For 4,545 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,928 out of 4545
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Mixed: 987 out of 4545
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Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Creative Control goes its own playful, provocative way. For a film about technology's growing dehumanization, this stylized beauty is a frisky, formidable temptation.- Rolling Stone
- Posted Mar 11, 2016
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- Rolling Stone
- Posted Mar 10, 2016
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Reviewed by
Peter Travers
The suspense is killer as military minds in the US and the UK come together only to lock horns on a drone operation in Nairobi.- Rolling Stone
- Posted Mar 10, 2016
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Peter Travers
10 Cloverfield Lane comes loaded with everything a psychological thriller needs to shatter your nerves — and then kicks it up a notch.- Rolling Stone
- Posted Mar 10, 2016
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Reviewed by
Peter Travers
Make American movies great again. You can start by boycotting this one.- Rolling Stone
- Posted Mar 4, 2016
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Reviewed by
Peter Travers
Must all films about alienation be themselves alienating? Take a walk on the beach and ponder that one. There's a line between artful and arty, and Malick has crossed it.- Rolling Stone
- Posted Mar 3, 2016
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Reviewed by
Peter Travers
There's a lot going on here. Maybe too much. The filmmakers can't draw coherence out of chaos. But Fey does.- Rolling Stone
- Posted Mar 3, 2016
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Reviewed by
Peter Travers
A tour through the byways of Zootopia is a bracing blend of color and richly detailed design.- Rolling Stone
- Posted Mar 3, 2016
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Peter Travers
Some movies are so effing awful they're hilarious. Gods of Egypt falls short of that lofty goal. Not because it isn’t effing awful — it so is — but because it pretends to be in on the joke.- Rolling Stone
- Posted Feb 26, 2016
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Peter Travers
Only Yesterday comes from a quieter, less demonstrative place. As he did in his most recent and reportedly final film, "The Tale of the Princess Kaguya," Takahata has built Only Yesterday to go gently and to last. Mission accomplished.- Rolling Stone
- Posted Feb 25, 2016
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Peter Travers
The filmmakers don't trust us to understand what Eddie is feeling about the Olympics without blaring a musical message from Hall and Oates on the soundtrack, "you make my dreams come true."- Rolling Stone
- Posted Feb 25, 2016
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Peter Travers
Triple 9 is no "Reservoir Dogs," but it is a twisty, terrific ride.- Rolling Stone
- Posted Feb 25, 2016
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Reviewed by
Peter Travers
So Risen joins the swelling ranks of faith-based films that pander to audiences instead of serving them.- Rolling Stone
- Posted Feb 19, 2016
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Reviewed by
Peter Travers
Race is at its best when it fills in the corners of a story we only thought we knew.- Rolling Stone
- Posted Feb 18, 2016
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Reviewed by
Peter Travers
A crafty calling card brimming with beauty and terror. Eggers pulls us into the supernatural with subtle cunning and meticulous attention to detail.- Rolling Stone
- Posted Feb 18, 2016
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Peter Travers
Following his surprisingly subtle work in "Sleeping With Other People," Sudeikis again shows real skills as an actor.- Rolling Stone
- Posted Feb 12, 2016
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Peter Travers
Though Wilson is always reason enough to see a movie, she’s stuck here in a fluffball that plays like warmed-over subplots from "Sex and the City."- Rolling Stone
- Posted Feb 12, 2016
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Peter Travers
No laugh in this doc – and there are plenty – goes out without a sting in its tail.- Rolling Stone
- Posted Feb 12, 2016
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Reviewed by
Peter Travers
Zoolander 2 sweats its silly ass off to please. The results are scattershot. But when it works — oh, baby. There's a bit with Justin Bieber and a selfie that, well, no spoilers.- Rolling Stone
- Posted Feb 12, 2016
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Peter Travers
This movie's junky feel is part of its charm. Sure it goes on too long and repetition dulls its initial cleverness. Still, Deadpool is party time for action junkies and Reynolds may just have found the role that makes his career.- Rolling Stone
- Posted Feb 11, 2016
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Peter Travers
Funny? Sometimes. Scary? Almost never. PP&Z spins merrily and menacingly along for about half an hour. Bad luck that the movie's running time is 107 minutes.- Rolling Stone
- Posted Feb 4, 2016
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Peter Travers
Hail, Caesar! is basically a day in the life of this studio cop, whose job is his religion. And Brolin, in a heart-and-soul performance, takes this crazy quilt of a movie about a man surrounded by nut jobs and plays it for real. He's just tremendous.- Rolling Stone
- Posted Feb 4, 2016
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Peter Travers
On the waves, The Finest Hours finally finds its sea legs and delivers an old-school adventure based on a heroic deliverance that deserves its day in the sun.- Rolling Stone
- Posted Jan 28, 2016
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Peter Travers
Despite the strong presence of Kick-Ass star Chloe Grace Moretz as Cassie, the movie is selling the same old YA yada yada yada that made phenoms of "Twilight" and "Divergent."- Rolling Stone
- Posted Jan 22, 2016
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Peter Travers
It's simply a retread of the first Ride Along, a 2014 box-office hit, and proof positive that a bigger budget doesn’t buy bigger laughs.- Rolling Stone
- Posted Jan 15, 2016
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Peter Travers
Is there an audience for this? Sadly, yes. There’s nothing wrong with a movie that cheers American heroes. But this one does so by reducing everything else to cardboard.- Rolling Stone
- Posted Jan 15, 2016
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Peter Travers
Look, it's fun to watch Shepherd hate on bratty children, classical music and liberal pieties. Smith's acid tongue makes any line sound better. But the subplot about a blackmailer (Jim Broadbent) who terrorizes Shepherd in the dead of night adds nothing, least of all a purpose.- Rolling Stone
- Posted Jan 7, 2016
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Peter Travers
A mesmerizer that will creep into your dreams whether you let it or not.- Rolling Stone
- Posted Jan 7, 2016
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Peter Travers
Filtered through Kaufman's searching mind and soulful brilliance, the result is a masterpiece.- Rolling Stone
- Posted Jan 7, 2016
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Reviewed by
Peter Travers
The film goes slack when its screws most need to tighten. Luckily, Smith — flawless in accent and commitment to Omalu's worthy cause — grips you from first to last.- Rolling Stone
- Posted Dec 22, 2015
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