The game manages to do something different fusing rhythm mechanics with turn based battles, but the awkward controls made it difficult to completely enjoy. While the addition of multiplayer, a new character, and a brand new game mode might tempt some toward the console version, the game is clearly best suited to the PC. As all of the upgrades are coming to Steam as well, there's no real reason for existing fans to try out this new port. If you like RPGs, music, and rhythm gameplay, and prefer console or handheld gaming, I'd recommend Theatrythm: Final Fantasy any day.

If I were to offer a film critic style soundbite, I would say that Collar X Malice is a slick, stylish, and sexy thriller. The story and characters held my interest and the sense of danger kept me on the edge of my seat. It had its tropey "because anime" moments, but no more so than your garden variety summer blockbuster. If you enjoy visual novels, definitely check out Collar X Malice.

What I'd forgotten since first experiencing the game back in 2015 was that Undertale is more than just internet jokes, amazing music, and crazy boss battles — it's a heartwarming, beautiful, and tearful romp. I said at the beginning there was nothing like Undertale at the time, and there still is nothing else like it. It's hard to explain what makes Undertale so special without spoiling a lot of it, but all you need to know is that this is a modern classic at its most accessible, and it's worthy of your time, whether you're new to the game or returning for another adventure. This review should fill you with determination to play Undertale.

Though short, Tacoma is a great narrative adventure, especially for fans of sci-fi.

This is your starter's RPG, a taste for anyone who is unfamiliar with the genre. For those that are familiar, this is a very standard RPG that is neither good nor bad.

Much like vanilla ice cream, MidBoss suffers from a severe case of creative bankruptcy. From its aesthetics that seem like straight asset rips, to its extremely shallow gameplay that tries to impress with numbers only, the final product is a meager roguelike that desperately clings onto a single gimmick to stand out from the rest of the crowd. While that might make for a passable game that you can kill time with every now and then, it doesn't make for a very memorable one that you'll think about playing again just for old time's sake. With this in mind, unless you're a diehard fan of roguelikes, you can safely keep MidBoss out of your Steam library.

By sanitizing the romantic aspects inherent to queer dating, Dream Daddy succeeds in being a feel-good story but not a feel-good story, if you catch my drift. It is, at the very least, wonderfully inclusive, with avatar customization options that allow for significant flexibility in defining your dad's identity. The entirely hunky cast of supporting dads is also quite diverse, though some of their sound bites are unusually low-quality and compressed. Maybe that's something the developers can address down the line. As it stands, Dream Daddy is still a worthwhile endeavor thanks to the quality of its moment-to-moment writing. It's just a shame the romance feels so sterile.

As a visual (kinetic) novel, Utawarerumono: Mask of Deception is quite good. It does take a long time to start, but once the story gets going, it is quite compelling. The music is fantastic, the voice acting is good, there’s a fun cast of characters, and the visuals are there. Unfortunately, as a game, it doesn’t do nearly as well. The tactical RPG part of the game lacks complexity and difficulty. The game doesn’t properly explain how the battle system works, and you will be left to fend for yourself to learn how to properly fight. If you can get over the 20 hour hump for the story to pick up, and can sit through the uninspired fights, then you can enjoy a story full of political intrigue that makes you realize how much you actually care for the characters and what they go through. However, if you are an impatient soul, and/or would prefer your games with good gameplay, stay far away. In short, this is a good visual novel, but a mediocre game.

I enjoyed my time with Pyre; I'm glad I played it. The world inspires thought and curiosity, and I'm left with something to mentally chew on for a while. I already miss my new friends. Due to the "check box" nature of getting to know characters and building relationships, I have considered giving it another go with vastly different decisions, but I think I got what I needed out of this. I also wish the history wasn't delivered through chronologically discordant segments of text. Initially, the game feels like a lore dump and there's a lot to know if you want to dive in. I had difficulty wrapping my head around the world's history, and it seemed relevant. The sports matches are fun, but lack the depth or intensity I think the developers were trying to accomplish. I could easily see this being the type of game some people will adore and obsess over, while others will struggle to finish.

Tokyo Xanadu is a good example of a developer pulling together the best parts of beloved franchises but not quite following through completely. I'd wager that Falcom pulled back a bit on the Persona-inspired mechanics to avoid a 100-hour saga that already struggles with a paper-thin story. As a result, we're left with a thoroughly enjoyable and engaging battle system wrapped in an uninspired package with little originality. To put it plainly, Tokyo Xanadu is a painfully average experience that still manages to be worth your time.

Accel World VS Sword Art Online is a fun game that will provide enjoyment for established fans of Accel World and Sword Art Online, and they're the only ones I would recommend this game to. The interesting controls and varied battle mechanics make for dynamic boss battles, but exploration is ponderous, keeping the vast number of characters adequately leveled is a chore, and following the plot is wholly dependent on prior knowledge of both series. Still, I have to give credit to the game for having some well thought-out aspects to it, saving it from being a complete throwaway as games based on popular licenses are wont to be.

This is more than just the original with a facelift; this is truly a different experience. Even if you didn't take to the initial release, the inclusion of the job system and overall enhancements warrant you giving this game a second chance. Final Fantasy XII: The Zodiac Age is more than just a fun game; it's an achievement for the RPG genre as a whole.

With a great amount of variety and choice, Last Dream: World Unknown is an RPG Maker game that deserves to be celebrated. The game is here to remind us that old school RPGs can still be fun, but it also brings back memories that we don't always want to admit — that some parts are best left in the past. Regardless, if you love the NES and early SNES days of turn-based combat, I highly recommend this game. Otherwise, the archaic dungeons, awkward world map navigation, and the basic plot might put you off.

Stardew Valley is without a doubt the best game in the Harvest Moon genre in many years. It has a subtle message about what it means to live a good life and to flourish through a combination of hard work and human connection. The Harvest Moon games all basically boil down to managing a mix of time, tasks, and metrics, and recent entries in the series have relied heavily on exploiting a new gameplay gimmick with each iteration: in one it's crafting structures for the town, in another it's trading with foreign economies. The problem with this approach is that once these gimmicks are exhausted — all the houses built or all the goods traded — the games feel hollow. Stardew Valley succeeds by delivering a robust experience that does not merely rely on watching a meter go up. It has something to say and says it well, while never abandoning the core gameplay that attracted players in the first place.

Echoes of the Fey: The Fox's Trail is a cool little game with lush graphics, composed sound design, and intriguing characters. Although I would have liked more insight into some of the characters and their backstories, I suppose that is what the supplemental materials are there for. I plan to check those out while waiting for the next episode, because it looks like a whole new heap of trouble will land on Sofya's doorstep.

Ever Oasis is a competent blend of simulation and action RPG that revels in its celebration of nature's bounty.

In ways both positive and negative, Under Pressure is more of the same for Telltale's Guardians of the Galaxy. The relationship-focused decision trees continue to be interesting yet opaque, while the interactive aspects leave much to be desired in terms of quality and player engagement. I've knocked down the gameplay score (and thus the overall score) a tad to reflect both its stagnation and lack of creativity, but there's still room and time for improvement.

I spent a lot of time comparing Telltale's interpretation of GotG to its MCU forebears with good reason. The two are inextricably linked for most fans, and Telltale has done a fantastic job of using that to their advantage in the game's design and presentation. It captures all of the charm of the movies while allowing enough wiggle room to chart its own path. There's certainly room for improvement, but Tangled Up in Blue is a promising start for Telltale's latest adventure.

Overall, Echoes of Aetheria is enjoyable but rarely engrossing. Combat can become rather tedious once the player figures out an optimal strategy, and the story is just not the underdog epic to which it aspires. However, the characters will keep many players coming back for more, just to see how everything plays out for them. This is essentially the perfect game for a night in while binge watching your favorite Netflix series. Not every game needs to be Persona 5; sometimes it is enough to do a few things really well and deliver a couple dozen hours of solid gameplay. That is what Echoes of Aetheria has to offer.

Being a budget eShop title, Knights of Justice clocks in between 3-6 hours, but I'd had more than enough of it long before I completed its (incredibly frustrating) final battle. And that's a shame: I adore River City's cartoonish sprites and unique action RPG spin on the beat 'em up genre, and I genuinely enjoyed much of Knights of Justice's combat when I wasn't battling its inventory system or making up for lost time from unfair deaths. What could've been a breezy send-up is instead hampered by multiple terrible systems. Skip this one and wait for River City: Rival Showdown instead.

RPG Maker Fes got on my nerves at times, but I was still completely enamored by it. The touch screen controls work perfectly and the game even has a predictive keyboard to help as you're typing up dialogue. Between being able to make your RPG in chunks on the go and having such a wonderfully user-friendly UI, Fes makes the creation process easy—it's the process of executing these creations that it doesn't make simple. If you're prepared to dedicate yourself to your RPG and have the patience to learn Fes's intimidating mechanics, you'll find that it's a fun piece of software that will help you bring your creations to life.

Rakuen is the kind of game that makes me want to be a better person. It reminds us that we are all part of a community in some form, and each person in that community has their tale to tell, challenges they struggle to overcome, and a need for some form of companionship. Deeply human, Rakuen visits all sorts of worlds that give insight into what it means to be alive, face loss, and take advantage of the now. I won't soon forget the gift Shigihara has given us, and I have enough here to think about and reflect on for years to come. Thank you.

Fire Emblem Echoes: Shadows of Valentia is a worthy entry to the series, and it helps bring attention to one of the series’ oft-forgotten games. It might not have the impact of its two 3DS predecessors because its old Famicom roots still show through, but this is still a Fire Emblem game worthy of your time, especially if you want a glimpse into the history of the series. This is an old-school Fire Emblem, for better and worse, but mostly for the better.

Bugs aside, I had a killer time with 2064. Although series like Phoenix Wright and Danganronpa have successfully reinvented the Japanese-style adventure game for the 21st century, there's a certain allure to the mysterious world of menu-driven microcomputer adventures of decades past. 2064 not only successfully simulates that feeling, it welcomes players of all backgrounds and orientations with open arms. 2064's future is one that belongs to all of us.

Ultimately, to say that I didn't enjoy The Caligula Effect would be an understatement. I actively disliked this game the longer I played it. Its uninteresting cast, repetitive music, poor dungeon design, and tedious battle system created an experience that I sincerely detested. There's no doubt that some will enjoy the game, but I doubt most will. The Caligula Effect may not be unplayable, but that doesn't mean that it should be played. The dozens and dozens of hours that I sunk into the game weren't enjoyable at all. After reading this review, you may fall victim to the titular Caligula Effect and want to see just how bad it is for yourself—just don't say that I didn't warn you.

The Surge doesn't always fight fair and sometimes betrays the very best parts of what it's trying to do, but I can't deny how much fun it was when I really got into the groove and found myself tearing off limbs left and right. In his best moments, Warren hits hard and the enemies make you feel that power in a satisfying way. Regrettably, there's little reason to come back to the game once the final boss falls. You get the standard New Game+ mode, but with no multiplayer and only further upgrades to find, it really comes down to how long you enjoy the combat before it becomes dull. I finished The Surge in about fifteen hours, and that proved to be enough slicing and dicing for me. This is a solid step forward for Deck13, and I hope they continue this upward trend in the future.

The close left me wondering just how differently all of my actions could have guided the direction of the episode and finale.

Planescape: Torment will continue to be a classic — a titan standing tall in the history of RPGs. However, the Enhanced Edition has only really enhanced the price and little else. Though I have to say, Planescape itself is okay. I know I may aggravate or annoy some fans who remember this title fondly or have even experienced it again and enjoyed the trip down memory plane, but if we’re being honest with ourselves, Planescape: Torment has not aged well. The writing is as engrossing as ever, yes, but even in that regard, so much more has been done with games like Pillars of Eternity. Certainly, the gameplay and controls could be better. I’m not here to give praise for the history and importance of Planescape, but to judge it as it stands today amongst whippersnappers, like Tyranny, who likely owe a great deal to what this title has done for RPGs.