Crisol: Theater of Idols is a good game with an interesting setting, beautiful graphics, and cool ideas, such as the combat system. However, it draws too much inspiration from established titles, especially Resident Evil 4.

Despite technical issues, Evil West manages to be fun for its exaggerated gameplay and the large amount of combat options. However, don't expect much more than that.

GigaBash is quite straightforward in what it proposes large-scale battles between monsters and other typical figures of the genre and offers very simple, but very satisfying systems. If, on the one hand, it offers little content to keep the single-player player engaged for a long time, it is in the shared fun (online or local) where the game reveals its great strength.

Although it takes advantage of common mechanics and an almost protocol progression system, which can displease those looking for something different from what we've seen before, Hokko Life, without any shame in its references and inspirations, really stands out for its creation system and customization of items and mainly for the enchantment of its light and childish proposal.

Meet Your Maker is an amazing post-apocalyptic game that mixes first-person action and scenario building. In addition to a simple and fine-tuned gameplay, the feedback between its parts makes it addictive and a lot of fun, especially when shared with someone else online.

The Gap invites us to follow Joshua's journey in search of a cure for an illness that affects his family. Exploring his memories and finding clues that will trigger even more memories, this "narrative walking simulator" delivers an intriguing, engaging and exciting story. With an ideal duration, The Gap provides us with an excellent experience on the same level as titles like Tacoma and Call of the Sea.

VISCO Collection is a collection that helps preserve VISCO's gaming history. Some titles are very fun (Bang Bead, FlipShot and Neo DriftOut), while others are average (Goal! Goal! Goal!, Ganryu and Andro Dunos) or terrible (Captain Tomaday).

A few minor slips in level design, instability between aerial and ground movements, and the stiff interface of Frontier Hunter: Erza's Wheel of Fortune do not overshadow this beautiful 2.5D metroidvania sidescroller. The title has an almost forgettable story,but its gameplay shows a combination of speed and skill that is extremely satisfying and fun.

Total Chaos is a survival horror game that shines with its old-fashioned, rust-hued atmosphere, but stumbles with repetitive maze design and a slow-burning narrative, where the biggest struggle is maintaining sanity amidst broken switches and tools.

The Walking Dead: Saints & Sinners - Chapter 2: Retribution is an incredibly immersive and rich post-apocalyptic experience. However, its high degree of realism is exactly one of its negative points. Another problem is that it’s basically mandatory to play its predecessor. The summary presented is not enough to understand everything that happened and make you care about the characters.

Evil Dead: The Game surprises by offering pretty solid action mechanics, a functional co-op model and amazing visuals, even if it needs to fix some rough edges here and there. However, it lacks the charisma so present in the franchise on which it is inspired and will depend a lot on community support and extra content to stay alive.

MADiSON had what it takes to be a great horror game, but there is unnecessary exaggeration here. In addition, the lack of maturity of the character in the narrative makes you think that it is stuck all the time at the beginning, making the title tiring, especially with Luca's unbearable whimpering.

Despite any nostalgia factor, Metal Slug Tactics fails to reach its full potential as a tactical game, mainly due to its performance issues and crashes. Being just "more of the same", the roguelite mechanics even offer more replayability, but with little variation in enemies and missions, it becomes just an ordinary and forgettable title for the genre.

Yomawari: Lost in the Dark is a new game in the franchise five years after its last, delivering familiar gameplay and setting for fans of the series, but losing the opportunity to reinvent itself and target a wider public.

Bizarre, unfiltered and mind-blowing. The experience in KARMA: The Dark World is insane, just the way I like it and the way a psychological horror game should be. Although it has some technical issues, it manages to deliver tension without the need for overdoing the famous "jump scares".

Cuisineer is a charming food management game that uses a combat and dungeon exploration system to present a fun and creative proposition. However, the lack of alternatives to keep it interesting in the face of a tiring grind to reach the end of the campaign leaves the main dish of this appetizing menu a little bitter.

RoboCop: Rogue City has several problems that consist more of a general lack of technical polish and the use of a dated overall game structure. Despite this, it respectfully delivers a good setting for a classic character, respecting the original material and with good doses of fun.

Ghost Song isn't a bad experience, but one that shows glimmers of excellence without fully realizing it. With so many metroidvania titles on the market today and with more polished experiences, it's hard to recommend Ghost Song.

Despite its simple and shallow storyline, SpongeBob SquarePants: Titans of the Tide manages to charm with its fun and nostalgia.

Despite some technical issues in the beginning of its life cycle and concerns about its longevity, REMATCH delivers a very fun experience that constantly makes you want to play one more match.

With its revamped stealth mechanics and refined aesthetics, Directive 8020 offers a clear evolution of the genre, but continues to reaffirm some of the limitations, particularly in terms of interaction, inherited from the first season of the anthology. With excellent references, the story (along with the excellent work of the cast) remains its best quality, with good pacing, great development, and important turning points that, while not escaping old cliches, still work very well.

Worldslayer might not justify its price tag in content, but it sure does make for fun. Although not many, the new content is enough to guarantee good hours of fun and a great return to Enoch.

Figment 2: Creed Valley is a very fun game with an interesting message. Despite some limitations that hold it back from being a more impressive game, it is a good example of a simple indie title whose personality takes it to a good level.

The Outer Worlds: Spacer's Choice Edition proves to be the perfect version for those who haven't been able to enjoy the game and its expansions previously. There's not much to appeal for those who want to return to this universe beyond the expected visual and technical improvements, although there are notable performance issues that would still need attention.

Delivering a cohesive game with addictive gameplay and mechanics, Stranger of Paradise: Final Fantasy Origin brings back classic characters in an honorable way. It is a good choice for fans of the franchise and lovers of the genre.

ROMEO IS A DEAD MAN is a unique, intriguing, and at the same time unfocused and frustrating experience. It's a difficult game to recommend, as I imagine a niche audience will love the title and ignore its worst quirks, while the vast majority will find themselves confused about what exactly the game wants to be.

The greatest quality of GYLT is not in its gameplay, but in making use of a very relevant theme to show us that, sometimes, our biggest nightmare can be sitting right next to us.

#BLUD offers an immersive experience with a captivating narrative. The cartoonish art provides a pleasant look that reminds you of watching a cartoon. The fluid gameplay and exploration elements are reminiscent of classic games, but with a pleasing modernity. The effective soundtrack in moments of suspense adds to the immersion. However, right now, the game is hampered by significant technical problems, such as crashes and loss of progress, which are expected to be fixed in future updates. In short, #BLUD is fun and immersive, but it needs technical improvements to reach its full potential.