Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. The simplicity of Michael Petroni’s script seems a drawback at first. But skilled director Brian Percival (Downton Abbey) slowly, effectively tightens the vise as evil intrudes into the life of this child.
  2. This Thor sequel is way funnier than any movie subtitled The Dark World has a right to be (thanks, Hiddleston). And the blowout climax pitting Thor against Malekith and the elves is excitingly staged. It's just that waiting for the good stuff can be a real mood-killer.
  3. Like a doggie in a window, this romcom relentlessly wags its tail so you'll fall in love and take it home. Not this time, puppy.
  4. Special kudos to Freeman, who kills it on the dance floor and later while drunk off his ass on vodka and Red Bull. You'll groan as much as howl at the jokes, but the veteran stars have a ball acting their age. Even when all else fails them, they're good company.
  5. McConaughey makes sure we feel his tenacity and triumphs in the treatment of AIDS. His explosive, unerring portrayal defines what makes an actor great, blazing commitment to a character and the range to make every nuance felt.
  6. Blue Is the Warmest Color sweeps you up on waves of humor, heartbreak and ravishing romance.
  7. Is Knoxville going soft on us? Nah. Bad Grandpa is still the f***ed-up family movie of choice, especially if your family has done jail time.
  8. Oddly, the published screenplay – while far from McCarthy's top-drawer – reads better than it plays. What's onscreen recalls a line from No Country: "It's a mess, ain't it, Sheriff?"
  9. Sex, lies, betrayal and murder set among the gods of the Beat Generation. That's Kill Your Darlings, a dark beauty of a film that gets inside your head and stays there.
  10. Redford, who can play intelligence, wit and nuance to a camera like nobody's business, holds us in his grip. It's a master class in acting.
  11. The Fifth Estate is stuck running in place.
  12. Proving himself a world-class director, McQueen basically makes slaves of us all. It hurts to watch it. You won't be able to tuck this powder keg in the corner of your mind and forget it. What we have here is a blistering, brilliant, straight-up classic.
  13. It might have all been another Hollywood-formula flick with American might taking on the alien other. But Greengrass gives Phillips and Muse the time, aboard a covered lifeboat, to discover shared beliefs and fears.
  14. The actors hit the jackpot, but only in terms of their paychecks. The audience gets a tension-free, tight-assed, "Casino" ripoff that leaves them thoroughly fleeced.
  15. Sadly, what Parkland becomes is a crying shame.
  16. Sandra Bullock, in the performance of a lifetime, spends most of this wondrous wallop of a movie lost in space, alone where no one can hear her scream.
  17. If you’re looking for an orgasmic trip to heavy-metal heaven, this is it.
  18. Gordon-Levitt won't take safe for an answer. So Don Jon tends to stumble as it finds its feet. Still, you leave this movie feeling had at instead of had. The experience is elating.
  19. Thanks for Sharing is all over the place trying to find a tone, but it knows where its heart is.
  20. Some will write off Prisoners as shameless exploitation. But like Clint Eastwood's "Mystic River," to which it's been compared, Prisoners is so artfully shaped and forcefully developed that objections fade.
  21. It sounds like rom-com hell. And it would be if Gandolfini and Louis-Dreyfus weren't such an appealing pair of misfits. It's a pleasure just to watch them spar.
  22. It's Morgan's core script, full of humor, heartache and verbal fireworks, that lifts Rush above the "Fast & Furious" herd.
  23. Blue Caprice is a cinematic punch to the gut, a mind-bending meditation on how to mold a killer, and one of the most potent and provocative true-crime movies ever made.
  24. Robert De Niro – wait for it – in the role of a mobster. Now there's an original idea.
  25. Working from a script by the gifted Christopher Hampton (Dangerous Liaisons, Atonement), who seems to have traded his wit for a paycheck, Fontaine manages the trick of making sex joyless. Like porn. Then she tops that by draining her film of variety, longing and feminist insight. Like farce. Ouch.
  26. We also learn that five of his books, written in secret, will be published between 2015 and 2020. Can't wait to read them. Can't wait to forget this movie.
  27. An alternately kick-ass and clumsy piece of sci-fi claptrap that puts its empty head down and gets the job done.
  28. In fact, Bell the writer, director, producer and actress knows how to set a savvy trap. While we're laughing, she pulls the rug out, making us see Carol's world as a microcosm for the world every working woman lives in. That she does it with subtlety, humor and touching gravity marks Bell as a filmmaker to watch.
  29. What's on screen in The Grandmaster is off-puttingly disjointed, but it's also dazzling in its startling action and ravishing romance.
  30. Is a Brian DePalma movie that laughs at Brian De Palma movies still worth your time?

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