When you finish a level, you get the option to replay what you did in one fluid motion, which ends up a little stiff thanks to the gridmovement and somewhat limited moveset. But you quickly get the hang of how to use each move, and soon you’re reacting quickly to each challenge rather than taking a while to figure out your next move. When you hit that rhythm, John Wick Hex sings, but it doesn’t delight as much as the movies. [Issue#176, p.78]

For all its strides in pacing and character development, the same pitfalls that dogged its predecessor still lurk within. [June 2015, p.88]

It's Lovecraftian genius: your imagination does the work, spinning up dread. [Jan 2016, p.114]

It's pretty much what you've played before. [Dec 2014, p.83]

Though Tacoma's crew inhabit a far flung future with problems to match, I found myself believing in their relationships. [Issue#150, p.90]

Lacklustre puzzling, fiddly controls and a brief runtime disappoint slightly. [June 2017, p.90]

A totally fresh proposition. [Sept 2015, p.89]

Visual Concepts’ tireless scouting for new stuff hasn’t affected its immaculate eye for detail. [Issue#168, p.78]

The Little Ones ups the survival stakes, testing restraint-or-risk strategy and morality. There are frustrating bugs, and too much signposting, but it's a powerful, brave experience. [March 2016, p.93]

A refined followup with a totally new cast to fall in love with. You should absolutely play Life Is Strange 2. But you might want a box of tissues ready for the ending. [Issue#171, p.85]

Aside from the bananas plot, what makes El Shaddai unique is its looks. [Oct 2011, p.116]

Strictly in terms of gameplay, this is probably a 7/10 - fun and polished if a little repetitive - but there's absolutely an extra level of enjoyment and quality here thanks to the smart and sensitive use of much-loved material. [July 2009, p.86]

Parachutes fail, chopper pilots die, warheads count down to detonation. All of this makes me wonder, is Sam's heart still in stealth? [June 2007, p.106]

Will it change gaming? No. Is it almost perfect in and of itself? You bet. [Nov 2015, p.108]

When PES 14 truly shines, though, it outplays its megaton rival in several key areas. If you’re willing to scrape beneath the surface and accept its technical and licensing shortcomings, then this offers a nuanced, deeply rewarding game of football. If Konami can iron out those issues next season, PES United could yet be champions.

There's too much trial and error, but this is still a refreshing spin on a stale genre. [Nov 2012, p.97]

Ridge Racer 7 is more of a highly proficient stop-gap, a lightning-quick and not-at-all dirty Playstation 3 update in lieu of the true reworking we'd really like to see this far down the line. Nice, then. Solid even. But not truly next-gen. [Apr 2007, p.112]

Long-time players will be disappointed at Joe Rogan’s absence from the commentary booth this time around, even if Daniel Cormier and John Anik’s excitable tones are perfectly serviceable. And that’s a phrase which perfectly sums up UFC 4 in general. It won’t surprise MMA fans, but it should delight. [Issue#180, p.72]

An undoubtedly captivating experience that has some of the strongest art design on PlayStation 4. While not quite as groundbreaking as Journey, every single fan should give Abzu their time. [Oct 2016, p.82]

The sharp dialogue and heartfelt narrative are let down by the shoehorned relationship between the lead characters. Nonetheless, it's a worthy sequel. [Nov 2017, p.78]

A celebration of videogaming’s brashest decade, Narita Boy at times tries too hard to impress but always feels good to play. Turn it up to 11 and enjoy the ride. [Issue#187, p.83]

Be it throwing chattering teeth with The Joker or hogtieing Doomsday with Green Arrow, there’s a constant playful charm in doling out moves. And unlike Mortal Kombat Vs DC Universe, Injustice boasts a stable netcode, where streamlined matchmaking and lag-free fights make for a solid online offering. A pretty heroic effort all told, then. But one that falls short of super status.

Somewhat limited by its own mechanics this is still a masterclass in videogame horror. The overuse of its core ‘run away and hide gameplay’ lessens the impact overtime but the visual and aural execution are flawless, making for a terrifying opening few hours, an unpleasantly distressing close and a satisfying exercise in fear throughout.

A slow, soaring game with real heart, set in an often stunning realised setting. [Oct 2015, p.91]

Never enough to convince you that it wouldn't be much better if it ditched the retro hardline and splashed out on some graphics. [May 2010, p.113]

This is a rare gem of a wrestling game which, at under 20 quid, every grap fan is duty bound to try. [Mar 2008, p.98]

Thus far the standout episode this season. [Oct 2014, p.93]

The puzzle/power combo is sure to attract your attention. [Feb 2015, p.95]