Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Central Intelligence always takes the lazy way out. You go along for the ride because Hart and Johnson promise something they can't deliver: a movie as funny as they are.
  2. What makes The Conjuring 2 play deeper and darker than a warmed-over version of The Exorcist is director James Wan (Saw, Insidious, Furious 7). This Malaysian-born filmmaker can make his camera do terrifying tricks that are almost supernatural.
  3. Noah Baumbach and Jake Paltrow, filmmakers themselves and De Palma fans to the bone, haven't gathered a bunch of talking heads to debate De Palma's significance. They just put the man himself on camera, mic him up and let him rip. The result is heaven for movie lovers.
  4. If you fell for the 2013 original — and surprisingly, many did — then Now You See Me 2 has got your number. For the rest of us, however, this longer, louder sequel adds up to what one character calls "a sack of nada."
  5. What's onscreen is a godawful mess, leaving the actors to suck wind while the film collapses around them. If you've never played the game, you might as well watch the movie stoned.
  6. Cowabunga, the vigilante demi-gods on a half shell are back, and more inane and irritating than ever. Their antics make the 112 minutes it takes to watch this frenetic followup to 2014's Teenage Mutant Ninja Turtles a torturous mindfuck for any sentient being over the age of infancy.
  7. It also doesn't grapple deeply enough with the core questions it raises, settling for telling a sob story that will go down easy at the box office. Still, you can't blame audiences too much for being seduced by two shining young stars in a movie romance that hits the spot, bitter and sweet.
  8. Popstar mixes the hilarity with a surprising amount of heart. 4Real.
  9. The script by Linda Woolverton stays surface faithful to the characters created by Lewis Carroll, but the film has lost its soul.
  10. Director Bryan Singer, who started the whole thing in high style with 2000's "X-Men," returns for a fourth time. Singer shows a lot of energy, but he and screenwriter Simon Kinberg (Fantastic Four, yuck) let the movie get way overcrowded.
  11. This spellbinder about a politician in free fall would be hilarious if it weren't so agonizingly true. OK, it's still pretty funny because Anthony Weiner — the subject of this documentary — can't stop shooting himself in the foot.
  12. There's no denying the movie's high spirits or its irresistible invitation to shake your sillies out.
  13. Without pushing or showing off, Miller creates a breezy comedy that pulls you up short. Buoyed by faultless actors who mesh beautifully, Maggie's Plan tickles you with laughs that can — suddenly or even days later — choke you up with emotion.
  14. There are even times when Black seems to be letting Crowe and Gosling make the whole thing up as they go along. Not a bad thing.
  15. Rogen and Byrne are crazy fun company.
  16. Wheatley and screenwriter Amy Jump (his wife) have energized Ballard's parable of class warfare in the technology age with a daring approach that will touch a nerve or have you bolting for the exits.
  17. The Lobster, with a score that samples everyone from Beethoven to Nick Cave, comes at you with images that burn and laughs that stick in the throat. Take the challenge of this movie — it'll keep you up nights.
  18. I can't think of a more wickedly modern romantic comedy.
  19. Foster's film doesn't doubt that money rules our lives. But it does wonder, provocatively, why we're dumb enough to let it.
  20. Many a road to movie hell is paved with good intentions. To that list of lost causes add Being Charlie, a well-meaning study of addiction that hits too many banal beats to snap us to attention.
  21. Everything in this movie is so ripe and voluptuous that watching it doesn't seem enough, you want to take a bite out of it.
  22. Kudos to the Russo brothers, Joe and Anthony, for directing the hostilities for maximum impact and without neglecting character. Their thundering epic is also smart, snappy, politically savvy and blessedly fast on its feet.
  23. As a movie, Papa improves every time it shuts up and allows action to define character.
  24. Kidman and Bateman make a potent team in a provocative film that questions the limits of art in a world that forgets to be human. The result is funny, touching and vital.
  25. Director Garry Marshall is a menace. He keeps killing holidays with all-star comedies in which a laugh would die of loneliness.
  26. Even when the laughs don't always snap, Key and Peele are ready with another one or a dozen that do. These dudes really are the cat's meow.
  27. There's no denying the ambition in A Hologram for the King, but a struggle does not add up to a satisfying movie — or even a reasonable facsimile of the beauty and terror Eggers evokes on the page.
  28. The Meddler belongs to Sarandon, a famously no-bull actress who digs in deep, showing us how moms aren't one thing, they're all things. How else can they make you laugh from love and cry from crazy? The Meddler knows how. Listen up.
  29. Onscreen, Nina barely scratches the surface much less draws blood. For the essence of a legend, listen to the real Simone sing "I Put a Spell on You." She sure as hell does. This movie emphatically does not.
  30. It ain't fact, but it is damn entertaining fiction.

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