Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Goat means to shake you, and does it ever.
  2. The new Seven isn't aiming for cinema immortality. It's two hours of hardcore, shoot-em-up pow and it's entertaining as hell.
  3. Every attempt at fright lands with a deadening thud. For shock value, Wingard and cowriter Simon Barrett simply repeat stuff from the original film, only this time louder, lamer, duller and stupider. Scarier? That got lost in the woods with whatever you spent for a movie ticket.
  4. Sounds godawful in title and concept — but which in execution is a fizzy delight.
  5. The documentary rightly keeps coming back to the music and the band's delight in making it. Good move. It truly is a joy forever.
  6. What's your take on Edward Snowden: A patriot deserving of a presidential pardon? A traitor deserving of execution, as Trump believes? Something in between? In Snowden the movie, in which a fiercely committed Joseph Gordon-Levitt plays the title role, Oliver Stone removes all doubt. He's Saint Edward.
  7. Your reaction to Author will come down the question that haunts the film, and assuredly Albert herself: Do the widely-praised writings of LeRoy become less praiseworthy when you know they were crafted under false pretenses? It's a question worth chewing on even if the film asking it stacks the deck.
  8. The movie earns your attention and respect by digging deep, by finding the fear and self-doubt inside a man who'd never accept being defined as a hero. It's an eye-opener.
  9. It's a shallow, melodramatic device that would sink most actors. But Lewis is not most actors. In fact, despite age and illness, he remains a mesmerizing star in front of the camera, compelling to watch even (and especially) when sitting perfectly still.
  10. It's important to note what Portman the filmmaker is doing here. She is most assuredly not providing CliffsNotes to Oz's book, letting us see what Amos sees and only partially understands.
  11. Life mirroring nature in all its wayward ferocity. Too much? You bet. But Fassbender (Magneto in X-Men) and Vikander (an Oscar winner for The Danish Girl), who fell in love during the making of the film, fully commit to their roles and hold us in their grip. The movie, sad to say, can't keep its head above water.
  12. Is there anything less shocking than a movie that thinks it's shocking? See White Girl and discuss — and you should see it, if only for the all-stops-out performance of Morgan Saylor.
  13. The Venezuelan-born writer-director Jonathan Jakubowicz (Secuestro Express) knows how to muscle up momentum and bring the best out of actors.
  14. What makes this so memorably nerve-frying is the way Alvarez and cinematographer Pedro Luque use night-vision and every trick in the book and ones not invented yet to trap us in their vise. Claustrophobics, you've been warned.
  15. John Krasinski, as actor and director, tackles the most clichéd genre in the movie business — the dysfunctional family dramedy. The big difference is he pulls it off with uncommon humor and compassion.
  16. Both Sawyers and Sumpter are terrific, world-class charmers who suggest the powerhouses they're playing without undue mimickry.
  17. The last of the summer's movie epics is a digitalized eyesore hobbled in every department by staggering incompetence.
  18. War Dogs is that rare contemporary comedy that knows how to make a laugh stick in your throat.
  19. That’s the power of My King. It sees that passion creates an unholy mess. Maïwenn doesn’t want to warm our heart, she wants to rip into it, and turn the concept of the Hollywood happy ending on its head.
  20. Of all the World War II movies about the plots to kill the architects of the Third Reich, Anthropoid is guilty of being the dullest.
  21. You leave the f--ked-up funhouse of Sausage Party thinking: Did I see this movie or hallucinate it? I mean that as high praise.
  22. Chris Pine proves he can act. Ben Foster, well, he always could. And Jeff Bridges shows them both how it's done. Those are just three riveting reasons to pony up for Hell or High Water.
  23. Thanks to Lowery's humanizing magic, Pete's Dragon is that rare family film you really can take to heart.
  24. So, you're probably asking, what kind of a movie is this? A damn fine and funny one, thanks to the way the estimable director Stephen Frears (Dangerous Liaisons, The Grifters, The Queen) conducts the piece.
  25. At 87 torturous, laugh-free minutes, the film could change the most avid cat fancier into a kitty hater.
  26. Little Men, with its two boys racing at life with the brick wall of maturity still at a distance, is funny, touching and vital. It's truly an exhilarating gift.
  27. Suicide Squad wussies out when it should have been down with the Dirty Dozen of DC Comics. Audiences complained that Batman v Superman was too dark and depressing. So director-writer David Ayer (End of Watch, Fury) counters with light and candy-assed. I call bullshit.
  28. It promotes an awareness of ALS that goes beyond the best-intended any ice-bucket challenge — and ranks as a profound achievement.
  29. The movie cops out by going soft in the end, but it's still hardcore hilarity for stressed moms looking for a girls night out. Guys should also check out Bad Moms — you just might learn something.
  30. Rozema's minimalist approach pays dividends until a final third hobbled by overdone effects and a thrashing musical score. Too bad. The story being told on the faces of Page and Wood had eloquence and power enough to hold us rapt.

Top Trailers