What the game ultimately delivers is a charming, unique debut title from a studio we’re certainly interested to see more of.

Simple but tight, Shadow Warrior 3 is a solid shooter with some occasional flashes of excitement. It's a shame the game's attempts at comedy squeeze the life out of it — and £40 for an eight-hour campaign is barely good value.

Fighting game fans can't really go wrong with King of Fighters XV — a sequel that doesn't shy away from the technical depth of its predecessors. It's obviously still early days, but it feels like SNK has improved upon King of Fighters XIV in all of the ways that matter. Better visuals, expanded mechanics, and, perhaps most importantly, smooth online netcode make for fighter that's hard to fault — even if it's lacking the cutting edge of its peers.

Though seemingly set in the same universe, this game tells its own tale. A small group of islands is protected by maidens, in charge of one island each. You play as a man set on sailing the seas, but his mute companion Laty is destined to be the maiden of his home island. Unable to take up her duties, the pair set off to explore the archipelago, seeking help from other maidens so she can fulfil her role.

Gran Turismo 7 is a game for everyone: the racing enthusiasts, the novices, and anyone in between. It celebrates car culture and history within the confines of a driving experience, explaining how the automobiles you race past the chequered flag fit into the wider world. There's never been a game quite like it before: Gran Turismo 7 means more than just racing. It's something that matters; something that warrants appreciation and respect just as much as it hands it out itself.

Elden Ring is the definitive FromSoftware game. With a refined combat system packing new ideas and an open world perfect for exploration, it sets a new benchmark for titles of this ilk to strive for. This is the Japanese developer firing on all cylinders — far and away its best creation yet. Elden Ring is an utterly essential PS5 title.

Despite its shortcomings as an entry point for new players, there's a lot packed into The Witch Queen worth appreciating – we haven't even mentioned the new Glaive weapon type that combines melee with long-range attacks, the hugely enjoyable new Lost Sectors, or the overhaul to the Void subclass, bringing it more in line with Beyond Light's Stasis. This pushes the number of viable types to "two", which isn't great, but Arc and Solar should be getting a similar upgrade in the (hopefully) near future. Seasonal content will continue to deliver story as 2022 wears on, but obviously the quality of it cannot be judged yet – the expansion isn't even complete at the time of typing, what with the new Raid yet to drop. Still, this is Destiny 2 at its very best and a pleasingly vital expansion to what remains a superb game.

FAR: Changing Tides is largely more of the same. With how good the first title is, that’s not a bad thing, but it leaves a little something to be desired. Great sound design and music, as well as incredible environmental art, don’t quite balance out the pacing issues, hard as they try. Your new vessel has more components to juggle than last time, and it’s mechanically satisfying, but you spend too much time doing it. While traveling underwater does add a new gameplay component to account for, the puzzles don’t offer enough of a challenge. All that said, Changing Tides is still worth your time.

GRID Legends is a solid new entry in Codemasters’ racing franchise. It features the same excellent gameplay you’ve come to expect from the developer, with some nice adaptive trigger implementation in the PS5’s DualSense. The game’s main draw — the Story Mode — falls short of providing a compelling narrative, ultimately amounting to a mere distracting backdrop to the true star of the show: the races. Visuals look nice, but perhaps not nice enough for the PS5, and the music is overall a bit repetitive and unnecessary. All in all though, GRID Legends is worth a look, but time will tell if it manages to hold its own against the competition.

There is, however, one saving grace: the writing is exceptional. Sam and Max’s bevy of pop culture references and dark jokes are a near constant presence, and most lines hit their mark. The script is sharp and remarkably funny. Even with the frustrations of the game’s technical shortcomings, we couldn’t help but laugh at many of the quips, getting a good hearty chuckle at least a dozen times across the three hour adventure. The characters and the insane world they exist in stand the test of time, and it’s a lone bright spot in an otherwise frustrating endeavour.

While certainly an accomplished piece of storytelling, Martha Is Dead's gameplay is such blatant artifice that it does the narrative a disservice to partake in it. That sounds extremely damning, but there's a lot here to like: the languid pace and detailed nature of the photography sequences are a standout, the graphics are often impressive, and the sheer bloody chutzpah of the whole thing is appealing in a grand guignol sort of way. The game can be shocking in what it shows you, but it doesn't feel exploitative. Horror should be horrific, and Martha Is Dead is certainly that. Unfortunately, perhaps not always in the way it was intended to be.

Atelier Sophie 2 massively improves upon everything from the original game. It has a much more interesting story, plenty of heart-felt character interactions, and a ton of different side activities to keep you busy. Becoming a master alchemist and exploring this vibrant dream world is a fantastic way to celebrate 25 years of Atelier titles.

Cyberpunk 2077 on PS5 is the game that PlayStation fans should have been playing in 2020. While it still falls short when measured against the immense expectations that surrounded its release, everything that Cyberpunk gets right is so much easier to enjoy when the game isn't crippled by technical issues. The main story's a thrill ride, the combat's a blast, and Night City is an incredible open world setting. And the best part is that CD Projekt Red finally has a stable foundation to build upon. It took 14 months to get here, but the future of Cyberpunk 2077 actually holds a lot of promise.

There's an interesting story here and the horror-JRPG vibe is much appreciated, but whatever enjoyment they could bring you is utterly annihilated by the outrageous, egregious amount of grinding you'll need to do to see the game through. Monark is gaming reduced to a thick, treacly sludge to wade through, no cutscene or story beat or reward ever feeling like it was worth the struggle. Just play Shin Megami Tensei while listening to Nine Inch Nails and you'll have a better time.

Dynasty Warriors 9: Empires is a definite improvement on its predecessor — but that's not saying much. The return of set maps and straightforward objectives is welcome, and in typical Empires fashion, there's so much potential for interesting player-driven storylines. There is an addictive hack-and-slash loop at work here, and it's tempered by some decent tactical tweaks. But to fully enjoy it, you've got to wade through a mire of shockingly ugly visuals and boring map design.

Overall, Horizon Forbidden West is a huge improvement on its predecessor. The map is diverse and full of stunning sights; characters and conversations are so much better; and the already great gameplay is enhanced with new weapons, more options, and better melee. The story doesn't have quite the same element of surprise as the first game, but it still builds upon things with some daring twists of its own. Any minor quibbles we have melt away when the game's firing on all cylinders. It's a gorgeous, wildly fun action RPG, and there's nothing else quite like it.

It definitely feels like developer Midgar Studio should have reduced the scope of both the story and some of the gameplay systems, because this may have allowed it to add more polish to the areas that work well. It’s a shame, as the game does have plenty of potential, but it’s a little bit too rough around the edges to fully enjoy.

Sifu doesn't pull any punches. It's a consistently challenging and demanding beat-'em-up, but persistence pays off. You'll be hard pressed to find a more rewarding game on PlayStation — especially one that's so visually striking and polished. Some quibbles with combat mechanics aside, Sifu is a knockout.

Maglam Lord's got heart, but it's encased behind some disappointingly shoddy design.

OlliOlli World is a huge leap forwards for Roll7's skating series. Lovely new presentation, a fun location filled with personality, and that all-important, ever-addictive gameplay align to make for a super fun take on the sport. While it's been made more approachable to new players, it still offers quite a stern challenge, and not all the dialogue and characters nail it. However, any nit picks easily melt away when it all clicks. Heaven really might be a halfpipe, after all.

Dying Light 2 is a super solid follow-up to the 2015 original, building upon its fantastic gameplay loop with new traversal options for even more parkour fun. It's extremely disappointing, however, that the narrative and open world promises Techland made in the lead up to launch haven't been realised. Your choices don't have nearly as much impact as we would like, and the map is much more rigid than pre-release footage would have you believe. Still, Dying Light 2 feels awesome and empowering to play, and that can go a long way.

A brilliant first effort from Original Fire Games, then, and a racing game rather unlike anything else out there on the virtual shelves. This intoxicating, content-rich, and yet fascinatingly accessible racer is liable to get its hooks into gamers looking for something a little less knockabout. You may struggle to get the hang of things at first but we promise this little journey through racing history gives as good as it gets.

Uncharted: Legacy of Thieves Collection bundles together two of the PS4's greatest games. Both Uncharted 4 and The Lost Legacy remain brilliantly crafted thrill rides, and their blend of cinematic action is still best-in-class. Throw in improved performance on PS5, and you've got a remarkably high quality package that's incredibly easy to recommend. If it's been a few years since you played either of these titles, the upgrade is probably worth the £10 / $10 asking price. If you're brand new, you're in for a treat — but you might want to start with Uncharted: The Nathan Drake Collection.

There are huge stretches in between these fights that will leave you wanting for something other than walking to the right. This is somewhat remedied by the “shred” button, where you can play your guitar as you walk everywhere, but fun as that may be, it’s ultimately not a sufficient replacement for proper gameplay. The adventure does ultimately end up being a worthwhile one, with interesting characters, an incredible art style, and great music. But if there were more to the gameplay, the game – and its world – could have offered so much more.

Rainbow Six: Extraction's core gameplay is decent, and its level variety is great, but the game definitely has some blind spots. While a zombie title focused on stealth and tactics makes for an interesting experience, anytime the game strays from that, it’s less successful. It draws extra attention to weak spots, like unimpressive AI and an obnoxious RNG progression system. Go in with a couple of friends, though, and you will get some fun out of this. All the levels are visually distinct and interesting to look at, and three squad members stealthing their way through a field of enemies can be immensely rewarding. It’s just unlikely to hold your attention in the long term.

Windjammers 2 is an almost perfect revival of a classic 90s franchise. The sequel strikes an immaculate balance between new and old ideas, and presents the classic sports gameplay so vibrantly that it’s hard not to be captivated by it all. There could, admittedly, be more meat on its bones – but it’s online, with the gameplay’s high skill ceiling, where the longevity will be found. We still want to spend a little more time testing this component, but our early impressions of the rollback netcode are positive to say the least.

If you yearn for the days of, say, Camelot’s Mario Golf on the Game Boy Color, then the fusion of sports and statistics may hold your attention here. But it’s best enjoyed in short bursts, as the tedium sets in quick, and will take a slice at your interest.

If you're looking for your next co-op addiction, Deep Rock Galactic could well be it. Brilliantly balanced character classes and engaging, emergent missions make for highly enjoyable underground antics, particularly with pals. Some networking issues and perhaps overly complex design decisions could frustrate, but it's a game worth sticking with for the moments where it all comes together. With replay value through the roof and satisfying gameplay at its core, this is one rock solid game to dig into.

We're not sure every Amalur fan will appreciate Fatesworn's central storyline. It's nothing crazy — Fate, meet Chaos! — but you could argue that the developer is a little sloppy in its handling of the game's established cast and lore. But for what it's worth, we do think Fatesworn is heartfelt — a genuine homage to a game that would have been undeservedly forgotten, had it not been for THQ and Kaiko's efforts.

Not all of the gameplay translates perfectly to the DualSense, as it’s clearly been designed around either touchscreens or mouse-and-keyboards. It’s not a big deal, though, and once you find a good lobby with a friendly group this is one of the better party games you’ll find on the PS5. It’s just finding said people can be a bit of an exercise in trial-and-error, so be aware that you will be at the mercy of the release’s unchecked community unless you have a guaranteed group of pals to play with.

There’s an absolute treasure trove of licensed content, spanning both men’s and women’s teams, with only the lucrative Indian Premier League the notable omission. However, a robust creation suite means fans will be able to create any missing players or clubs and share them online, which should plug any small gaps that do exist...The biggest downside, then, is just the underlying lack of budget: cricket is popular enough, but it’s not baseball, and it’s clear that Big Ant Studios just didn’t have the resources to nail key gameplay mechanics, like fielding, which feels flat and unrealistic due to the limited selection of animation cycles in its library.

The survival mechanics feel remarkably similar to Breath of the Wild, with item management and weapon degradation taking centre stage. These are reasonably well implemented, but are at odds with the otherwise minimal nature of the game. The devs would have perhaps been wise to focus more on polishing up the boss battles, as these are the true stars of the show.

The main draw here is getting to spend time with Kyle Reese, and this standalone adventure does indeed succeed in rounding him out as a character. This being Terminator: Resistance, though, expect to see lots more Easter eggs sprinkled in. That’s why, much like before, Annihilation Line delivers another ho-hum FPS experience that only true franchise veterans will fully have fun with.

Ultimately, although there’s a distinct feeling of déjà vu when playing Aeterna Noctis thanks to its unmistakable similarities to Hollow Knight, it thankfully manages to nail the most important elements in a Metroidvania: exploration and combat.

Ratalaika's port has the helpful inclusion of cheats to retain weapons, and the advantageous option of infinite magic — so you can hold two buttons for double firepower of regular shots, alongside experimental magic attacks like the Energy Ball or Thunderbolt. This allows greater customisability of the original's steep difficulty curve.

While fitfully fun and well designed, Sam 4 disappoints as both a sequel and a next-gen product. While it wasn’t particularly optimised on PC it still represents a low for PS5 performance. A compromised port of a game that’s only slightly above average in the first place. A serious shame.

There’s not significant variety across these extra modes — and no online multiplayer is unfortunate — though when the core gameplay is this good, it's not a major detractor. Yacht Club Games and VINE ultimately provide an excellent puzzle spin-off, one that’s accessible for all players that'll appeal to existing fans. You won’t necessarily be here for a long time, but it’s an addictive experience that’ll keep you coming back for more.

James McAvoy, Daisy Ridley, and Willem Dafoe do an absolutely fantastic job at bringing the three main characters to life but even they can’t lift the frustration and tedium of having to repeat the same actions over and over again. Unfortunately, by the time you finally figure out how to change the outcome of the loop, the ending will make you wonder if it was even worth it.

Push past this, and you'll find a cleverly designed set of challenges that shine best in co-op. While things can quickly spiral if you're careless, completing objectives feels like a real triumph, and each mission scales things up, providing new ideas along the way. Once you have your head wrapped around it, Heavenly Bodies offers up wonderfully tactile puzzles, and the DualSense is really put through its paces. The game is rather short, but it does give you more to do after beating each mission. We should also mention there are three levels of control available, with the easiest allowing you to "swim" through the air (or lack of). While we do think there's a good time to be had here, be aware you'll need some patience to find the fun.

The 3D environments just don't have the same magic, either. Beyond a Steel Sky's visuals are basic, and its locations are all a bit sterile. And that's a shame, because at its core, this is a heartfelt and often charming video game. If you're an adventure fan, Foster's second foray into Union City is fun enough while it lasts — but it struggles to be anywhere near as memorable as the classic titles that it draws from.

Although the basic storyline may be largely nonsensical, you'll come across a nice selection of characters to assist on your travels, all of whom are fully voice acted with their own minor backstories. Nara and Forsaken often exchange pleasantries, but their conversations can sometimes come across a bit clinical, and would have benefited greatly from a bit of added humour.

Solar Ash pushes for a sense of momentum and fluidity with its take on 3D platforming, and it does work very well indeed. Rei's controls and abilities give the game a sense of ease, making it feel very gratifying simply moving through the game's world. While the main quest doesn't really evolve the challenge, and the picturesque environments can feel somewhat empty, the traversal at the heart of everything does about enough to carry you through to a satisfying conclusion. It's an ambitious second effort from Heart Machine that mostly sticks the landing.

There’s no question this is one of the better strategy games you’ll find on console. The controls mostly map well and the systems pair well with a stellar concept. With melodramatic, James Bond-esque music and some entertaining voiceover work, this is a tycoon-turned-strategy title that tests your grey matter and allows you to be the villain for once. Being bad never felt so good.

Tight controls, clever level design, and rewarding combat make Death's Door a joy to play. It's a ten-hour adventure that never outstays its welcome, and its overall quality is clear. A polished, quirky, and often challenging title that charms from start to finish.

Farming Simulator 22 massively expands upon the management aspect of past games, giving greater importance to your crops once you’ve harvested them. Building supply chains is immensely rewarding, even if it can take what feels like an eternity to get your business up and running the way you want to. Interesting new crops, like grapes and olives, add gameplay variety to the tried and tested loop, while an abundance of licensed machinery gives you a wealth of vehicles and tools to work with. It’s the best entry in Giants Software’s series yet, but like a popular British yeast extract, you’ll either love it or hate it.

All three mainline GTA games from the PS2 era are seminal pieces, and they still hold up to modern scrutiny – the outstanding GTA San Andreas especially. But as remasters these are weak: they chug on modern hardware and are undone by questionable artistic decisions. Rockstar built its reputation on attention to detail, and while all three of these games still come highly recommended, this disappointing compilation will go down as a stain on the label’s record.

Battlefield 2042 is disjointed and incomplete at launch, but it's impossible to deny it still has that magic spark that made past entries thrive. There aren't enough maps and one too many bugs and glitches get in the way of the fun. However, with the excellent Portal mode to bolster it, Battlefield 2042 does just enough to get us on board. While we wish so many things were better, nothing else does it quite like Battlefield.

Ultimately, the extra bits draped around the core experience are the real star, offering up a helping of charm and wit that help sell the title as a cosy little experience worth your time, even if you might not have much cause to return to it once you’re done.

Sherlock Holmes Chapter One should, on paper, be the best game out of Frogwares yet. It brings back all those satisfying detective features of the past and couples them with new mechanics and interactions. However, many of them are either surplus or frustrating enough to where they sometimes detract from the overall experience. And with a lifeless open world that doesn't run particularly well at even the best of times, it's not an easy recommendation. What fans loved from past Sherlock Holmes instalments is still there, but you'll need to do a bit of overtime to find it.

Is this One-Shot Adventure an essential replay? Absolutely not, but as a nice primer for the upcoming leap into Tiny Tina’s Wonderlands, this chaotic dose of cell-shaded action-fantasy is well worth the short return trip.

So Skyrim's still Skyrim, but what does Anniversary Edition actually bring to the table? Well, with Anniversary Edition, you get complete access to the Creation Club. In a nutshell, the Creation Club started life as a poorly judged official mod shop, essentially offering DLC packs for premium currency. It took years for the Creation Club to stock up on any worthwhile content, but if you add it all together now, you're getting significant bang for your buck. Anniversary Edition comes with 74 'Creations' — from new quests and locations to weapons, armour, and player homes. If all you've ever known is Skyrim on consoles, then this avalanche of new stuff will refresh the experience to a surprising extent.

It does take a little while for the game to really warm up; the opening hours aim to establish quite a lot quite quickly, but once you're past all that, there's a pretty solid adventure to enjoy. Some aspects may leave a funny aftertaste; loading interrupts the game between areas, which makes getting around feel a bit clunky. The presentation is a little rough too, with several fiddly menus and blocky characters that don't quite hit the mark. However, the witty writing and crazy story, paired with simple but effective gameplay, makes for an enjoyable adventure for your inner foodie.

It's disheartening a previously Japanese exclusive Mega Drive game, patiently anticipated since 1994, is now known for poor presentation due to Version 1.00 releasing with gameplay breaking emulation errors — like Stage 2's missing scaffolding obstacles, and invisible enemies. There was a narrow window for Halloween 2021 hype, and even though thankfully a week later Version 1.01 patched in the omitted sprites, still Panorama Cotton could be haunted by the infamy of Ratalaika's conversion. Since many gamers never experienced this rare game, it'd be a shame if they believed an initially bad PS4 port directly correlates with the quality of the original.

Call of Duty: Vanguard is another incredibly solid but also super safe instalment in the series. Its campaign may be over in a hurry but it's still a fairly memorable one, featuring good characters and outstanding visuals. Multiplayer is another robust package, hosting a ton of content and the promise of more to come. The less said about Zombies the better, but this is a Call of Duty game doing Call of Duty things. Whether that's of any interest or not, you likely already know.

If we had to make a list of things that are totally radical then dinosaurs chasing and eating annoying fannypack-wearing tourists while we triumphantly hum the Jurassic Park theme tune would be top ten. Maybe even top five. We're here for that. Minor quibbles with the main campaign aside, Jurassic World Evolution 2 delivers an entertaining if simplistic park builder, that well-utilises the Jurassic World license, and throws in just the right amount of dinosaur-fuelled mayhem to boot.

The story is slight, the acting is rubbish, and the special effects are merely effects. The synthwave soundtrack is actually really good. It lasts an hour and change which, like most Wales Interactive movie-games, is absolutely perfect. You probably already know if you think you're going to like this, and if you do you're probably right. We liked it, but mainly for the wrong reasons.

While the platforming is largely very good, the game does have its drawbacks. The camera doesn't always give you the best view, and fights can be frustrating with imprecise projectiles and a lack of combative options. The boss battles in particular can be irksome things. Even with its flaws, however, this is a game offering lots of personality and refreshing, clean platforming fun.

It’s a pretty meaty experience for VR, offering a six to seven hour adventure full of plot twists, horrifying revelations, and a hearty helping of collectibles to hunt down. The atmosphere of the game is so convincing, so creepy, that every step through the halls feels like tempting fate. Between the sparse sound design — often consisting of little other than footsteps- - and the phenomenal soundtrack, the audio plays as much a part in putting you ill at ease as the environment. And what’s even more shocking is the effective use of jump scares. Jump scares are, frankly, rarely scary, and tend to just be a nuisance or disruption in the mood of a horror experience. But not so here. There aren’t too many jump scares — an important distinction — but the ones that are utilized are chosen well, making for effective, earned moments. What you’re left with is one of the better PSVR horror experiences, and one absolutely worth your time. Just be careful, as this one’s not for the faint of heart.

Riders Republic tries so hard to be cool that it deserves a roundhouse kick to the mouth, but Ubisoft’s technical chops come out to play here, with an enormous online sandbox stacked to the metaphorical ceiling with high-octane events to complete. This is a game that the French publisher has clearly designed to be built upon, but even day one, with its mix of disciplines and multifaceted Mass Races, it’s an entertaining ride. There are minor niggles for the French publisher to iron out, and we’d recommend muting the dialogue, but don’t bail on this if you have even a passing interest in extreme sports.

Despite the gameplay and level design being pretty middling, we still think this game is worth a spin. It’s all about the atmosphere, and the organism itself, both of which are rousing successes and worth the price of entry alone.

David Tennant does infuse this story with a lot of life in the short time he’s featured, and a particular end sequence set on a cybership sets the pulse racing by tapping into the show’s mild horror. However, neither detract from the original experience’s flaws. The chief appeal of playing in VR was being able to immerse yourself into an episode, and even that has now been lost in translation.

Thankfully, the game's excellent presentation holds everything together, and at around 12 hours in length, Voice of Cards doesn't quite outstay its welcome. There are multiple endings to unlock as well, but additional playthroughs may be a tall order. Voice of Cards isn't the kind of RPG that you can rush through — its deliberately slow pace is part of the charm — but there is a slightly expanded New Game+ mode for those who fancy taking on the dragon all over again.

Pumpkin Jack isn't going to blow your mind here in 2021, but if you're on the market for a few hours of Halloween fun, you can't really go wrong. A game that knows exactly what it wants to be, and delivers with confidence.

With a compact, but dense world to navigate – most of the game takes place in one sprawling interconnected area – you’ll learn your way around in no time. This is aided by the game’s clever fast travel system, which cuts down on pointless back and forth greatly.

We were enjoying the lowlife-detective-gets-in-way-over-his-head storyline, but it takes another turn later on into something decidedly more obscure. The final hour or two throw the whole story for a loop, and to make things worse, it feels as though none of the plot threads are resolved — you're just left hanging, probably with a furrowed brow, while the credits roll. It's a shame, as the music and visuals are excellent throughout, but the presentation just isn't enough on its own, and that's about all it has.

You could do a lot better than Fatal Frame: Maiden of Black Water this Halloween season; the PS5 has built up its horror library up just enough for there to be something else worthy of your time. Those cutscenes, though. Very creepy.

Either way, despite this being a much bigger, deeper game than its predecessor, it’s just not as fun.

Released in Japan in the same month as Thunder Force IV, when magazines felt fatigued with an overabundance of Mega Drive shmups, Gleylancer became hidden behind the likes of Gaiares, Gynoug, Hellfire, and Zero Wing as competition. Yet, it could attract attention today, since using the Rewind feature to complete 11 stages in less than an hour snags easy Platinum Trophies on both PS4 and PS5. Once precious trinkets have been grabbed it's most fun to practice each stage using save states to improve your skills, and see how far you can legitimately progress. Gleylancer deserves better than to become lost again, as just another Ratalaika Games easy Platinum release.

Without any official licenses, the DLC captures the “feel” of F1, with recognisable sponsorship hoardings cleverly eschewing copyright headaches by not namedropping any brands specifically. All in all, it’s a nicely assembled add-on that both freshens up a very likeable game, but also pays homage to a sporting icon. At just £4.99/$5.99, you’d be mad not to make a pit stop on this.

For as much uncertainty there has been surrounding Marvel's Guardians of the Galaxy, the final game has delivered. Fun and frantic combat provide the basis for a long, extremely enjoyable campaign featuring the characters you love and the tracks your kids usually screw their noses up at. A great title that deserves to be expanded upon in the future.

After the crummy Man of Medan and the better-but-not-quite-there Little Hope, The Dark Pictures Anthology has finally started hitting its stride with House of Ashes.

For those who relish bizarre interactive experiences, The Good Life is an essential oddity that can't be missed. For everyone else, this is a barely functional chore that is all but guaranteed to frustrate and bewilder. Still, you've got to hand it to SWERY: no one else makes games quite like this.

The Caligula Effect 2 has loads of cool ideas, but it's undeniably rough around the edges. The visuals and character models are basic, animations can be awkward, and the environmental design comes off as uninspired. At least the user interface looks lovely.

Having spent a lot of time with Back 4 Blood, we think it's well worth your time and, crucially, your money. It's just a lot of fun blowing Ridden heads off or smashing them with a baseball bat like a watermelon in an anime beach episode. It doesn't really deliver a compelling experience solo – the bots are just a touch too stupid for that – but Back 4 Blood ought to become a multiplayer fixture for the rest of the generation to come. Unless they bring out Back 4 Blood 2 in, like, a year.

NHL 22 surprises by making its debut on a new console without removing any of its modes, but those who played NHL 21 may find this version a little too familiar. X-Factors on paper should be a game-changer but are mostly underwhelming. The switch to Frostbite does massively improve the fidelity of the rink – even if character models still look downright demonic – but should that really be the biggest change to the game? The ultimate question is: can the price increase be justified on the PS5? And given how little really has changed from last year to this year, the answer has to be a “no”.

Three ten-hour games in one package might seem good value, but the truth is the Crysis series only hits its stride in fits and spurts until the third game. On PS4 the remastered graphics get better as the series goes on, so there’s no real reason to play the first game unless you’re already a fan or you’re interested to see how Crysis started. Crytek’s series is certainly interesting to dissect as you go through. Consistently fun to play, though? That’s a different story.

There's a generous amount of content, which at 20 hours is four times the completion size of the original. Since this retro remake is a game of three thirds, it'd be a disservice if followers of the original lost faith from initial impressions of the unsightly side-scrolling action, and an overly gabby god game. Yet, fans won't be on cloud nine if a lack of support towards Actraiser Renaissance discourages Square Enix from being devoted to ActRaiser as a promising series.

Demon Slayer: The Hinokami Chronicles is carried by its fantastic presentation, which expertly captures the look and feel of the anime. Bombastic boss fights and some stunning cutscenes are enough to sell the otherwise short-lived story mode, but outside of that, this is a rather barebones package. Battles can be flashy and fun, but the combat system doesn't have the necessary depth to hook anyone who isn't a Demon Slayer super fan. If this is just the first step in a new series from CyberConnect2, then it's a solid debut that'll no doubt form the basis for a much meatier sequel.

If you’re a rally racing fan, Art of Rally will tick all the boxes. While there are some technical problems and free roam could have been expanded upon, it still delivers on a solid rally racer with a great atmosphere.

Far Cry 6 is the best version of Ubisoft's open world formula to date, but whether that's still a selling point to you is up for debate. The few advancements and new mechanics won't be enough to convince those burnt out to return for one more exotic trip, but if you're down for another lengthy checklist to complete, then the series has never been better. It's another healthy serving of comfort food; one that sticks to what it knows best while slightly iterating positively.

KeyWe may be a short co-op experience, and certainly isn't pushing PS5 in any capacity, but it'll win you over with its cute, irreverent style. The levels grow steadily more challenging, and it's fun striving for those gold rank times (and finding hidden collectibles) with a friend. If you enjoy games like Overcooked, take this one under your wing.

Again, it’s the best Smash clone we’ve ever played – we just wish Nickelodeon had shown some confidence in it.

It all looks gorgeous, moves smoothly, and sounds exuberant as ever. We'd say that for Monkey Ball fanatics this is a bit of a must, but then said fanatics are the ones who will notice the cracks more than anyone else. So we're not sure, ultimately, who this is for. Newcomers may find themselves wondering what all the fuss is about.

The story mode will be wrapped up within five hours but there is an exploration mode if you haven’t quite had your fill of bugs. Here you’ll be able to take control of other creatures and, as the title suggests, explore. There are short video logs dotted around the place if you want to try to find out more about what happened to the world. Although, once you realise that the other creatures are even harder to control than the sugar glider, and have encountered your fair share of crashes, you’ll probably decide that you don’t actually care that much about the reasons for humanity’s demise.

So it's a very, very good remaster (remake? It's unclear when this much has been done over), then, of a rather old loot game that has had many subsequent iterations from other developers. Is it worth going back to Diablo 2, ultimately, when games that we'd argue are somewhat superior — Titan Quest, the sadly PC-only Grim Dawn... even (controversially, yes) its own sequel in Diablo 3: Ultimate Evil Edition, which packs in brilliant local co-op that Diablo 2 entirely (and understandably, given its framework) lacks. As good as Diablo 2 is, it's an unfortunate fact that on console we'd rather play its follow-up, which felt more tailored to the joypad experience. Diablo 2 is a PC game that has been (brilliantly!) transferred to PS5, but it's still a little held back by its origins.

While it presents itself well and has some neat ideas, Jett: The Far Shore never launches into the stars. Flying around, soaking in the atmosphere, and gathering info on a foreign planet is relaxing fun, but it's scuppered by messy combat scenarios and a story that falls flat. You may get some enjoyment from this, as does have its moments — just don't expect it to hit the stratosphere.

For existing fans, this no-frills remaster is the best way to experience the 2010 game on modern consoles, but in 2021, much of the title simply doesn't hold up. Without the benefit of nostalgia, Alan Wake doesn't work as horror because it's not scary, as a thriller because long stretches of the game are fantastically boring, or as an action game because the combat is uninspired and repetitive. There's an interesting central mystery here, but like Alan Wake himself, you'll have to go through hell to find it.

If it all proves too much, at least many of the vistas and scenes will soothe your mood with lovely visuals — especially as the sun sets. They don't quite look photo-realistic; there's a dash of flair and care that makes for a very pretty little title. It won't set the world on fire, but A Juggler's Tale has a pleasing aura that may resonate with folk who know what they're getting themselves in for.

Astria Ascending is a beautifully hand-drawn game with an old school JRPG feel. It tries to keep the experience modern with some much needed quality of life improvements, but annoying bugs hold it back. It’s a bit of a shame that the story is fairly forgettable but the fun combat system does help alleviate this to an extent. With a very detailed job system and plenty of optional side content to get involved with, there is entertainment to be found here if don’t mind the grind — but as an overall role-playing adventure, Astria Ascending has clear flaws.

Ultimately, poor combat fails to sour the strong level and encounter design here that meshes beautifully with well-thought-out controls and plenty of mechanical variety. An impressive sequel, but perhaps lacking the purity of its predecessor.

Hot Wheels Unleashed is a rock solid arcade racing game that gets a lot of things right, but doesn't quite measure up in some areas. The drift-heavy handling and physics-based mayhem create super fun action on the track, and the cars themselves are as good to look at as they are to drive. While the tracks tend to feel a bit samey and the random nature of unlocks may lead to some frustration, the end result is a robust racing game that'll appeal to fans young and old.

FIFA 22 feels like real football, and it’s all the better for it. Impressive improvements to player positioning, ball physics, and animations make for a supremely satisfying simulation that underpins each of the franchise’s flagship modes. Career Mode doesn’t reinvent the wheel, but the ability to create a club is entertaining, and the changes to Player Careers are overdue. Microtransactions still rule supreme in Ultimate Team, and you’ll already have your own personal opinions on that, but there’s so much to do in this year’s release that you could easily invest hundreds of hours into it without seeing a single loot box.

Design gripes aside, Nexomon is a decent Pokémon clone. It's a bit rough around the edges, but if you're hankering for a cheap and cheerful creature-based RPG, it's not a bad pick.

A weaker overall story and some serious pacing issues prevent Lost Judgment from reaching the excellence of its predecessor, but this is still a fantastic character-driven detective drama. Crunching combat and a frankly ridiculous amount of impressively in-depth side content make this one of the most robust Yakuza-style offerings ever — and that's more than enough to outweigh the game's often obvious flaws.

Death Stranding Director's Cut is a fantastic port of a fascinating game. It introduces lots of new features that enrich the experience, the graphics and performance get a big boost, and PS5's bells and whistles are all put through their paces. It all adds up to make this the best way to play Kojima Productions' insane adventure, whether you're new to the experience or want to pick up where you left off. It's not going to change anyone's mind one way or the other — it's still Death Stranding, like it or not — but Director's Cut certainly presents the game in the best light.

Despite borrowing from all manner of modern hits, Kena: Bridge of Spirits just about stands on its own. The wonderful visuals and music leave a strong impression, while the gameplay is simple but enjoyable. If its story went beyond the expected, and one or two small issues were scrubbed away, this would be a real winner. As it is, this is a solid action platformer with lots of personality, and a strong debut from Ember Lab.

NBA 2K22 spreads itself a little too thin off the court, but it genuinely takes strides on it. The game’s rewritten defensive system makes for a much more enjoyable experience across all modes, where you feel rewarded for using the ball effectively and engineering open looks. MyCareer’s first foray into non-NBA activities could do with fleshing out, and there’s still an overreliance on advertising and microtransactions. But with one of the most complete Franchise modes on the market, and with exceptional presentation across the board, this is a series at the top of its game again.

It's a very simple game that you can easily wrap up over a weekend, but it's a satisfying, imaginative, and endlessly pleasant adventure while it lasts.