Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Kelly Reichardt makes films that unfold at the speed of life, not Hollywood. She's a poet of the space between words, and the hypnotic and haunting Certain Women presents the writer-director at her artfully attentive best.
  2. Clark is a talent to watch. He's made a transfixing film about a family that looks touchingly and unnervingly like yours and mine.
  3. Preposterous can be defined in many, many ways. But for now, let's use the plot details of The Accountant as Exhibit A.
  4. 13th, available in theaters and on Netflix, is one for the cinema time capsule, a record of shame so powerful that it just might change things. Godspeed.
  5. That's Emily Blunt, and she is perfection, playing the hell out of this blackout drunk and adding a touch of welcome empathy.
  6. A movie of potent provocation and surging humanity that ranks with the year's best.
  7. The movie has been on ice awaiting release for over a year, owing to the bankruptcy of its studio, Relativity. But some of the jokes were moldy long before that happened. Masterminds owes us our two hours back.
  8. Berg does a tremendous job of throwing us into the action with the help of dizzying handheld camerawork from Enrique Chediak.
  9. The film feels overstuffed and way too familiar, with Burton repeating tricks from his greatest hits (think Beetlejuice and Edward Scissorhands). And the fun runs out much before the film ends. But stick with it just for those times when Burton flies high on his own peculiar genius.
  10. The British, Nigerian-born Oyelowo has proved himself an actor of extraordinary power in roles as diverse as Dr. Martin Luther King in "Selma" and the resentful son of a White House servant in "The Butler." As Robert, the actor radiates warm humor and quiet strength.
  11. Kate Winslet can do anything ... except save this movie from quirky overkill.
  12. Goat means to shake you, and does it ever.
  13. The new Seven isn't aiming for cinema immortality. It's two hours of hardcore, shoot-em-up pow and it's entertaining as hell.
  14. Every attempt at fright lands with a deadening thud. For shock value, Wingard and cowriter Simon Barrett simply repeat stuff from the original film, only this time louder, lamer, duller and stupider. Scarier? That got lost in the woods with whatever you spent for a movie ticket.
  15. Sounds godawful in title and concept — but which in execution is a fizzy delight.
  16. The documentary rightly keeps coming back to the music and the band's delight in making it. Good move. It truly is a joy forever.
  17. What's your take on Edward Snowden: A patriot deserving of a presidential pardon? A traitor deserving of execution, as Trump believes? Something in between? In Snowden the movie, in which a fiercely committed Joseph Gordon-Levitt plays the title role, Oliver Stone removes all doubt. He's Saint Edward.
  18. Your reaction to Author will come down the question that haunts the film, and assuredly Albert herself: Do the widely-praised writings of LeRoy become less praiseworthy when you know they were crafted under false pretenses? It's a question worth chewing on even if the film asking it stacks the deck.
  19. The movie earns your attention and respect by digging deep, by finding the fear and self-doubt inside a man who'd never accept being defined as a hero. It's an eye-opener.
  20. It's a shallow, melodramatic device that would sink most actors. But Lewis is not most actors. In fact, despite age and illness, he remains a mesmerizing star in front of the camera, compelling to watch even (and especially) when sitting perfectly still.
  21. It's important to note what Portman the filmmaker is doing here. She is most assuredly not providing CliffsNotes to Oz's book, letting us see what Amos sees and only partially understands.
  22. Life mirroring nature in all its wayward ferocity. Too much? You bet. But Fassbender (Magneto in X-Men) and Vikander (an Oscar winner for The Danish Girl), who fell in love during the making of the film, fully commit to their roles and hold us in their grip. The movie, sad to say, can't keep its head above water.
  23. Is there anything less shocking than a movie that thinks it's shocking? See White Girl and discuss — and you should see it, if only for the all-stops-out performance of Morgan Saylor.
  24. The Venezuelan-born writer-director Jonathan Jakubowicz (Secuestro Express) knows how to muscle up momentum and bring the best out of actors.
  25. What makes this so memorably nerve-frying is the way Alvarez and cinematographer Pedro Luque use night-vision and every trick in the book and ones not invented yet to trap us in their vise. Claustrophobics, you've been warned.
  26. John Krasinski, as actor and director, tackles the most clichéd genre in the movie business — the dysfunctional family dramedy. The big difference is he pulls it off with uncommon humor and compassion.
  27. Both Sawyers and Sumpter are terrific, world-class charmers who suggest the powerhouses they're playing without undue mimickry.
  28. The last of the summer's movie epics is a digitalized eyesore hobbled in every department by staggering incompetence.
  29. War Dogs is that rare contemporary comedy that knows how to make a laugh stick in your throat.
  30. That’s the power of My King. It sees that passion creates an unholy mess. Maïwenn doesn’t want to warm our heart, she wants to rip into it, and turn the concept of the Hollywood happy ending on its head.

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