Rolling Stone's Scores

For 4,545 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4545 movie reviews
  1. A punishingly long (133 minutes), shamelessly shallow downer that makes the mistake of taking itself oh-so-seriously. Big mistake.
  2. It's a moody horror movie that favors metaphor over mayhem until its violent, chaotic final third, at which point the screaming starts in earnest. A bit more balance between gnawing guilt and plain old gnawing would have done this scare-parable wonders. Its bark is worse than its bite. But you hear every point that bark is making loud and painfully clear.
  3. Bateman's dazzling deadpan can raise tired zingers to raucous life with only a throwaway eyebrow lift. And McAdams takes to comedy with a natural actor's grace and precision. Talk about fun company. They're it.
  4. It's both gravely serious and a demonically funny, a blend meant to catch audiences off balance. Mission accomplished.
  5. Garland need make no apologies for Annihilation. It's a bracing brainteaser with the courage of its own ambiguity. You work out the answers in your own head, in your own time, in your own dreams, where the best sc-fi puzzles leave things. Get ready to be rocked.
  6. Aside from Alyosha, there's no one to root for here, and Zvyagintsev paints the bleakest of picture. But his filmmaking has a driving force that hurtles you along, and like his 2014 masterpiece "Leviathan," this micro-focused drama allows the director to turn the story of one family into an X-ray of a nation's bruised soul.
  7. The laughs hurt so good, and the guests at this shindig treat each other like dartboards for 71 minutes. Yes, that's short for a movie, but your nerves couldn’t take more.
  8. You inherently felt that he had incredible work in him if you could simply wait out his enfant terrible phase. Golden Exits is the first of Perry's people-behaving-badly pieces to start to make good on that promise.
  9. To use the film's terms: You go expecting a World Cup qualifying round. You leave having just seen a decent enough exhibition match.
  10. With this last entry, we have officially hit the bottom of the barrel. Whips, chains, butt plugs and nipple clips are nothing compared to the sheer torture of watching this movie.
  11. The complex movie that might have been is still on the drawing board, teasing us with a deeper story that's disappointingly out of reach.
  12. Say this about Black Panther, which raises movie escapism very near the level of art: You've never seen anything like it in your life.
  13. It shouldn't happen to anyone, much less a Dame – not a movie of such barreling awfulness as Winchester, which strands the great Helen Mirren in a gothic house of cards that collapses on actors and audiences alike.
  14. A Fantastic Woman catches a human being in the challenging and exhilarating process of inventing herself. The result is unique and unforgettable.
  15. The Death Cure plot is the essence of rehash.
  16. Still, the excitement is palpable, and Karam and El Basha (he justifiably won the Best Actor prize at the Venice Film Festival) give the kind of performances that keep you riveted. Even at its most blunt and obvious, this is a movie that stumps for empathy. Who can argue with that?
  17. What chills most about The Final Year is how unprepared Team Obama was for the victory of Trump and the ease with which many of its hard-won policies could be unraveled. Was it blindness, hubris or a combination of both?
  18. Every paying audience member deserves their 12 bucks back.
  19. What 12 Strong does deliver, however, is a rousing tribute to the bravery of soldiers whose contributions went unheralded for years. That impact cannot be denied.
  20. In the doldrums of January, the movie pulls out every trick in the suspense-thriller book to keep us grinning at each new absurdity. Silly? You bet. Irresistible? Totally.
  21. Happy End is a puzzle and it's our job to connect the pieces. If it doesn't drive you crazy first, you'll find yourself maddened and mesmerized to the bitter end.
  22. What an astounding actress Annette Bening is. And she’s at her very best in Film Stars Don't Die in Liverpool playing Gloria Grahame.
  23. Molly's Game bristles with fun zingers, electric energy and Sorkin's brand of verbal fireworks – all of which help enormously when the movie falters in fleshing out its characters.
  24. Bale, in a piercing, quietly devastating performance, holds the film's center with commanding authority. It's a film whose brute force tempered with contemplative grace. It's a potent and prodigious achievement.
  25. Taking full measure of Phantom Thread may require more than one viewing – a challenge any genuine movie lover will be eager to accept. Our advice for now: just sit back and behold.
  26. The problem with setting a familiar story in a foreign universe is that you have to establish the parameters of said universe or risk losing your audience. That's world-building 101, folks. Bright does not care about that. Bright's attitude is closer to "fuck you for not somehow keeping up with our cool shit" before doing a lot of push-ups.
  27. Though the rest of All the Money in the World expertly skims the surface of this true-life drama, Scott makes it a hell of a ride.
  28. I'm convinced there is a good movie trying to punch itself out of The Greatest Showman. What a shame that Gracey buried Jackman and company in a pile of marshmallow.
  29. Downsizing brims over with the pleasures of the unexpected, a hallmark of Payne's artistry.
  30. Black is expectedly hilarious, but the beauty part of his performance is that, instead of exaggerating or patronizing this Instagram princess, he finds her vulnerable heart.

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