Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Evocatively shot by "Selma" wizard Bradford Young, A Most Violent Year reflects a world where nothing is held sacred. You watch with nerves clenched, holding on tight.
  2. Yes, the sets and costumes elicit swoons, but it's the peerless Sondheim score, however truncated, that makes this Woods a prime destination.
  3. Jolie has an army of craftsmen in her corner, notably camera poet Roger Deakins (No Country for Old Men). But it's her vision that gives Unbroken a spirit that soars. In honoring Louis' endurance, she does herself proud.
  4. The sad fact is that racial injustice is timelier than ever. Righteous fury is in the air. And that fervor to stand up and be counted is all over Selma.
  5. Eastwood, working from a script that Jason Hall adapted from Kyle's 2012 memoir, fuses the explosive and the sorrowful as only he can. That's why his film takes a piece out of you.
  6. It's stupid. It's in bad taste. It impossible. I know all that. Look, Quentin Tarantino killed Hitler in "Inglourious Basterds" and the neo-Nazis stayed quiet. It's a farce, people.
  7. Why should you suffer through a 140-minute Russian film that is basically a contemporary remake of The Book of Job? Because it's a stupendous piece of work, that's why, and because it represents the kind of challenging, intimate filmmaking that transcends language and borders.
  8. Leigh embraces the contradictions in Turner. And in tandem with cinematographer Dick Pope, a master of light, he shows us the world as Turner sees it. The effect is harsh and ravishing. Leigh's beauty of a movie touches the heart not by sentimental gush but by the amplitude of its art.​
  9. When a stage musical as beloved as Annie hits the big screen and falls ignominiously on its fat one, you might ask: WTF? For starters, updating the Depression-era tale to NYC 2014 is a really dumb idea. The strain of the shoehorning is evident in every scene.
  10. Talk about beating a dead orc. In dutifully completing his prequel trilogy to his three-part Lord of the Rings triumph, director Peter Jackson has sadly saved the worst for last.
  11. Exodus is a biblical epic that comes at you at maximum velocity but stays stirringly, inspiringly human.
  12. Top Five is Rock's best movie by a mile. It's authentically hilarious.
  13. Inherent Vice is packed with shitfaced hilarity, soulful reveries, stylistic ingenuity and smashing performances that keep playing back in your head. It may not demand repeat viewings, but it sure as hell rewards them. It's the work of a major talent.
  14. Under the keen-eyed direction of Jean-Marc Vallée (Dallas Buyers Club), Wild emerges as an exciting, elemental adventure that takes you places you don't see coming.
  15. Kent will have you climbing the walls simply by plumbing the violence of the mind. Brace yourself.
  16. It's been a long time since intellectual sparring created such excitement onscreen. I've heard a few critics dismiss this mind-bender as hopelessly old-hat. Ha! If so, long live retro. ​
  17. Delivers the dazzle without sacrificing the smarts. The suspense is killer. Ditto the thrill of the hunt. The film uses the extra time to, of all things, develop characters and give this dystopian fable a human scale.
  18. The bad news isn’t that Carrey and Daniels got old, it's that the jokes did. The spirit is still willing in Peter and Bobby Farrelly, the original writer-directors, but the sagging flesh is weak from prolonged repetition.
  19. The Homesman lacks the scope and depth of Jones' dynamite 2005 directorial debut, "The Three Burials of Melquiades Estrada." But Jones and Swank, walking the tightrope between comic and tragic, ignite combustibly.
  20. There's enough plot here to sink a soap opera, but the actors prevail. Parker is a no-bull charmer. Driver leaves bite marks on her juicy role. And Mbatha-Raw, so good this year in "Belle", is dynamite.
  21. Kudos to Stewart for making Rosewater more than an earnest plea for journalistic freedom. He makes it personal.
  22. The hypnotic and haunting Foxcatcher can prove its worth as one of the year's very best films. Steve Carell, Channing Tatum and Mark Ruffalo give the performances of their lives.
  23. This one's a winner. And Baymax, baby, call your agent. You're about to be a household name.
  24. The Theory of Everything, referring to Hawking's dream of finding an equation to explain all existence, is riveting science, emotional provocation and one-of-a-kind love story all rolled into one triumphant film.
  25. What the neg-heads are missing about Interstellar is how enthralling it is, how gracefully it blends the cosmic and the intimate, how deftly it explores the infinite in the smallest human details.
  26. Horns has style to burn, but there's no there there.
  27. Nightcrawler curves and hisses its way into your head with demonic skill. When the laughs come, they stick in your throat. This is a deliciously twisted piece of work. And Gyllenhaal, coiled and ready to spring, is scarily brilliant. He truly is a monster for our time.
  28. Binoche never falters. She's the film's fire and grieving heart.
  29. John Wick is the kind of fired-up, ferocious B-movie fun some of us can't get enough of. You know who you are.
  30. Stay in your seat for the end credits, in which Murray waters a dying plant and karaokes to Bob Dylan's "Shelter from the Storm." That alone is worth double the price of admission.

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