I am a massive skateboarding game fan and wanted to love this game. Skater XL just does not have enough content to remain enjoyable for very long. The levels, characters and gameplay are dull and I find it very hard to get excited about it. I think it perhaps could be a good game in the future but I do not have that long to wait. Yes, it does have a unique control system and pulling off tricks is fun but we need more than that, as that can only take you so far. Move on people, there's little to see here.

The stories and voice acting in CSI: Fatal Conspiracy are great, but the actual gameplay falls short.

In the end, you will likely finish the game in about 7-9 hours, but still feel like you didn't play it. It is that forgettable.

An unevenly executed mish-mash of ARK's cornerstone components, ARK Park shows some promise but is ultimately too flawed and poorly constructed to be recommended to anyone but wide-eyed, dino-hungry youngsters.

Start the Party offers a small set of mini-games designed to draw you directly into your television. While it may provide some fun for a small gathering of people, there are not enough mini-games to make you return for a second round.

Friday the 13th is a technical horror show redeemed by a fairly enjoyable core multiplayer experience. The nagging problem with that is that the stars have to align for players to achieve that experience in the first place. Time and effort will likely help make Friday the 13th a stronger package in the future, but time may well not be on its side if the player base dwindles rapidly.

A hardcore NIS experience for only the hardcore fan. Bad story pacing and tedious combat make this a bore for the laymen fan who is not already drawn in by NIS's humor and charm.

Sadly, they didn’t capitalize on the potential and gamers were “stuck” with a mid-level game worthy of a rental at most.

Game of Thrones is a distinctly average affair plagued by poor visuals and monotonous combat.

Though well-intentioned as an interactive educational documentary about the spectacular lives of sugar gliders, AWAY: The Survival Series simply isn't sufficiently sophisticated or well designed enough to pass muster as a videogame that will keep you coming back. As it is, AWAY: The Survival Series is an attractive, if clunky edutainment title that only the youngest and most inexperienced PlayStation gamers will truly enjoy.

Fancy working as a game developer, learning on the job? In VR, Probe just about succeeds as an educational experience which may slowly grind you down with its frustrating and time-wasting controls. Non-VR players should give it a wide berth as those control problems kill it stone dead.

Combat is fun, but storyline confuses and gameplay is repetitive.

With more time in development and tweaks here and there to its overall design, Firegirl: Hack 'n Splash Rescue DX could really have been something. As things currently stand however, the superb premise, gorgeous visuals and compelling platforming roguelike gameplay all feel stifled under the weight of some really nasty game breaking bugs that make the game almost impossible to play for any decent period of time. A real shame.

Strikers 1945 Plus Portable feels dated, but offers classic, arcade-style action. It's a bit expensive for what you get.

Dreamfall Chapters is a hard sell for all but the most devoted fans of The Longest Journey. Story aside there’s little else that encourages investment of your time. Troublesome tech niggles alongside poor pacing and inconsistent puzzling sits some really intriguing characters and two worlds filled with narrative wonder. That you have to outpace your boredom to reach the juicy bit of Dreamfall Chapters’ rich story is perhaps the biggest obstacle of all.

There is something that really irks me when a horror game doesn't provide any scares or tension. The Occultist looked like it was going to be an entertaining experience, but it doesn't provide much entertainment. The puzzle-solving and exploration are passable, but everything else is a huge letdown.

Fans of the series will take plenty from the impressive narrative conclusion of the saga, though some flawed gameplay mechanics hold it back from being a game of any substance.

A visually attractive, if uninspiring take on the Vietnam War, Hours of Darkness feels little more than a re-skinned Far Cry 5 rather than something more ambitious.

Destruction AllStars is a clunky mess of a multiplayer experience, committing a few cardinal sins when it comes to its online experience and offering uninteresting and dull gameplay most of the time. Each character feels unique and their abilities and vehicles are fun to use, but when meshed with the rest of the experience, it doesn't work. Predatory microtransactions, a lack of lore and backstory into the AllStars, and poor single-player offerings make this the weakest PlayStation Studios title in a long time.

While Rustler manages to live up to everything it says on the tin, namely Grand Theft Auto with horses, there’s not much in its delivery that leaves any sort of memorable experience. Relying almost entirely on its humour, Rustler tries to steal your fancy with crass jokes and pop culture references. However, it never quite manages to stand out as anything more than a basic sandbox romp, with all the repetitive fetch quests in tow. Couple that with some lacklustre mechanics, and what you’ve got is a fairly disappointing GTA clone.

Overly fiddly controls combined with a brief duration, slow starting narrative and inflated price point make Loading Human's opening episode difficult to recommend, which is a shame given the sizeable ambition that lurks behind its otherwise subpar execution.

Bedlam tells a really interesting and genuinely funny tale. So it’s a shame then that few will stick round to hear all of it because the game itself is so lacking in joy.

Gleamlight's art style is beautiful and immersive, but the combat here is slow and tedious. With no story to latch onto it all just feels shallow. Even though the game is extremely short, your time and money are better spent elsewhere on other games in this genre.

Sometimes, Balan Wonderworld evokes a bygone era of platformers very well, but this is all too fleeting a feeling. All the creativity seems to have gone into the characters and music while the actual act of platforming leaves a lot to be desired. It’s far from the worst modern platformer, but given the names involved, it’s a thoroughly underwhelming one.

Lawbreakers has a decent foundation with high-action gameplay, but many fundamental things go amiss, and many decisions sacrifice its universality.

Fans of The Punisher will enjoy the comic panel cut-scenes, but the gritty world created by Marvel is lost in a sea of technical problems and monotony.

Some jokes land, and some moments shine, but most of No More Heroes: Travis Strikes Again Complete Edition relies on heavy-handed doses of breaking fourth walls and common game modes. There's an audience for this franchise, but this game doesn't offer much for anyone else.

ROTK13 lacks any of the basic macro and combat strategy fundamentals of previous titles, making this a sequel in name only. If you liked Sphere of Influence then you’ll enjoy this title too. But for those who waited for an ROTK game, keep waiting.