommend. At least the game's relatively short run-time and budget price means it's not a tremendous investment for those curious enough to check it out.

Even though its severe issues with optimization and gameplay balance have soured me on it, Little Town Hero is a neat game that I don’t regret checking out. Listening to the amazing tunes of Hitomi Sato and guest composer Toby Fox of Undertale fame throughout my 15-hour playthrough made for an enjoyable experience after all is said and done. There are a plethora of creative ideas inside Little Town Hero and I wish it came together more cohesively. Several performance and quality-of-life enhancements will go a long way for this game if it ever receives those patches.