Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. How to Talk to Girls at Parties is all feedback. It talks loud and says next to nothing.
  2. Not only is this faith-in-crisis drama one of the legendary writer-director's most incendiary films ever, it's one of the year's very best – a cinematic whirlwind that leaves you both exhilarated and spent.
  3. Some may feel like this smirking sex farce goes down easy. Others may choke on it – or worse, feel like they've wandered into the cinematic equivalent of Christian Grey's Red Room of Pain?
  4. She's glorious, as she always is. But even Ronan can't totally cut through the academic stuffiness that comes with this posh literary adaptation.
  5. The movie ride delivered by Solo: A Star Wars Story is more mild than wild, a pleasant way to pass the time instead of a game-changer.
  6. Deadpool 2 throws everything it has at you until you throw your arms up in happy surrender.
  7. McCarthy falls into the same trap she did in "Tammy" and "The Boss," the two other movies she wrote with her husband/director Ben Falcone. By that we mean she allows her laugh instincts to get buried in a blanket of bland.
  8. Yes, you read that correctly: zero stars. When talented people create one of the worst movies ever made, you have to ask: What the hell happened?
  9. What makes this documentary more than just a feature-length DVD supplement is how these peeks behind the curtain are offset by a connect-the-dots case study of obsession and devotion taken to extremes.
  10. Dazzling, sometimes hilarious and surprisingly emotional documentary.
  11. The listless, leaden acting, writing and direction in this breathtakingly stupid bomb-ola defies audiences to stay conscious through its drag-ass 88 minutes.
  12. Purists may object to the cuts the filmmakers have made to Chekhov's text in the name of pacing. (And nuts to that tricked-up ending!) But The Seagull still flies on the wings of humor and heartbreak that made it a Chekhov classic in the first place.
  13. The snotty rich bastard? That role goes to Eugenio Derbez, Mexico's biggest star, who's allowed to speak a big chunk of his dialogue in Spanish, complete with subtitles. It's the one original idea that this retrofitted Overboard has to offer. The rest of the movie wears out its welcome muy rapido.
  14. RBG
    You just wish the film itself was half as compelling as its subject; not defaulting to piano-tinkling sentimentality or old-people-sure-are-adorable cutesiness at every opportunity would have been a bonus as well.
  15. Mostly, it's a collection of spare suspense parts that someone ransacked at the movie dump and is trying to resell as fresh product. Good luck with that.
  16. Davis gives an absolutely electrifying performance that lends the movie a kick of outrageous originality. This Canadian actress, so good in Halt and Catch Fire and one of the best episodes ever of Black Mirror ("San Junipero") takes it to the next level, suggesting even more exciting things to come.
  17. A gorgeously acted, written and directed spellbinder.
  18. What we have in the misbegotten mess called Kings is a film of countless good intentions – one that starts going bad in its first scene, gets worse form there and then dissolves into pure chaos.
  19. Avengers: Infinity War leaves viewers up in the air, feeling exhilarated and cheated at the same time, aching for a closure that never comes ... at least not yet.
  20. Pfeiffer gives an incredible performance as a woman on the verge of a nervous breakdown.
  21. The problem here isn't excessive pandering; the sheer existence of this second movie is already 100-percent fan service. It's that it doesn't give you much beyond a very subjective view of what these guys find hilarious.
  22. What we have left in Godard Mon Amour, after the laughs dry up, is a thin sketch of a filmmaker who inspired a hero worship in his young bride that dissolved in squabbling, as had Godard's first marriage to another of his leading ladies, actress Anna Karina.
  23. But still: Is it really OK to get off making plus-size jokes just because you tack on a moralizing ending that teaches a lesson about body positivity? Can you have it both ways?
  24. Poetic is a word that gets thrown around willy-nilly, but it fits perfectly here. So does woozy. It feels less like a film than a high fever, burning slow but hot in order to incinerate a virus.
  25. Anderson packs the film with atmosphere spiked with intrigue. And Hamm gives his role a James Bond-meets-Don Draper appeal, tossing off one-liners with a weary insouciance. His scenes with Pike give the movie a resonant power it wouldn't otherwise have.
  26. Once The Rider hooks you – and believe me, it will – there's no way you will ever forget it.
  27. These performers keep you mesmerized, making the most of what they're given even when the film sinks into a swamp of whose-dick-is-bigger competitions and sports clichés about product endorsements.
  28. It's easy to root for George. The movie deserves the finger.
  29. The film is corrosive in its take on the injustice that allowed Ted to live and prosper in a protective bubble of privilege. Clarke makes it clear that the man himself most likely felt the same way.
  30. Sobs are earned the hard way in this moving drama, which grips you with such scrappy humor and no-bull grit and grace that you'll be hooked.

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