As ever with camera-based games, haphazard detection and rudimentary interaction limit the laughs. [March 2015, p.93]

Still an excellent port of the game you know and love. [March 2015, p.93]

It feels strangely well-suited to PS Vita. [March 2015, p.93]

A world worth inhabiting; one full of intrigue and murky consequences. [March 2015, p.92]

It's never dull or ordinary. [March 2015, p.91]

Technically, this is a pretty half-hearted "in no way super" port. Yet Re-Elected remains a beefy package with a heroic amount of content and a set of enjoyable mechanics. [March 2015, p.90]

A Tim Schafer-orchestrated adventure as vivid and bizarre today as the original PC game was 17 years ago, remastered with subtlety for a strong dose of nostalgia. [March 2015, p.87]

A fine twin-stick shooter that's just a few minor tweaks away from something really special - though score-chasers up for a stern challenge may well adore its charms. [Feb 2015, p.95]

Nidhogg excels when tackled with a mate in local multiplayer. [Feb 2015, p.95]

There's some serviceable twin-stick multiplayer shooting under the cowboy fancy dress, but sadly it's below some glaring technical problems, too. [Feb 2015, p.95]

The puzzle/power combo is sure to attract your attention. [Feb 2015, p.95]

Fails to offer enough content that's new. [Feb 2015, p.92]

The Dark Below doesn't revolutionise Destiny's addictive endgame, but the superb new missions and the lure of new gear should tide you over 'til the House of Wolves. [Feb 2015, p.91]

Not as confident as Telltale's selection of flagship franchises so far, but the ethos of the show is there in terms of tense confrontations and oh-so-tricky power games. [Feb 2015, p.90]

A sumptuous looking retread through an iconic scare-fest. Its fantastic frights are more than worth the uncompromising challenge. [Feb 2015, p.88]

An ambitious hybrid of racing and role-playing that fails to deliver a meaningful story or make the most of its extraordinary setting. [Feb 2015, p.85]

A horribly addictive roguelike that spawns endless invention while never forgetting to deliver disgusting thrills or unhinged humour. An essential indie experience. [Jan 2015, p.95]

Sadly, pretty looks and sweetly-edited shorts can't mask the lack of inspiration at its mechanical core. [Jan 2015, p.94]

Well-paced, well-acted and brilliantly-written. [Jan 2015, p.94]

A worthy successor to Guardian of Light, this isn't enough for us to forgive Lara's betrayal but it's a - small - start. [Jan 2015, p.94]

The best game on PS3 is now the best thing on PS4. A loving, comprehensive remaster of such quality, it's damn near as essential as oxygen. But it. Yesterday. [Jan 2015, p.91]

An interesting story means Rogue is essential for fans of Creed lore, but it rests on its laurels by using Black Flag's naval combat wholesale, just in a chilier setting. [Jan 2015, p.87]

Bizarrely, BG drops the open-world setup that's made the most recent Lego games such grand experiences. [Jan 2015, p.86]

Wading through all that offal to get to the mildly interesting stuff is hardly time well spent. [Jan 2015, p.86]

A little extra ambition and depth wouldn't have gone amiss, but this is definitely more treat than trick. [Jan 2015, p.86]

A flawed almost-classic. [Jan 2015, p.84]

Less a game, more an endlessly inventive creator kit, LBP3 will disappoint fans looking for ready-made adventure but thrill those looking to craft their own Sackboy saga. [Jan 2015, p.81]

Bugs really throw Unity under the guillotine. [Jan 2015, p.78]