Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Before it goes off the rails in the final stretch, 99 Homes is a riveting rabble-rouser that thinks it can make a difference. In these days when Hollywood typically dulls our wits, Ramin Bahrani's 99 Homes has a fire in its belly. It's spoiling to be heard.
  2. The movie needed great performances, and it gets them from Ryan Reynolds and Ben Mendelsohn.
  3. It's not much of a movie. But raging bull Robert De Niro, suited up to play for humor and heart, proves he can be a world-class charmer.
  4. The film offers few answers about Fischer's descent into derangement. But you watch Maguire and slowly, with pity and terror, you understand.
  5. In Spanish, "sicario" means "hitman." In film terms, Sicario is sensational, the most gripping and tension-packed spin through America's covert War on Drugs since Steven Soderbergh's Traffic 15 years ago.
  6. There's only one star in this movie: Everest. Kormákur couldn't shoot higher than base camp, around 14,000 feet, without sickening the actors. But a crew traveled to the top to get footage, while much of the climbing was shot in the Dolomites. No matter. You watch Everest and you believe.
  7. Ice-cold. Dead eyes. Demonic laugh. His face a mask you can't read until he's up in yours. Then run. That's Johnny Depp giving everything he's got in a riveting, rattlesnake performance as South Boston gangster James "Whitey" Bulger in Black Mass.
  8. It makes you laugh till it hurts.
  9. Gere, who has shockingly never been nominated for an Oscar, gives the performance of his career, intuitive and indelible.
  10. No spoilers, except to say that cheap thrills can still be a blast. Not enough to make up for Shyamalan's awful "After Earth," but it's a start.
  11. The three actors work wonders. And Zobel, as he did in 2012's mindbending "Compliance," nails every nuance of intonation and posture.
  12. What hurts is that filmmaker Mia Hansen-Love did it better just a few months ago in "Eden," about the French house movement since the 1990s. In this movie, James tells Cole the ideal EDM track would work up the heart-rate of the crowd to 128 beats-per-minute. We Are Your Friends never even gets us to break a sweat.
  13. This movie really moves. But a fleet of tanks couldn’t help the brothers Dowdle push past the plot holes in this rancid mess.
  14. The movie steps lively with buoyant humor and palpable sexual tension, but keep an eye out for the dark places.
  15. Lily Tomlin works miracles. She's comedy royalty whose best films (Nashville, The Late Show, All of Me, I Heart Huckabees) always cut deeper than a smile. But no Oscar. Maybe Grandma will do the trick. It's a Tomlin tour de force.
  16. Eisenberg and Stewart stay appealing to the last. The movie, not so much.
  17. Gerwig is the mistress of all things funny and fierce, and her byplay with Kirke (Gone Girl) is killer. You won't know what hit you.
  18. Vikander, the sexbot in "Ex Machina," is having a hell of a year. And you can see why. Gaby isn't much of a part, but Vikander makes her a live wire. Her impromptu dance with Kuryakin that ends in a wrestling match is, well, something to see.
  19. Straight Outta Compton plays better when it's outside the box, showing us N.W.A power and the consequences of abusing it. Would the movie be better if it didn't sidestep the band's misogyny, gay-bashing and malicious infighting? No shit. But what stands is an amazement, an electrifying piece of hip-hop history that speaks urgently to right now.
  20. The movie is a world-class winner.
  21. Powley is sensational, expertly blending hilarity and heartbreak. Her scenes with Wiig, sublime in her hard-won gravity, are unique and unforgettable. Just like the movie.
  22. It helps that Kevin Kline excels as Ricki's ex, and Mamie Gummer, Streep's real-life daughter, imbues the fictional version with rare grit and grace. Otherwise, too many wrong notes.
  23. The latest reboot of the Fantastic Four — the cinematic equivalent of malware — is worse than worthless.
  24. Nothing and everything happen in the movie. Director James Ponsoldt (The Spectacular Now), working from a fluid script by playwright Donald Margulies, does justice to the book without compromising his film.
  25. Leslie Mann and wild-card Chris Hemsworth, as her cock-flashing hubby, get the heartiest hoots. The rest is comic history warmed over.
  26. McQuarrie — an Oscar winner for his script for 1995's "The Usual Suspects" — has an ace to play. That's the indie sensibility he brings to the usual Hollywood FX.
  27. Yikes! I saw Pixels as a 3D metaphor for Hollywood's digital assault on our eyes and brains. Not funny. Just relentless and exhausting.
  28. Amazingly, Gyllenhaal never cheats on his character's sense of dignity. Against the odds, he keeps you in Billy's corner. That's a champ.
  29. There may be nothing fresh left to find in teens coming of age, but director Jake Schreier (Robot and Frank) fakes it with genuine sincerity.
  30. Don't think you can take another Hollywood version of Sherlock Holmes? Snap out of it. Apologies to Robert Downey Jr. and Benedict Cumberbatch, but what Ian McKellen does with Arthur Conan Doyle's fictional detective in Mr. Holmes is nothing short of magnificent.

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