An HD collection to seriously consider. [May 2014, p.83]

A slick, good-looking package. [Dec 2012, p.104]

A fine example of contemporary narrative adventure done well. [March 2018, p.93]

There’s an undeniable charm to be found in conversing with a cake NPC, fighting bizarre bosses, and travelling through the Horse Dimension, but there’s a solid game underlying the comical presentation. Four difficulty settings will ensure you find the level of challenge you’re after, and a PVP Arena mode will let you challenge your friends to switch things up. [Issue#164, p.96]

A compelling game given new dimension. New wrinkles in the tale justify revisiting, but the more abrasive parts of its personality are wearing thin three years on. [Issue#183, p.74]

For a game that spends most of its time grinding you down, smashing you into pieces and throwing you off high-rise buildings, MotorStorm Apocalypse is as much fun to be around as a rock star uncle. [Apr 2011, p.102]

Compelling and respectful in a way few games can match. [Aug 2014, p.90]

The tracklist is one for the generations. [Dec 2013, p.94]

Its first chapter hasn't quite connected. [Oct 2015, p.91]

The individual parts are all solid: they just don't all play nice when mixed up. [Christmas 2016, p.82]

Taking us back to the ’90s in a mostly good way, Pacer is a solid WipEout clone with enough new ideas to slowly reveal its own personality. [Issue#182, p.161]

Delivers a visually exciting experience. [May 2013, p.107]

A neat and deceptively inventive puzzler. [Apr 2014, p.87]

If you liked Shank before, you'll still get on alright with this. [May 2012, p.116]

Unfortunately the system chokes as things get more frantic. Manoeuvring often means accidentally popping off cover, and performing tasks like reviving downed teammates whips the camera around wildly – minor complaints, but ones that are frustratingly at odds with the fragility of your character. Later stages see you downed by two or three hits, and it's impossible to keep a lock on foes or stay tucked safely away from bullety harm.

Ultimately, it’s more Superhot – stylish, thrilling, reliably weird – and that’s no bad thing. But it’s the first game in the series that doesn’t feel like a revelation. [Issue#179, p.77]

A slow-burner that rewards dedication. [Oct 2007, p.100]

Though its story lacks the same emotional punch as its predecessor, this sequel is certainly still worth getting tangled up in either alone or with a friend. [Issue#152, p.86]

A stylish adventure that makes like Fleetwood Mac and goes its own way. Beautiful to ear and eye, this is a trek through the forest that you need to take for yourself. [Issue#183, p.90]

As solid as the combat is, there are numerous contemporaries that offer as much challenge and fun with much more visual flair, and without horrendous loading times.

An insane intergalactic treat. [Sept 2010, p.119]

There's a genuine feeling that the enemies can come from anywhere. [Jan 2011, p.115]

Finally, a Transformers game where the characters look like plastic toys. While limited, this is no mere cash-in. [Dec 2015, p.85]

Of all the many Lego games, this is the most distinct and enjoyable. [June 2017, p.84]

It's just a shame it's taken so long to get there. [Oct 2015, p.91]

It's not perfect but there's no other PS VR game with this level of depth and detail. Even if you think you've seen it all before, you've definitely never see it like this. [Jan 2018, p.96]

No need to splash the cash: here's a no-fuss, free party game collection for all ages, and with some style. Even the weaker games will be short-lived hits. [Christmas 2016, p.97]

Another strong entry in a series that's keeping itself relevant. While familiarity is creeping into multiplayer, Zombies and the campaign are the best they've been in years. [Christmas 2016, p.79]