There's still some fun to be had in a spare 30 minute session alone, and it excels when played with friends – but on the whole it fails to provide enough depth and variation to keep the average player Obliteracing after the initial taster.

Shameless like a boob tube but about a billion times less interesting, Gal*Gun: Double Peace is a bad rails-shooter that tries tirelessly to get a raise, only to leave you feeling limp and agitated. If firing pheromones in the faces of overly appreciative schoolgirls is the kind of thing that turns you on, then consider giving Net Nanny her marching orders instead.

There is an awesome world that has been built here, with so many interesting characters and areas to explore, but poorly thought out gameplay makes Dex a dull affair. Melee combat has no nuance to it, weapons control too poorly to be of any use most of the time, and hacking is repetitive and bland. There is real promise here in the world building and character development, but the terrible gameplay is too much to make up for.

Adr1ft is by no means a bad game, but it comes with a few key caveats. Its opening hour is fantastic, as you begin to piece together what has happened and perilously search for the next oxygen canister, but it's the back half of the game that severely lets this intergalactic adventure down. And despite the story and its setting being so intriguing, it's not enough to paper over the glaring flaws present.

I Am Setsuna capably fulfils its role as an echo of past Japanese adventures, but in doing so, it seems unwilling to take risks and forge its own legacy. Its story is predictable and its battle system struggles to define itself, but its traditional charm and fantastic atmosphere do more than enough to ensure that this an inviting and thoroughly pleasant journey.

Sometimes, it's nice to play a game that doesn't ask too much of you, one that allows you to relax and simply enjoy being in its world. If you can forgive its technical hiccups and learn to adapt to its loose controls, you'll have a whale of a time.

Roger Ebert once famously opined that video games are not art, and Ghostbusters is Exhibit A for his case. This is not art. It barely qualifies as a game. Sure, it's not broken like some games are. It's functional. It works. But there's no risk, no ambition, and not a trace of anything resembling the personality of the Ghostbusters movies or cartoons. This is a game that seems like it was made with the specific purpose of tricking parents who don't know any better into buying it for their kids.

While two of the multiplayer maps ultimately let it down, Descent is Black Ops III's best DLC so far, thanks to the sheer madness and fun-factor of Gorod Krovi, one of the series' best Zombies maps. Empire and Berserk are also great additions to the multiplayer, adding their own individual styles to a once-monotonous selection of maps.

Sporting a varied campaign that's bolstered by satisfyingly weighty gameplay, Assault Suit Leynos is a good way to enjoy a hardcore classic. It isn't especially friendly to newcomers and at times its overwhelming mission design can be a burden, but it still stands strong as a solid mech shooter that'll put your piloting skills to the test – even 26 years after its original release.

Grand Kingdom is a strong tactical title that will ignite your inner sellsword. Some minor difficulty spikes can't upset the entertaining strategy action being served up here, and with tons of content on offer, this is a game that you could potentially still be playing this time next year.

Fun for a few bouts now and then, this is a brawler that doesn't quite do the original work justice - even if its nicely crafted story mode will keep fans entertained for at least a few hours.

A pleasant visual style and an interesting premise don't make up for this dull and disappointing gameplay.

The Banner Saga 2 is a story about the end of the world, and few games do a better job of constantly reminding you of that fact.

A blend of Spider-Man and Tony Hawk, Energy Hook is the kind of old-school Activision-inspired outing that any millennial should be able to enjoy. Unfortunately, the execution's just not there, and cumbersome controls coupled with some real lousy presentation mean that this is a swing and a miss we're sad to say.

Roguelike fans may still find some value here, but for the majority, the magic will quickly wear off.

LEGO Star Wars: The Force Awakens is quite possibly the best LEGO game yet – but it still has a smattering of old issues. Its compelling story cinematics, laugh out loud humour and perfectly balanced mix of conundrums and combat make it an absolute blast to play. However, it still suffers from the occasional AI hiccup and could do with the character abilities being refreshed.

7 Days to Die has a compelling premise, but it withers within minutes. The gameplay here is fundamentally not fun, and having to deal with technical issues every few seconds becomes extremely grating. The multiplayer injects a little entertainment, if only because you'll be observing the release's shoddiness with others.

Just because it employs the same font as a competing title doesn't mean that Professional Farmer 2017 comes anywhere close. This is a lousy, cynical game which has just one positive to its name: it's made us appreciate Farming Simulator 15 that little bit more.

Asemblance delivers an intriguing narrative based around a time looping mechanic, and makes a lot out of very little. The game may not have many environments to explore, but each one is carefully layered and crafted to allow the story to emerge at whatever pace you're able to keep up with. It helps that the title has genuinely interesting – and, oftentimes, unnerving – ideas, which, when paired with the menacing music, makes for an engaging experience.

Resident Evil 5 is a confounding game: it can be criticised for both mirroring its predecessor too closely and also for changing too much. When all's said and done, though, it's a decent romp that's brilliant when it's not bewildering – and when you consider the sheer amount of content included for the asking price, it's worth a punt.

There isn't much competition, but this is still the best strategy game on the PS4.

The role-playing genre has come a long way since 1991, but that doesn't mean Adventures of Mana should be cast aside. The simplicity of its gameplay makes it a nice portable snack, and as a faithful remake of a Game Boy title, it's hard to fault – just don't expect to get too excited over this dusty old quest.

When Furi's on point, it looks, sounds, and feels incredible, but a little too often, it struggles to maintain its intensity.

With its addictive and accessible gameplay, not only is it the perfect title for players of any skill level to test their metal, but you'll also have such a good time playing it that you'll quickly forget it isn't the direct sequel to SteamWorld Dig that you may have been hoping for.

Its approach to open ended gameplay is appreciated and its combat is fun enough for the first ten hours, but the game eventually loses steam and its story is nothing worth shouting about. To make matters worse, technical problems harm the experience to the point where you'll find it hard to care about the characters during what are supposed to be emotional scenes.

Integrity and Faithlessness is a much faster game than previous Star Ocean entries, but it sacrifices narrative and contextual depth for it.

Prison Architect is a fantastic simulation game. Its clever systems combine in interesting and intuitive ways to create an experience which is tense, challenging, and engaging. Niggling control issues aside, the title is a terrific example of how a traditionally PC-only genre should be ported to consoles.

Umbrella Corps is a brain-dead mess of good ideas gone wrong. It partially hides its flaws underneath a veneer of pretty graphics and promising gameplay concepts, but it can't hold up under its own weight in execution.