Across its campaign of forty to fifty hours, Dark Rose Valkyrie tries to be many things and fails to excel or be memorable through any of those attempts. Perhaps it would have worked better as either a traditional RPG or as a visual novel, but it simply doesn’t work as a combination of the two. The story seems promising at first, but it’s average and marred by significant pacing issues. It stars a cast that is likable but not one that you will remember as anything groundbreaking in terms of characterization or development. Its battle system is restrictive and feels unbalanced, and as a result it makes battles have little enjoyment. The voice acting and character designs are great, but those positives aren't enough to compensate for the flaws this game has.

It’s close to being greater than the sum of its parts, yet it falls apart in its execution.

I really wanted to like The Outbound Ghost. Usually, even with disappointing games, I find one feature or facet to rally behind even if the whole package is ultimately underwhelming. However, in this case I struggle to find a single thing to highlight. The Outbound Ghost is a pale imitation that I don't recommend playing.

Neptunia Virtual Stars is largely unsuccessful at being a captivating product meant to represent Vtubers. The story is bland. The gameplay is boring. The character interactions are largely uninteresting. Some of its environments and storytelling bits shine momentarily, then drag players back to the reality that it is a repetitively dull experience. Compile Heart and Idea Factory tried to throw so many components and ingredients into Neptunia Virtual Stars that the resulting stew has no flavor at all; no single aspect or element quite stands out and is ultimately forgettable.

Shenmue III is a game of half-measures. It ultimately delivers on its promise of the continuation of the Shenmue story for fans that have been waiting on it for years, but that doesn’t mean it delivers on that promise well. Shenmue III could have been so much more, or at least tried to wrap up Ryo’s tale, but instead, we are left with another cliff-hanger. Deep Silver and Ys Net delivered a game that works but is as unambitious and dull as Ryo’s dialogue.

Not only did the uninspired (and downright boring) maps dull my senses, but the glacier pacing left me fighting the urge to take multiple breaks during my coverage. I hate to say it, but you should stay far away from this one - there is very little that is redeeming about The Witch and the Hundred Knight 2.

In its current state, I don't recommend buying Warhammer 40,000: Rogue Trader on Switch 2. While the first big update brought in some improvements and mouse controls, it was very much a one step forward two steps back patch. Not only was it disappointing that Warhammer 40,000: Rogue Trader hit Switch 2 with no DLC available or included, but this is by far the worst port I've played on Switch 2 since the console's debut last June.

I really wanted for this series’ first worldwide release to be great, but unfortunately, Sword and Fairy 6 is just a bad game. It’s difficult to recommend the game to anyone with its myriad of issues, and that’s a shame. Let’s hope that this doesn’t discourage the developer and publisher into trying again, though, as there’s a lot the Chinese Paladin series has to offer. Maybe next time.

New Gundam Breaker is a tremendous disappointment on many levels. Newcomers to the Gundam Breaker series should be wary that this latest entry is not representative of how awesome the series can get. I love the Gundam Breaker series, but this is one of the saddest attempts to reinvigorate a franchise into a new direction. Even if the delayed PC release of New Gundam Breaker were to eliminate all the performance issues, it can’t fix the fundamental flaws that have been embedded into its core systems.

I do genuinely think that the story itself is serviceable, but its presentation absolutely destroyed my interest in it. There’s some merit behind constructing a band of characters manipulating an entire nation for their own purposes. It’s a nice change of pace from typical RPG protagonists and though all the story beats aren’t all that good, there were intriguing ideas behind it all. It’s difficult to recommend Valkyria Revolution if you’re looking for an enjoyable game. This was an ambitious direction to take the series to and I don’t think it was the right call.

I was excited to see my country represented properly in a video game, and that did happen. Sadly the game itself isn’t worth a damn, it’s a classic style RPG but none of my choices matter and I can hardly make any of them. Many systems and choices are just odd and make it unfun to play. They have a roadmap to change some issues I had, and some minor odd design decisions have already been fixed, but we’ll have to wait and see if that really fixes the poor story. The only real redeeming quality this game has is the art.

MeiQ is a low quality title whose flaws permeate through every twist and turn of this dungeon crawler.

The gameplay is a mix of Let It Die and Deathverse, but honestly, I don't even care to get into the specifics of it. Yeah, it has a somewhat interesting-if-simple roguelite/survival gameplay loop, and yeah, competing with other reviewers on the scoreboard was kinda interesting for a few nights, but I refuse to give any more of my energy to a game that uses generative AI to undermine the good work the other developers spent on this. I don't know if Supertrick leadership or Gungho leadership mandated the AI usage, but they need to get thrown out with the trash. I am beyond disappointed, not just as a game reviewer, but as a Let It Die superfan.

Poor performance is bad enough, but let me put it as simply as possible - the port in this state should not have been allowed to release. It's an embarrassment and Idea Factory clearly knew what a stinker the game was with the haphazard axing of the game's originally planned English dub and NA physical releases. Arc of Alchemist is the worst game that I have ever reviewed, and I sincerely hope that Idea Factory takes the time to really consider how this game came out the way that it did. I know they can do better than this.

Little Witch Academia: Chamber of Time is truly a terrible video game. There are signs of mediocrity between the seams, but it operates on such a fundamentally flawed level that it turns into a wrestling match between my sanity and its systems. I don’t know if it runs noticeably better on a PS4 Pro or the PC version, but an increase in technical performance does not excuse it of all the flaws in its design. I consider myself a fan of Little Witch Academia and Chamber of Time sometimes made me wish that I wasn’t.