PaRappa the Rapper Remastered doesn’t take long to get through, if the fourth stage goes smoothly for you. Songs only take a few minutes to complete and sometimes the cutscenes seem longer than the gameplay. After you complete the game and finish each stage with a “Cool” rating, there isn’t much else to keep you around other than a few miscellaneous trophies if that interests you. PaRappa the Rapper Remastered is beautiful to look at, and the soundtrack is catchy enough that I’ll be listening to these tunes for some time.

Touhou Double Focus shows a decent amount of promise with its reliance on character swapping and willingness to just be weird. That said, stiff controls and frustrating hitboxes certainly bring the overall game down quite a bit. Still, Double Focus has a lot of personality and I had a good time seeing it through to the end. It’s not as strong as Touhou Genso Wanderer, but still a decent enough adventure, if a bit rough around the edges.

It should of course be noted that the original cast has returned to reprise their roles and, considering how long it’s been, they all deliver great performances. The same level of quality is true for the writing and jokes throughout the game. It’s clear Double Fine still has a firm grasp of the world of Psychonauts and its characters. So, while Rhombus of Ruin isn’t the most mind-bending VR adventure out there, it’s still good to be back with these characters. I still laughed and appreciated some of the smaller details present throughout the game, it’s just hard to not want a little more out of it by the end.

I may not feel as strongly about Enigmatis as I’d hoped, but it still presents much of what I was hoping to find when I started it up. There’s plenty of hidden object scenes, the unique context specific puzzles are still generally pretty fun to solve, and the evidence wall is a neat inclusion. It should also be stated that the game just looks really nice, it’s clear that a good deal of effort went into the detail of every scene. Unfortunately, the story and characters weren’t quite what I was hoping for.

Feist isn’t a bad game, but it wasn’t all that enjoyable at the same time. Most times I just wanted to get through the level as quickly as possible, which I suppose is the goal if you are trying to beat the speedrun times. There are occasional framerate drops in the game, but they don’t really show their true colors until the end of the game. The game is pretty short, so don’t expect a long journey. The game’s longevity can be increased if you care about clearing the levels with the fastest time and without dying.

Overall, Demetrios is a well-crafted game with a good deal of content. If you’re into Adventure games and/or toilet humor, you’ll find something well worth playing in Demetrios. It’s not quite as crude as, say, Leisure Suit Larry, but it’s certainly not as lighthearted as other Adventure games on the market. If you’re not into Adventure games, I don’t see this as being the game to change your opinion. While it is well written and chock-full of humorous quips, its core systems do little to separate it from or elevate within the dated genre.

In general, the game is pretty good about introducing new characters/abilities at a steady pace to keep things interesting. That said, the moments where it’s just Shu can get pretty dull once you’ve had new abilities given and taken away in each world. What’s here is enjoyable enough, though, and the collectibles and time trials make for a decent incentive to spend just a bit more time with Shu, even after the credits.

The game instead features a linear journey with some not-all-that-exciting tasks, a bit of repetition, a clunky climbing system, and a pet dinosaur that isn’t nearly as cool as it could be.

Overally, Type: Rider felt like a relatively basic platformer. The educational aspect of the game falls just short of being meaningfully employed; instead feeling more like wrapping paper. I’d recommend it if you or someone you know is into fonts and/or history, but otherwise it doesn’t truly standout.

Lichtspeer has a pretty great sense of humor and sticks proudly to its weird concoction of Germanic x Futuristic x LSD influence. It makes a strong first impression that unfortunately doesn’t carry through to the end. Aside from boss fights, things get pretty repetitive about midway through and, for me, never really picked up. I still had a decent time with the game, and I absolutely love its presentation, it just doesn’t really do enough to keep me wanting to come back.

The game is a decent racer and is meant to be played locally with friends. It won’t take long to complete all the game has to offer, so your mileage with the game really depends on how much you play with friends. Track design is confusing and isn’t very straight forward, but after some trial and error, you’ll be on the right path.

Ultratron isn’t anything that will blow your mind, but it does work for those wanting to achieve high scores and chase leaderboards with the community. It only offers one mode, but there is enough variety in the weapons and upgrades that should keep players intrigued for a while. The addition of Cross-Save support doesn’t hurt either.

In theory, I love what Moon Hunters is going for. The art, the music, and the overall style of the game are all superb. As a narrative experiment, it works decently. My friends and I used to gather around the lunch table and talk about our epic Everquest adventures or even the crazy Starcraft matches we had the nights before. Real stories do arise from playing games. Moon Hunters writes those stories down for the player. The problem is, they seem a bit blown out of proportion relative to the actual experiences I had with the game. Running around sections of nothing is fine in theory – a barren wasteland peppered with scared, lost souls – but dull in practice.

Lifeless Planet isn’t necessarily an experience that is needed to be had, but if you do journey to the planet, there is some good to be found.

The ending isn’t completely satisfying, but as a pilot episode of an ongoing series I’m totally on-board to see what comes next.

Overall, Lost Sea is a good amount of fun. It would likely be great for players who don’t take kindly to constant barrages of enemies, branching skill trees, and other relatively complex gameplay hurdles.

On the gameplay side, the camera can be tough to maneuver, and platforming sections can be frustrating. However, the game works as a third-person action RPG with the skill trees, items and secrets.

In the end, Table Top Racing: World Tour is a serviceable combat racing game.

Coffin Dodgers is no more than a stop-gap in your daily gaming routine.

Depending on how you feel about the ability to simulate games, it is a tough sell for players of last year’s game to upgrade, but if this is your first R.B.I. Baseball game, this is the one to get.

That said I absolutely recommend setting aside the five hours it’ll take to unlock the four truths and to seek out the true ending. The narrative and how it’s told is really interesting and is absolutely worth seeing.

The UI doesn’t look nearly as polished as the rest of the game. The game stalled on my a couple of times; once during a boss fight where I had to wait until the entire screen was engulfed in flames, and once in the Character Sheet screen where I had to close the game to get back to playing it. That being said, the game as a whole is a fun experience.

I found the experience about as thrilling as a sudoku book.

Each turn demands perfection, and if you are not refilling on food and repairing your hull, your ship just isn’t going to make it. Haven’t met such an unforgiving game in some time, things start out difficult and they only get worse (I lost by turn 3 sometimes). Watch some gameplay videos before jumping into this one.

I wasn’t really captivated by what I played in the end. The beautiful setting of the Wyoming forest and the dialogue between you and Delilah kept me wanting to progress the story, but it ended up falling flat at its conclusion.

Resident Evil 0 HD is good, but I fear its lasting impression will be one of annoyance. For as interesting as the character-swap mechanic is I just can’t get over how tedious the act of playing the game can be. The over abundance of backtracking makes this one of the only Resident Evil games that I likely won’t be playing again.

Klaus isn’t perfect by any means, but is a fun puzzle-platformer that challenges the player without making it feel too easy, and at the same time not making it too frustrating.

Overall, the segments in the games are lengthy besides for in Runner and it’s a pain to restart from the beginning if you die.