London Studio's latest karaoke effort may have a decent Party mode and PlayLink functionality, but its one-note tracklist and lack of four-player functionality make it a poor choice for a party game. SingStar: Celebration certainly doesn't live up to its name, then – it's only marginally more fun than a Jehovah's Witness' birthday bash.

Tokyo Tattoo Girls is a simple strategy game which can be fun in small doses but is sadly not interesting enough to keep you playing for long. The story is poor, the characters are strange (and not in a good way), and the gameplay is lacking. The artwork and tattoos look gorgeous, so it’s a pity they weren’t in a better game.

While it's not as unique or charming as its predecessor That's You, Knowledge Is Power is a solid, fun quiz game for when you've got friends or family around. While it's a little light on actual quizzing, the Power Plays allow for plenty of game-changing moments and inject some tension into the game as everyone scrambles to wipe virtual goo off of their phones and answer first. With another solid game added to its lineup and many more coming over the next few months, Sony's PlayLink service won't be going away anytime soon.

de Blob holds up surprisingly well to modern standards. It’s not without its problems: a dodgy camera, floaty jumping, and repetitive tasks rear their heads throughout the game. However, the simple concept of bounding through large environments splashing colour onto every surface remains original, fun, and satisfying – especially when accompanied by a great soundtrack that’s impacted by your play as much as the levels. Somehow, de Blob still feels contemporary, and it’ll cheer you up if this year’s other 3D platformer efforts have left you feeling blue.

Ben 10 is an enjoyable little beat-'em-up romp. All 10 of Ben's aliens feel fleshed out and vastly different from one another, and jumping from enemy-to-enemy in the fast-paced combat is suitably satisfying. Fans of the show will be thrilled with the faithful recreation of the show's art style and general feel. Unfortunately, it's a little bit let down by the afterthought upgrade system, incredibly short length, and non-existent difficulty.

Virtual reality breathes new life into an already excellent campaign. While you’ll have probably seen everything that The Elder Scrolls V: Skyrim VR has to offer before, you’ll have never seen it quite like this: vast, varied, and like an actual living, breathing place. Bethesda’s proven that blockbusters can make the transition to PlayStation VR – and on this evidence, it’s something we’d like to see happen more often.

Final Fantasy XV: Comrades ends up being a missed opportunity. The groundwork for a good co-op-based grind is here, but constant bouts of loading make the whole thing feel like a chore. The bite-sized missions are mostly enjoyable, but they're overshadowed by how long it takes to actually get into the action, and Final Fantasy XV's somewhat stunted combat system just isn't strong enough to support an entire expansion. With a few updates, Comrades could get better, but right now, it's too flawed to recommend to anyone other than hardcore fans of the main game.

One of the best detective games of all time, L.A. Noire on PS4 will certainly give you bang for your buck thanks to its improved graphical prowess and neat package containing all of the original’s content. It may not be the greatest looking remaster overall, but visuals aside, it's still the engaging storylines and the complex characters that you'll come back for. Team Bondi may have been shot three days before retirement, but its spirit lives on.

Cat Quest is a decent little game that we’d definitely recommend, with a charmingly cute presentation and a solid combat system that together form an overall enjoyable experience. Although you will definitely feel the pangs of repetition, there's just about enough here to keep you engaged until you reach the title's satisfying conclusion. If you’re a big RPG fan or you’re a cat purr-son, then Cat Quest is going to be right up your alley.

Road Rage is an open world motorcycle combat game that is so shoddy in every single facet of its being that it could function as parody without actually changing a thing. A game of this dubious merit is so rare that it belongs in a museum, destined to be studied by the gaming scholars of the future in How Not To Make a Video Game 101. The list of offences that Road Rage perpetrates are so heinous in nature and so humorous in quantity that the strict 1,000 word limit imposed upon the humble reviewers here by the Push Square overlords can't possibly do it justice. So let's just say it's a broken, bewildering, shambolic mess, and never speak of it again.

Need for Speed Payback is a real-world example of microtransactions gone wrong. As an open world racer, the game’s inoffensively average – but when paired with its bafflingly bad progression system, it’s frankly an embarrassment. It’s scary to think that publishers are quite literally sabotaging their own games in pursuit of a bonus buck or two these days.

The finale's heightened pace plays to the series' strengths, removing much of what made previous episodes so frequently frustrating, and so perhaps if there is a second season of Telltale's Guardians -- and, like any Marvel movie, you should probably stick around until after the credits for hints as to what might happen next -- we can only hope that it follows the blueprint of Don't Stop Believin'. It's not perfect, but if you're a fan of Telltale's formula or the eponymous Marvel characters, the improved latter half of the series makes Guardians of the Galaxy just about worth playing.

Playing LEGO Marvel Superheroes 2 is a constant battle between being pulled in by TT Games' charm and being pushed away by the repetitive gameplay. For every excellent moment there are seemingly multiple forgettable ones, but if you can stomach the lows of the story, then there are some fun times to be had. Still, this middling effort shows that the LEGO series is in need of some revitalising changes.

Touching base with your origins is necessary to not lose touch with your audience, and that’s exactly what Call of Duty: WWII does without simply regressing. It gets to the core of its key modes and seizes on their intrinsic appeal with some neat, little twists thrown in. However, its campaign and zombies modes (while solid) feel unusually safe, whereas the multiplayer suffers from lacklustre map design and technical issues. You could say this Call of Duty is a sign of hopeful action to ground the series once more, but doesn’t go beyond its iconic namesake to deliver something truly special.

Below the Bedrock is a rock solid penultimate episode for what’s been a very under-par Season Two so far for Telltale’s Minecraft Story Mode. With a well-balanced structure and a steadily paced plot progression that is intriguing throughout, Episode 4 has pulled off what the first three episodes failed to do: setting up firm foundations for future episodes. It’s a real shame that Below the Bedrock didn’t come earlier on in the season.

Max: The Curse of Brotherhood may be a few years old now, but though its visuals don't always hold up, its gameplay certainly does. The ingenuity of the physics and puzzles in the game allow for some truly mind-boggling moments at times, while the exhilarating chase set-pieces will set your heart racing. Its price tag is a little steep, but de-pen-ding on your passion for puzzle platformers, it's a good buy.

Sonic Forces is a disappointing step back for the franchise. Uninteresting level design and subpar gameplay on all three playable characters make for a game that can be frustrating to get through. The nonsense story is poorly written and makes more tonal shifts than Mariah Carey with an ice cube down her back. The game is perfectly fine for the younger audience it’s targeting, and we’re sure they’ll enjoy it for what it is, but in the wake of Sonic Mania’s tremendous success, the problems 3D Sonic has always faced are becoming much harder to ignore.

Your fate is decided by a scattering of cards across a table; dice rolls mean death or fortune and your next step could warp you to an insurmountable brawl. Hand Of Fate’s mix of strategic planning, random chance, and meaty combat is both rewarding and addictive. Fighting lacks complexity and doesn't quite stand up to the eventual repetition, but this game within a game is still well worth your time overall.

League of War: VR Arena does exactly what it says on the tin. It provides you with a basic strategy experience that remains fun for a few hours, but as you realise that the game won’t be introducing any sort of innovation or new mechanics to mess around with, repetition sets in fast. Introducing a second player into the mix through arcade mode does shake things up a little, but it’s not enough to mitigate the feeling that what’s on offer here is slim on content and all a little too basic.

Featuring improved graphics and more polished gameplay, .hack//G.U. Last Recode offers a fascinating look back at a classic JRPG series. While repetition can sometimes bog things down, the story and characters will keep you coming back to The World, determined to see Haseo’s journey through to the end.

Spintires: Mudrunner is a hard-crusted simulation title that makes you earn your fun through hard work and determination. It’s certainly not for everyone with a crawling pace and a muted aesthetic, but the impressive physics and sandbox design make for some great moments, especially if you’re playing with others. The UI and vehicle handling will have you wrestling for control at times, but if you persevere, this is a game with surprisingly rewarding gameplay and plenty to get stuck into.

Horizon: Zero Dawn delivers a timely reminder of why it should be a Game of the Year candidate with The Frozen Wilds. This sizeable selection of snowy quests expands upon an already excellent campaign with a decent new storyline and plenty of fresh exposition. While it is, by its very nature, more of the same, it’s hard to complain when the foundations are already so strong.

Slayaway Camp: Butcher's Cut is an enjoyably addictive sliding puzzle game that although it can get repetitive has enough variety within its puzzles to keep you returning for more. Its cartoony visuals help to make for some humorous, murder cut-scenes that will either make you chuckle or grimace. If you're a huge Hallowe'en hooligan or a profoundly psychotic puzzler, Slayaway Camp is well worth checking out.

Bubsy: The Woolies Strike Back is a wholly unremarkable experience. The presentation, controls, and level design are all lacking, and the handful of stages offer little variety. It’s not the worst platformer ever – it’s not even the worst Bubsy game – it’s simply inconsequential, forgettable, and bland in every aspect. Fans of the original games may get a kick out of this, but even they may feel disappointed by the bobcat’s latest, and probably last, adventure.

Without a doubt the best Assassin's Creed game since Black Flag – and right up there with the best entries in the entire series – Assassin's Creed Origins is a top notch open world title. Egypt itself is the star of the show, Ubisoft having meticulously crafted a stunningly detailed and varied landscape, but outside of the setting, a parade of gameplay and design improvements make this the roaring return to form that the franchise desperately needed.

Whether it's that unmistakable Euro-jank charm or its commitment to providing a surprisingly robust role-playing experience, ELEX definitely has something going for it – it's just that most players will likely never make it far enough to find out what that something is. Piranha Byte's latest has ambition, but barely any of it is realised. As far as B-tier games go, this criticism is nothing new, but when so many amazing action RPGs are already available on PS4, you can't be blamed for ignoring this seriously shoddy release.

Oure is a masterclass in how not to follow up on the success of Abzu and Journey. A seemingly interesting set-up quickly disappears, repetitive and frustrating gameplay dampens the experience further, and the abysmal controls make every second spent playing a depressing chore.

Wolfenstein II: The New Colossus is a quintessential single player shooter, and contains one of the best campaigns in recent memory. Rammed full of memorable moments and brilliant characters, it takes you on a horrifying yet fascinating ride through a Nazi dominated world that – as a result of real world events – feels a touch less like fantasy this time around. While the story is undoubtedly the star of the show, the viscera drenched combat, satisfying weapons, and rewarding perk system more than hold up their side of the bargain. The single player game is dead, long live the single player game.