Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. Lowry took chances with her novel. The movie of The Giver takes none. It's safe, sorry and a crashing bore.
  2. The Expendables 3, trading on our affection for action stars of the past, has officially worn out its already shaky welcome.
  3. The heavy plot sauce weighs down the movie. Director Lasse Hallstrom had similar buoyancy problems in 2000's bewilderingly Oscar-nominated "Chocolat." Here he lucks out big time with Mirren and Puri, two pros who know how to lift an audience over plot hurdles and turn a merely digestable diversion into a treat.
  4. What If doesn't break new ground. But it has charm to spare, and Radcliffe and Kazan are irresistible. No ifs about it.
  5. This is ambitious, challenging filmmaking, elevated by Franco's compassion and Haze's revelatory acting. OK, the film trips up on its attempt to lace tragedy with gallows humor. But Franco is out there trying something, balancing literature and cinema in a tightrope act that is never less than exciting to watch.
  6. When Boseman shows us Brown doing his thing onstage, the movie comes alive.
  7. Director Brett Ratner could boast solid source material in the five-issue Radical Comics series Hercules: The Thracian Wars by the late Steve Moore. They had a shot at something here, and they blew it.
  8. Guardians of the Galaxy does the impossible. Through dazzle and dumb luck, it turns the clichés of comic-book films on their idiot heads and hits you like an exhilarating blast of fun-fun-fun. It's insanely, shamelessly silly – just one reason to love it.
  9. The movie does Thompson proud. It's a scorcher.
  10. Every move Hoffman makes subtly rivets attention. There's the uncanny German accent, the boozing, the chain-smoking, the glances at his assistant (Nina Hoss), the secret life he keeps hidden and the betrayals even Günther can't see coming. Hoffman is simply magnificent. Face it. We won't see his like again.
  11. Melancholy and doubt may seem like gloomy qualities to blend into an amorous romp. But that shot of gravity is what makes Magic in the Moonlight memorable and distinctively Woody Allen.
  12. Remember "Limitless," the 2011 thriller in which Bradley Cooper becomes a whirling killer dervish from a drug that lets him access 100 percent of his brain? Well, Lucy is basically the same movie with Scarlett Johansson in the Cooper role. It's not a good trade-off.
  13. Don't miss it. Though Life Itself is a warts-and-all portrait Ebert didn't live to review, my guess is his thumbs would be shooting upward. Mine sure are.
  14. Want to know what it's like to be in on the discovery of a new American classic. Check out Boyhood. Richard Linklater's coming-of-age tale is the best movie of the year, a four-star game-changer that earns its place in the cultural time capsule.
  15. Dawn is dynamite entertainment, especially in the rousing first hour.
  16. A slambam sci-fi thriller with a brain, a heart and an artful sense of purpose. You're in for a wild whoosh of a ride.
  17. It's rare to find a movie that uses music to define love without sentimentalizing it. But Begin Again, with songs by Glen Hansard and New Radicals frontman Gregg Alexander, is a wonderfully appealing exception.
  18. The Bay-man has made the worst and most worthless Transformers movie yet. I know, hard to believe, right? How could any summer blockbuster be as dull, dumb and soul-sucking as the first three Transformers movies? Step right up.
  19. I don't like this movie. I don't like how it walks, talks, struts and sells itself. I find it contrived, tortured, humorless, infuriating and interminable. And yet if you care anything about film and the creative drive that still exists in the people who make them, then Third Person needs to be seen.
  20. If you laughed at Tim Story's first "Think," based on Steve Harvey's bestselling advice book for women, you'll probably ride along for this jacked-up, Vegas-set sequel in which dudes and dolls offer sexist approaches to throwing a bachelor party.
  21. It's the Mob connection that allows Eastwood to add shading and a sharper edge.
  22. All you really need to know is that The Rover is a modern Western that explodes the terms good and evil; that its desolation is brilliantly rendered by Michôd and cinematographer Natasha Braier; that Pearce and Pattinson are a blazing pair of opposites.
  23. It's thrilling, a soaring blend of 3D animation and spectacular storytelling that swerves daringly to honor the healing chaos of family, human and dragon.
  24. Thanks to this team of merry pranksters, 22 Jump Street hurts so good.
  25. Obvious Child is a romcom with a sting in its tail. And Slate is a dynamo, nailing every laugh while showing a true actor's gift for nuance.
  26. Liman keeps the action and surprises coming nonstop. OK, the end is a head-scratcher. Until then, Cruise and Blunt make dying a hugely entertaining game of chance.
  27. Green made the wise choice to be funny in telling his sad story.
  28. Even when the film falls to pieces, McAvoy's bonkers brilliance will blow you away.
  29. What we have here is an exhilarating blast of a movie, full of heart but still punk rock. So don’t get all pissy because it’s in Swedish (with English subtitles) and you never heard of anyone in it and coming-of-age movies about girls make you puke.
  30. Haden Church gives the movie the joyous kick it needs. His flirty thrust-and-parry with Collette is beautifully played.

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