Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. When Macbeth said, "It is a tale told by an idiot, full of sound and fury signifying nothing," he must have had visions about Courtney Solomon's Getaway, a car chase thriller with zero thrills and a stench that all the perfumes of Arabia couldn't erase.
  2. Rehab movies nearly always make me cringe, as if the audience needs to take medicine, as if hope needs to be force fed. Short Term 12, an exceptional film in every way, breaks the mold.
  3. The surprise is how effective Wingard is at keeping the atmosphere jumpy and tense. And you can't help rooting for Erin, who could win Survivor if she went on the show. Vinson's take-charge performance is the life of this badass party. When you're ducking in your seat, it's nice to have someone to root for.
  4. It'll knock you on you ass from laughing when you're not rubbing your eyes in disbelief.
  5. It galls me that Hollywood thinks we're shallow enough to swallow this swill. Or am I just being paranoid?
  6. Jobs is a one-man show that needed to go for broke and doesn't. My guess is that Jobs would give it a swat.
  7. Ain't Them Bodies Saints offers no glib answers or smooth resolution, but there's no question that Lowery is a filmmaker with a striking future.
  8. It's watching Cecil open his eyes, in Whitaker's reflective, powerfully understated performance, that fills this flawed film with potency and purpose. Striving really does bring its own glory.
  9. We pity Linda, but it's no substitute for understanding her.
  10. Like District 9, an allegory of apartheid that took four Oscar nods and put Blomkamp on the map, Elysium delivers sci-fi without dumbing it down. It's a hell-raiser with a social conscience.
  11. Stephen Rodrick's New York Times article about the making of The Canyons had humor, suspense and propulsion. They should have made that movie. What we have here is dead on arrival.
  12. James Ponsoldt's funny and touching coming-of-age tale covers old ground with disarming freshness.
  13. Hell, I really meant to at least like 2 Guns. But I couldn't. The movie just didn't make the extra effort.
  14. Does Carey go too far? Duh. But why gripe when you can't stop laughing?
  15. Want to see great acting, from comic to tragic and every electrifying stop in between? See Cate Blanchett in Blue Jasmine.
  16. This pissed-off man of Adamantium claws is stalking new ground (Japan), and his fight with yakuza on top of Tokyo's speeding bullet train is a wowser.
  17. Forget "The Conjuring," Blackfish may be the scariest movie around.
  18. Where "Drive" shrewdly mystifies, Only God Forgives stupefies. You can see its gears grinding. But I'll always hang on for a rare talent like Refn. Even when he stumbles, he leaves you eager to see what he's up to next.
  19. It scared the living crap out of me. Only at the movies is that a compliment.
  20. Cera, still one of a kind and still making us love him for it (Arrested Development – yes!), never flinches. Jamie is impossible to like. And yet we do because Cera plays him without an ounce of bogus ingratiation. He's terrific.
  21. Fruitvale Station is a gut punch of a movie. By standing in solidarity with Oscar, it becomes an unstoppable cinematic force.
  22. What pulls us over the rough spots is the mind meld between del Toro the artist and the child inside him. They both want to astonish us. Geeks everywhere, salute.
  23. McCarthy is a force of comic nature. And she and Bullock mix it up like pros. In this dead-battery of a movie, these live-wires miraculously ignite sparks.
  24. The Way Way Back gets it wittily, thrillingly right. It turns the familiar into something bracingly fresh and funny. It makes you laugh, then breaks your heart.
  25. It's still a first-class charm assault.
  26. Here they're just putting "Pirates of the Caribbean" in a saddle and pretending we won't notice.
  27. The poster for this movie should read: Hello, Suckers!
  28. Stamp's award-caliber performance as a closed-off man on the brink of turning into stone is a miracle of subtlety and feeling. This is acting of the highest order. Redgrave partners him superbly, bringing warmth and nurturing humor to a role she refuses to play for easy tears.
  29. It's all infectious fun, despite the lack of originality. In the art of tickling funny bones, Crystal and Goodman earn straight A's.
  30. World War Z is still as smart, shifty and scary as a starving zombie ready to chow down on you, baby, you.

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