Looking like a shadow of the good games in the genre and the film franchise that gives it its name, Fast & Furious: Arcade Edition might be worth a couple of tokens on the dusty arcade machines in a shopping mall, but its shallow concepts and meager content are utterly insufficient for anything even remotely meaningful beyond that.

Acre Crisis is a game that flirts with the intrinsic potential of its premise, but aspects such as the lack of graphical refinement and, especially, the terrible controls prevent it from standing out on its own merits and clear homages to games that are part of our memory. It is an incomplete and unfinished product, proving how nostalgia alone is not enough for a retro experience.

Overall, Care Bears: Unlock the Magic doesn't even manage to captivate children who are less demanding with technical and audiovisual issues. Composed of mini-games blatantly copied from outmoded hits, its main mode is drowsy and poorly articulated, resulting in something bland and, worse, absolutely boring.

SINce Memories: Off The Starry Sky doesn't offer an engaging story, while also delivering a shoddy localization.

A product of its time, Princess Maker 2 Regeneration should please only the most hungry fans of this Japanese series.

Neptunia Game Maker R:Evolution is a disappointing spin-off and I cannot recommend it to even to die hard fans of the series. The gameplay simply isn't polished and, thus, makes it hard for players to have a good time with the title.

Unfortunately, The Quintessential Quintuplets - Memories of a Quintessential Summer doesn't fit any bill. It's not an engaging visual novel, it's not an interesting additional content to the series, and it's not even a fun game to play.

Pool Party uses its apparent innocence as a crutch for its poor ideas and, above all, for the lack of care in its implementation. It's even possible to have fun for a few moments, but only when players allow themselves to suspend their critical sense in favor of an uncompromising family mess.

The Lord of the Rings: Return to Moria is, at best, a mediocre base-building and environmental exploration game, but most of the time it does everything worse when compared to other similar works. Add the disappointing combat experience, a forgettable story and lackluster aesthetics, and you have something that is bad as a game, even worse as part of a universe as incredible as the one created by Tolkien.

DreamWorks Trolls Remix Rescue is a collection of generic and uninspired solutions that try to sustain itself through the charisma of a franchise much loved by children. It fails narratively, aesthetically and, above all, in fun factor.

Avatar The Last Airbender: Quest for Balance is a pile of shallow ideas implemented in a simplistic and clumsy way. The narrative and visuals make little use of the rich base material, the exploration is bland and the combat system is an insult. In the end, a big disappointment.

As much as a pretended nostalgia for the action movies of the 1990s can make us overlook many of Crime Boss: Rockay City's flaws, it is inevitable to conclude that this is a game that failed in all its objectives, even to make us laugh.

Loop8 is an interesting premise, tied together by a string of ideas with an implementation that ends up destroying any enjoyment the player could have with the title.

The Lord of the Rings: Gollum manages to appropriate the best features of one of the best and most complex characters created within an unquestioned mythology, but a limited aesthetic representation of the world surrounding it and sloppy movement systems prevent the the game from being as precious as it should be.

Altair Breaker has interesting gameplay, but that’s about it. It’s a repetitive, limited game whose fun ends quickly.

At its best, emoji Kart Racer is just a generic, repetitive, and tiresome more-of-the-same game. The lack of features or modes, uninspiring customization, simplified physics, unstable tracks, boring races, and especially the lack of creativity, however, make it even worse than any other game of its kind currently on the market.

When it works, Cyber Hook is excellent, the stages are enjoyable and stimulate the player's creativity. Unfortunately, that's not the case with the PS4 version and what's left is a broken game and a mediocre experience not worth your time.

SAMURAI MAIDEN mixes two completely opposite genres (action and visual novel) and fails to excel in either one. It is a weak, boring game with awful graphics, bad music, unresponsive controls and a monotonous story. The character models are very nice and the action is a little pleasing after evolving a lot and unlocking different moves, but it's not worth it.

Rivalia: Dungeon Raiders gathers ideas already established in the market, but does little with any of them. Without standing out in any aspect, it is functional, it does the basic, but it never goes beyond that, and that is little, very little.

Guardian of Lore fails to execute many aspects of gameplay and never delivers anything fun to the player. Even the interesting premise and nice art won't save the game from being something mediocre.

Monark is a tangled web of good ideas that could have become a good game, but end up being hidden under an awful execution. The combat system is the best part, but it fails by its excessive repetition and the story stuns the player by taking one of the worst possible directions and throwing away all it could have been.

Everything that is best about MeteoHeroes Saving Planet Earth! is inherited from the original animation, and even then the theme, characters, and artwork are poorly transported into the game world. There is an occasional glimpse of gameplay that gives hope, but any goodwill is squashed by a simplistic product and falls short of even the best intentions to enjoy it.

Babylon's Fall is a game that impresses by the fact that nothing in it works as it should. It's a boring title and marked by a series of problems. It ends up standing out as one of the worst games in a year full of great releases.