It might be down-to-earth, and it may feel a lot simpler than the types of stories that the other SciADV entries are trying to tell, but perhaps it's that very contrast that makes the story feel all the more genuine, and land as well as it does. It can be cheesy at times, and you might have to suspend your disbelief, but Robotics;Notes is a story about overcoming your own personal failings, and to succeed even where others would expect you to fail. I didn't know I wanted something so wholesome from SciADV, but now that I have it I can't find myself seeing the series the same way without it. Warts and all, Robotics;Notes is a VN that you don't want to miss.

For someone who isn’t a fan of the original Disgaea games, I was surprised at just how much I enjoyed my time with Prinny 1•2: Exploded and Reloaded. It’s not the best remaster I’ve seen and the challenge can be overly frustrating at times, but there’s still a lot of fun to be had in its simple-to-learn, hard-to-master mechanics and charming characters.

For me Hades represents one of those magical moments where a game takes you completely by surprise. For a long time Hades wasn’t even on my radar despite the pedigree of its developers - but now it’s easily standing as one of my games of the year and something I consider absolutely essential for fans of the roguelike genre, Greek mythology, emergent storytelling or all of the above.

Wasteland 3 has a certain attitude that isn't really like most other games I've played. It's often irreverent and sarcastic and frequently bleak, but it still manages to be one of the funniest games I've played this year. At the same time, it has weird moments where I find myself baffled, completely unsure at what the intended response was ever expected to be. At its core is are some absolutely robust systems that RPG fans should love to tinker with, and while the storytelling is often a mixed bag, I found myself appreciative of how Wasteland 3 sets itself apart in a setting that it would be so easy to play it safe in.

Vampire: the Masquerade - Shadows of New York is a good game to spend an evening with. On those Sundays where you have all day to relax or those randomly dreary days when any kind of chore feels like too much. That’s when this game will feel just right. Getting both endings doesn’t take long, so it’s easy to play and move on. The main word that comes to mind is: simple. Some parts are good, others tiring. It works as a way to get into some of the worldbuilding involved with Vampire the Masquerade games, but as a standalone visual novel I don’t think it will appeal to the masses.

13 Sentinels: Aegis Rim is truly one of the most unique games I have ever played through. My 35 hours with Vanillaware’s latest title is something I wish I got back because I want to play it again for the first time. Kamitani explores so many interesting sci-fi ideas and philosophies in this title and they come together to form something magical. None of this would be nearly as impactful without the unconventional piecemeal storytelling scattered throughout the 13 protagonists’ perspectives. It is a narrative labyrinth that kept me intrigued the entire way. The execution of this game is masterful in its own right, fully utilizing what video game storytelling could be capable of. While the RTS battles drew the short end of the stick, what 13 Sentinels achieves in storytelling for video games is something to be celebrated and commemorated.

Genre defining works rarely stand the test of time, but moon is a rare exception to this rule. It not only holds up today, but is probably still one of the best “anti-games” out there. In addition to a quirky sense of self-awareness you’d come to expect from this genre, there’s a raw authenticity that makes it stand out among the rest. It understands its own simplicity and scale, and tells a story that fits exactly what it sets out to do. The ending isn’t bombastic in any way, but the experience is simple enough to benefit the obtuse storytelling. moon a great game that is unapologetic about the flaws in a way that feels earnest, which is hard to say about almost any other game trying to achieve that.

Peril on Gorgon is largely more of the same as what's found in the original game, with a bit more of a focus on exploration than questing. It's a fine addition for those who just can't get enough, but I feel it is not enticing enough on its own to spend $15 to revisit the game if you already completed The Outer Worlds months ago.

As of right now, Kingdoms of Amalur is a good introduction to a universe that doesn't have any other entries. The fluid combat is brought down a bit by overstuffed quest design and repetitive dungeon areas, and the front-to-back storyline is a little basic, but it offers a solid foundation to a world whose fate is once again uncertain.

Star Renegades offers a great artstyle and robust combat system for fans of turn-based RPGs and roguelikes. It doesn't have much to tell in terms of an outward storyline, and some of the roguelike elements feel a little thin, but it's a solid experience if you know what you are getting into.

For every part of Marvel's Avengers that you might love, there's another side to it that drags it down. There really is a lot to love here, like it's fantastic combat, loveable characters and fun multiplayer, but there's also plenty of glitches, unbalanced economies and poor missions that can make playing feel like a drag. Having some of my favourite Marvel characters decorating a pretty great third-person-action-brawler was enough for me to see it through and feel like I would be coming back for more, but at the moment it feels like one that only Marvel fans will really enjoy.

Honestly, Best Friend Forever feels like it's having a constant identity crisis. Mechanically and story-wise, everything feels incredibly disjointed. It feels like developers were throwing things at the walls to see what stuck, but then decided the pile of thrown stuff now sitting on the floor was good enough. There's no way I can recommend this title in its current state, and even if it was bug-free, Best Friend Forever still wouldn't be worth your time.

Final Fantasy Crystal Chronicles is still a serviceable action RPG as a single-player game, and playing the dungeon content in a party with the known limitations in mind can be enjoyable in spurts, but the whole feels stripped almost bare of what originally made it unique. My renewed excitement for a remastered version of Crystal Chronicles was centered around revisiting a classic with modern multiplayer infrastructure in mind, instead, I found a product that clearly feels unfit for its new interpretation and unfaithful to the original.

Mortal Shell doesn’t just replicate what other games in the genre have done before. Instead, it takes that formula, sharpens it and adds enough to make it a completely different feeling, but equally satisfying blade. Fallgrim is a world I’d be happy to struggle through again.

Fae Tactics is not really like other tactical RPGs that I've played, despite sharing a lot of foundational DNA as some of the greats. While other similar games have ended up feeling a fair bit more derivative, Fae Tactics's manages to stand out on pure inventiveness and imaginative structure. A unique narrative framework, distinct focus on summoning mechanics, high level of variety, and smartly-designed challenge makes Fae Tactics a near must-play for fans of tactical RPGs.

The truth of Hellpoint is that even with all the jank and annoyance, it’s working with a well-known and beloved formula in an interesting setting, with enough tweaks to feel like its own thing. All of the satisfaction from near-deaths against big bosses and slow mastery of enemies and mechanics is here, it’s just dressed differently. The technical issues and world progression hold Hellpoint back, but for fans of the Soulsborne or sci-fi horror genre it’s worth checking out.

The Tengu’s Disciple is only the first part of a trilogy of DLC and it definitely feels as such. People who are mainly looking for a narrative will probably end up disappointed by this first piece of content, but those who enjoy playing Nioh 2 and like to engage in its loot-based systems will find enough content to pull them back into the game. Whatever the case, it turns out that even five months later Nioh 2 still remains an extremely fun game to play. A DLC with a weaker story does not change that. In fact the content that is outside the story, that plays around with Nioh’s nature as a loot game, only makes it better.

Behind the game's accurate depiction of the Fairy Tail world, I am not quite sure if this game adaptation offers much to anyone besides diehard fans. If a player is already not into the anime or manga, the game doesn't do a great job introducing the Fairy Tail world, and the systems in play aren't especially interesting on their own as an RPG. Fans will get a kick out of the Fairy Tail game, but it's hard to recommend otherwise.

Othercide is an interesting twist on the tactical RPG genre with a striking artstyle, adding in roguelike elements to questionable effect. Not everything comes together well mechanically, it's a little bit repetitive, and I think the narrative elements could have benefitted from just a tad more outward direction. It's certainly a unique game, which may be worth checking it out if you like trying new and different styles even if the execution is spotty in places.

The Origami King doesn’t offer a role-playing experience or an intricate storyline. Instead, it offers a charming, clever, and silly world where Mario must collect crumpled up Toads and patch holes in the ground with confetti. I’m not sure if it has much staying power years down the line, but it’s the best 'adventure game' Paper Mario, at least.

Void Terrarium is a solid, simple roguelike with a neat style and endearing premise. It's doesn't do anything exceptional to stand at the peak of the genre, but it offers a satisfying experience and is generally a relaxing game. It stumbles a bit in gameplay variety and doesn't offer anything in terms of dense mechanics or an intricate storyline, but still manages to be a charming experience for those wanting something lighter in their roguelikes.

For old fans of the series, this is still a fine remake, and the quality of life changes make the transition from GBA to the Switch worth it. I’d say even new fans of the series will have a good time while playing. The game is still fun to be in, and I’ll continue to play it as I progress through the years in-game, but it just misses the opportunity to be spectacular in any way.

All in all, I had a fun time revisiting Trails of Cold Steel III on Switch. I still wonder who this release is even actually for, given how it's hard for me to recommend newcomers play this, and most fans who really wanted this would likely have bought it on PS4 last year. Even with the issues, due to my preferences, I find this to be my favorite way to play the game.

In summary, playing Brigandine is like the board game "Risk", its brilliantly complicated at first but also a fascinating game at the same time. If you want to try something different from the standard tactical RPG, Brigandine: The Legend of Runersia offers something unique that any fans of the genre should give a try.

Overall, Summer in Mara has an incredibly strong narrative with character art and light music that only strengthens it. It’s youthful and vibrant, but it also has more somber notes that aren’t always found in farming sims. The only downside is that music and a character driven plot aren't enough to get through all the tedious parts.

If you’ve already played The Outer Worlds then getting it on Switch might only be worth it if you’re wanting to play it on the go, as there aren't really any other additions here worth the purchase. If you’ve not been able to play it then, despite some graphical and technical downgrades, The Outer Worlds is still completely playable on the Switch and a fantastic game no matter what platform you play on.

Monolith wasn’t playing around when they set out to make this version of Xenoblade the “Definitive Edition”. I found it to not only live up to the heavy legacy of the original game but surpass it in every way. All of the quality life improvements make the game more accessible, while not taking anything away from the original game. The battle system is one of the most addicting I’ve played in a very long time, the overworld is gorgeous and a joy to explore, the music is a work of genius, and the story is told with a level of maturity rarely seen in JRPGs.

What’s here is mostly fantastic, but what’s missing feels like it could have pushed it beyond greatness.