Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. The star is unstoppable and spectacular to see in motion. Watch her fly.
  2. The too-blunt comedy defangs the film. As does the irritating voiceover from the Rolling Stone reporter, played Scoot McNary, which breaks a cardinal rule of filmmaking: show, don't tell.
  3. Bloated, boring, repetitive, draining.
  4. No cliché is left unturned, and Gordon compensates with slick action.
  5. It's impossible to quantify what it takes to be a quality director – but damn, you know it when you see it. And you'll see it clear and strong in Paint It Black, a staggeringly impressive feature directing debut for actress Amber Tamblyn.
  6. The role is a beast, and Cranston, in a tour de force of touching gravity and aching humanism, gives it everything he's got. It's astounding to watch, and an award-caliber performance from an actor who keeps springing surprises.
  7. It's true that the film is covering old ground – the shocking originality of the first Alien is a one-time thing. No worries. I'd rank Alien: Covenant with the best of the series, right after the first two chapters. Fans are going to freak out. Join in.
  8. The pleasures here come almost exclusively from Schumer and Hawn playing off each other like the rock stars of comedy they are.
  9. If you’re longing for a delicious romantic romp to take your mind off the world going to hell in hand basket, Paris Can Wait is it.
  10. That's what Blanchett is doing here. She adds a human element. She can turn anything into art. Even artistic navel-gazing.
  11. An epic bore that believes if you make a movie long and loud and repetitive enough, audiences will conclude it's saying something profound. Wrong.
  12. A meandering but altogether mesmerizing film from writer-director Azazel Jacobs that finds buoyant comedy and touching gravity in the ashes of a relationship.
  13. There are bumps along the way, transitions from one medium to another will do that, but this filmmaker and his fierce foursome won't be done till they take a piece out of you. It's a gripping psychological thriller with a sting in its tail.
  14. How do you screw this up? You've got three leading actresses – Susan Sarandon, Naomi Watts and Elle Fanning – who are usually worth watching in anything. But 3 Generations is pushing it. Even nurturing talent can't breathe life into a script that is completely D.O.A.
  15. It's a paranoid thriller without suspense, urgency or a single new thing to say.
  16. Hanging with Quill and his mercenary space misfits is still everything you'd want in a wild summer ride.
  17. Free Fire may suggest Wheatley is deservedly moving up the industry food chain – it's executive-produced by Martin Scorsese – but it also merely a formal exercise, albeit one buoyed by the sense that the director is having the time of his life behind the camera.
  18. Unforgettable is definitely the wrong title for a movie you want to erase from your memory the second it ends.
  19. The actors do what they can to keep their heads above the sudsy script. No go. It’s distressing to see a great subject go wrong in the right hands.
  20. Cynthia Nixon is simply magnificent as Dickinson, finding the sharp wit and searching mind of a woman out of step with the codes and formalities of her time.
  21. A spellbinder that features Richard Gere in one of his best performances ever.
  22. The Fate of the Furious doesn't have a thought in its head to match the best of Bond and Bourne. What it is, in every sense of the term, is insanely entertaining.
  23. Hunnam is slow to grab us as Fawcett, but the implosive force of his performance soon takes hold.
  24. There are times when Braff and Melfi hint at the darkness of a world that ignores seniors by making them invisible. But this new version of Going in Style sells uplift so hard it loses touch with reality – and any genuine reason for being.
  25. Damned if this wildly witty and surprisingly touching swing at movie madness and gender politics isn't on to something deep.
  26. Graduation, isn't quite on the landmark level of his searing 2007 abortion drama "4 Months, 3 Weeks and 2 Days," but this gripping film still sizzles with Mungiu's social-realist concern for people who believe they can't raise their position based on merit alone. In that sense, the filmmaker is working on a universal level.
  27. What makes the film worthwhile, despite its flaws, are those scenes of human and animal desperation that encapsulate the horrors of war.
  28. Alas, this isn't the Trump-trolling toon you're looking for. People may search for protest art hidden among the potty jokes, but the closest they're going to get to a subtextual statement is the Beatles' "Blackbird" on the soundtrack – and that's been repurposed as a lullaby.
  29. Let's hope that Ridley Scott follows his own blueprint better in the upcoming "Alien: Covenant." The dull and derivative Life is no competition. It's DOA.
  30. Missed opportunities hobble the film as a whole, but Harrelson is in there pitching his best game. That alone is a sight to see.

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