When Furi's on point, it looks, sounds, and feels incredible, but a little too often, it struggles to maintain its intensity.

With its addictive and accessible gameplay, not only is it the perfect title for players of any skill level to test their metal, but you'll also have such a good time playing it that you'll quickly forget it isn't the direct sequel to SteamWorld Dig that you may have been hoping for.

Its approach to open ended gameplay is appreciated and its combat is fun enough for the first ten hours, but the game eventually loses steam and its story is nothing worth shouting about. To make matters worse, technical problems harm the experience to the point where you'll find it hard to care about the characters during what are supposed to be emotional scenes.

Integrity and Faithlessness is a much faster game than previous Star Ocean entries, but it sacrifices narrative and contextual depth for it.

Prison Architect is a fantastic simulation game. Its clever systems combine in interesting and intuitive ways to create an experience which is tense, challenging, and engaging. Niggling control issues aside, the title is a terrific example of how a traditionally PC-only genre should be ported to consoles.

Umbrella Corps is a brain-dead mess of good ideas gone wrong. It partially hides its flaws underneath a veneer of pretty graphics and promising gameplay concepts, but it can't hold up under its own weight in execution.

More creative use of upgrades would've been nice, and as with all endless runners, the appeal will wear off relatively quickly. However, this is a strong outing for Pac-Man that's perfect for short bursts, or, just as likely, one-more-go marathons.

There's a place on the market for simpler, old school sports games that rely on arcade fun rather than authenticity. But this reboot of the franchise is actually a step backwards for the series in some ways, and the lack of a tutorial or help of any kind results in the learning curve being more of a learning brick wall.

N.E.R.O. intrigues as an interactive visual novel, but it fails in its attempts to be a game. The puzzles here are laughably easy, and they subsequently get in the way of the storytelling. There are some beautiful cutscenes and an interesting story here, but they're too often impeded by unenjoyable gameplay.

While it fulfils its promise of delivering a much needed edge to the saturated zombie horror scene, Deadlight: Director's Cut is sadly hampered by its clunky combat system and recycled puzzles.

Mighty No. 9 appears to be caught in two minds about whether it wants to make a Mega Man-style game for novices or veterans, and that indecision unfortunately prevents it from being anything close to mighty. Combine the release's well-meaning but misguided attempts at accessibility with sub-par graphics, puzzles, and an insane difficulty spike towards the end, and you end up with a title that's not very mega at all.

Trials of the Blood Dragon is massively disappointing. Its story is muddled and confusing, its jokes fall flat, and its gameplay is frustrating. Fantastic presentation and well-tuned motorbike physics don't make up for what is ultimately a failed experiment.

Geralt's last hurrah is a pleasure to experience; a fitting end to a stunning achievement.

Devil's Daughter focuses more on story, with a larger plot taking over from the case work in satisfying ways. Some extended sequences of button mashing can become tiresome and the moral choice system doesn't add anything substantial, but the overall experience is great fun.

If you've played other titles in the series, then this entry will feel like it adds very little to the experiences that you've already had, while leaving a much blander taste.

It may be brief, but Oxenfree has elements of greatness and stands out as an excellent example of video game storytelling. It's also a beautiful and intriguing game that draws you in from the very start and makes you want to see just how deep the rabbit hole goes. Unfortunately, the situational narrative is let down slightly in the final third where it confuses even itself and fails to merge with the far stronger and more prominent social narrative.

Wales Interactive's Tron-like puzzle game has great atmosphere, a compelling setting, and an engaging concept – but it's ultimately not that interesting to play. The story lacks pace and substance, while the puzzles are lacking in difficulty and nuance – especially given that the powers used to solve them quickly become tiresome.

With the addition of an open world, Mirror's Edge Catalyst successfully builds upon the fun, free running gameplay of the original to deliver exhilarating, high-altitude action. It's perplexing that, while demonstrating a clear understanding of what the first game did so well, this reboot still forces you – albeit relatively infrequently – into unsatisfying combat. Like Faith herself, this release is at its best when it's on the run, and while the combat, story, and characters do cause it to stumble occasionally, it never actually falls.

Ultimately, Neon Chrome is a game that wants you to keep coming back for more, but one that offers few reasons to actually do so.

If you already own Guilty Gear Xrd -SIGN-, you may have to take a harder look at this improved package, but for everyone else, this is one of the very best fighters on the market.

Hitman: Episode 3 - Marrakesh is a good addition to an already great release, and although it may not have the total freedom of Sapienza, it certainly does espionage and detail well. The constantly busy atmosphere and the variety of kills will keep dedicated assassins coming back for more. Roll on Thailand.

It's a real shame that the performance here is subpar, because Dangerous Golf is fantastic fun, whether alone or with friends in the co-op and competitive modes.

Dead Island: Definitive Collection is by no means perfect, but it still succeeds in providing you with a substantial slice of flawed but generally fine zombie slaying action. Despite offering a graphical upgrade, though, there may not be much here to lure in those who have played these titles before – especially seeing as no real changes have been made to the core gameplay, and because newcomer Retro Revenge disappoints.

There Came an Echo feels like more of a proof of concept than an actual game.

Fully deserving of a second chance, Odin Sphere: Leifthrasir is a glorious remake of a fine RPG. Its stunning art style looks better than ever, and the tale it tells is still effortlessly charming. Little niggles like its clunky inventory system keep it from being picture perfect, but it's difficult not to be left thoroughly impressed by Vanillaware's lovingly crafted fantasy – even after all of these years.

TMNT: Mutants in Manhattan is a game that had the potential to be as superb as last year's Transformers: Devastation. Instead, due to a movie releasing this week in theatres, it's clear that Activision rushed Platinum Games to push it out quickly.

It's not quite the bountiful booty that is One Piece: Pirate Warriors 3, but Burning Blood's explosive combat is bound to leave a mark all the same.

Perfect Universe is a good collection of games, and it packs so much fun that it's worth downloading – even if you only intend to boot it up when you have friends and family around. Congrats to creator Will Sykes on a really accomplished package.