Pac-Man needs to go back to his maze-running roots if he is to have a chance of starring in a decent game again, because efforts like this come across like a fading actor phoning it in on an awful movie for the sake of another paycheque.

A visually beguiling though relaxing explorative adventure, N.E.R.O fails to properly capitalise on its unique setting as its simple puzzles, brief duration, and lack of replayability ultimately damages its long-term appeal.

An interesting if conceptually unambitious effort, One Upon Light is an easily accessible puzzler that provides a decent amount of challenge – it’s just a shame that the game isn’t longer with a better handled narrative.

A glossy though ultimately shallow use of the Planet of the Apes license, Last Frontier stands as an acceptable use of Play Link technology but little else.

All of the fun customisation and combat in Skull & Bones is catastrophically let down by the mundane gameplay loop. What is a blessing and a curse for almost all games in this live service genre. Skull and Bones has the potential to be, but certainly isn’t yet, a great game.

A potential Persona-killer franchise once some flaws are ironed out. RPG fans will nevertheless enjoy the game, but those new to the genre might be put off by the grindy, linear nature of the game.

Hotel Barcelona adds in just enough quirky things to stay on brand with the reputation that its legendary creators have forged for themselves. Just like most of their other works, Hotel Barcelona is far from perfect, showcasing its own intentional nuances that can either make or break a game for some people.

Late Shift is an interesting update on the idea of the interactive movie. While it brings decent tv-quality production values and soap opera level acting to a genre notoriously riddled with far worse, it still doesn’t do enough to stand out as a film, nor offer enough interactivity as a game. There’s potential for this template, but the interactivity needs to be much more ambitious.

A simplistic yet visually attractive take on anime that’s been around longer than most of the people reading this, Saint Seiya Soldiers' Soul is a decent prospect for newcomers to the fighting genre but ultimately holds far less appeal for long-time scrapping veterans who want a little more depth from their digital brawlers.

It's not the worst remaster but Final Fantasy: Crystal Chronicles should have been a great remaster but Square just didn't do enough to make the game feel like it belongs in this day and age. Co-op is a chore to even get started and having no couch co-op to play with your family takes away the identity of Crystal Chronicles and what made it such a stand out - traveling and exploring as a family.

Unfortunately, Micro Machines World Series has been forced into a corner where its online multiplayer only nature, buggy online play, and less than half features of the content of its non-licensed predecessor makes this a hard purchase.

Splatterhouse falls short of classic brawler status, but there's still fun to be had out of dishing out handjobs and experimenting with the range of grisly moves on offer.

While Rustler manages to live up to everything it says on the tin, namely Grand Theft Auto with horses, there’s not much in its delivery that leaves any sort of memorable experience. Relying almost entirely on its humour, Rustler tries to steal your fancy with crass jokes and pop culture references. However, it never quite manages to stand out as anything more than a basic sandbox romp, with all the repetitive fetch quests in tow. Couple that with some lacklustre mechanics, and what you’ve got is a fairly disappointing GTA clone.

Contrast is a low point in the PS4 launch line-up, but its frustrating gameplay and glitches are worth the uniquely fascinating story and aesthetics.

Age has slowed this old soldier down, despite some snazzy new upgrades to its core. The best and worst thing about Rogue Trooper Redux is that it plays exactly like a modernised PlayStation 2 shooter. It’s decent enough, but 2000 AD fan service aside, there’s little about it that stands out in a sea of other shooters that are ‘decent enough’.

DUST 514 is easily the most in-depth FPS game out there and with an admission fee of $0.00 there is no reason at all for you not to check out what could be your go-to FPS for the next 5-10 years.

The cartoon-style graphics and characters are charming, the fast-paced action and fluid combat exciting, and the ability to customize your weapons to such an extent is fantastic and sets it apart from other shooters.

I love these types of games but Hellpoint, mainly due to its framerate, responsiveness, and lore, falls behind most other games in the genre. Its exploration, character building and combat is a carbon copy of Dark Souls but it lacks the substance, character, and playability of the games it takes its inspiration from. Its a shame really, unless you have played every other game in this genre, there are many better examples of this style of game to play.

Override: Mech City Brawl is as fun as your attention span will last. There just isn't enough content to keep players coming back for the long haul.

There’s not much positive to NBA Live 16 apart from the unique menus and the well-conceived game modes. Gameplay is borderline crippling, leaving the final product on the whole incomplete. Uneven growth keeps this year’s outing from being justifiably on anyone’s radar.

The bountiful promise of Rain World’s grim world and the assortment of cunning creatures which inhabit it are summarily undone by fiddly controls and an overwhelmingly punishing level of difficulty. Underneath it all there’s an assuredly decent effort here; it’s just a shame that all but the most masochistically inclined will ever summon the requisite determination to plumb its intimidating depths.

The first Killzone in HD has solid gameplay and looks good, but problems from the original game are still present.

Gamers need not apply. This one is for the arty folk out there. Add five points to the final score if you fit into that category.

The successes of Defiance are quickly overshadowed by its flaws. Trion Worlds promises that Defiance will continue to evolve and improve. I hope so: beneath the muck is a game that deserves better.

Infernium is a vague, inconsistent jumble of a game, and that bleeds into its horror all too often. A shame really because what Infernium tries to do with its setting and storytelling is refreshing. This may be a trip to Hell, but it needn't play like it.

Krillbite should be commended for what the achieve with Mosaic, crafting an experience that wholly commits to its themes, atmosphere, and narrative. Each moving part of the game contributes to the whole journey and creates an exceptional replication of the bleak, hostile, and depressing lifestyle that is modern capitalist-fueled city-life. It isn't a particularly enjoyable game to play, but that lack of gratification is just another part of the magnificent mosaic that is, Mosaic.

Frogun is a fun, nostalgia-filled trip through 90s platforming with some interesting twists to keep things fresh. There's a couple of niggles along the way, but overall, if you're into classic 90s gaming, make sure you give this a shot.

For the amount of staff that worked on this game, they do have a good base to work from, but unfortunately there are so many issues that it detracts from being an enjoyable affair. Its sub three-hour gameplay has no replayability at all, and the consistently harsh frame rate dips heavily impact the game.