If you own Sony's handheld but haven't bought this yet, then quite simply you're doing Vita wrong.

Like its music, though, Everyday Shooter slowly gets under your skin. Just bear in mind it's more chill than kill, kill, kill. [Feb 2008, p.96]

A fitting end for the tale of Kazuma Kiryu. With so much to see and do on top of an engrossing crime drama, it's well worth the trip. [Apr 2018, p.77]

It succeeds throughout because every element feels like it's pulling its weight. Flying, driving, shooting, free roaming chaos, linear missions: Everything feels big and in your face. [Apr 2010, p.94]

The only truly next-gen element is the powerhouse visuals. [May 2007, p.104]

The problem - and the reason Maddden doesn't creep into 9/10 territory - is the (Connected Careers) mode feels like a bets. [Nov 2012, p.113]

Crucially, it's a story you'll want to see through. [June 2015, p.94]

You really need to be ready for some cleverly placed jump scares. Having to survive and investigate makes Death Mark more akin to Zero Escape than Steins;Gate. All of this, plus the beautifully gruesome artwork, clever dialogue, and a classical soundtrack that sends shivers up your spine, creates a visual novel experience you won’t easily forget. It’s unlike any horror visual novel before it. [Issue#156, p.86]

All of the weapons are amazing and you'll switch for the hell of it. [Nov 2011, p.101]

Unique, dripping in detail, and well worth rediscovering. [Oct 2014, p.83]

When you've got a series that lets you transform foes into sheep and demands you save tourists from feral intergalactic squirrels, whinging over resolutions seems smaller than its dinky droid sidekick.

With a starkly powerful grasp of aesthetic and some profound artistic ambition, The Swapper's instinct for puzzle design isn't quite matched by its storytelling. But it's close. [July 2014, p.78]

The story is charming and enjoyable. [June 2008, p.105]

There are other platformers around, but not many can offer brains and beauty, never mind such a happy ending. [Nov 2009, p.125]

The real-time battles open the game's appeal up beyond the hard-nosed RPG fan. [Sept 2007, p.112]

Sucker Punch has raised its game and then some. [July 2011, p.86]

Easily one of the greatest racers on PS3 to date, both in terms of addictiveness and broad, crowd-pleasing appeal. [Oct 2007, p.98]

Yakuza 5's combat may feel dated, but its characters, sense of place, and absurd wealth of minigames and side activities are as fascinating as ever.

It's occasionally fiddly and frustrating, but take one look at the pretty pictures and all that rage melts away. [Aug 2011, p.107]

A fantastically outrageous conclusion to a remarkable story, albeit one that doesn't quote recapture the highs of Virtue's Last Reward. Don't even contemplate playing until you've finished VLR. [Sept 2016, p.104]

Even if you just own the Starter Pack models there’s still hours of fun to be had levelling up in the returning Arena modes.

A welcome outsider take on a consistent series, increasing the pace still further in online multiplayer to fantastic effect. However, solo play feels a bit safe in comparison. [Christmas 2014, p.79]

It's a game in danger of tossing away its decade-long undefeated streak. [July 2014, p.85]

Bugs aside, a tremendous and uncompromising simulation of a kind we may not have seen previously on consoles. [July 2015, p.89]

The best FIFA’s been on current-gen in the purist’s sense, with Champions League implementation strengthening the game’s grip on the genre from a casual’s perspective too. [Issue#155, p.84]

Fall[s] just a tad short of greatness. [June 2015, p.82]

Gripping even to those with no interest in the world of hoops and dunks. [Christmas 2014, p.89]

A rewarding entry in the series. [Nov 2015, p.107]