This is the evolution of the Ninja Gaiden franchise. Platinum's frenetic style fits surprisingly well with the difficulty that we've come to expect from Team Ninja. It's not a perfect game, with the main issues being the small roster of enemies and the simplified plot, but it's still very fun and respectful of its origins.

Kart games are about having fun, be it exploding your friends with itens, or nailing incredible drifts. At the end of the day, the few bumps in CrossWorlds are negligible. When I think about the game, I always remember the amazing tracks, the characters, a pulsating soundtrack — and, of course, the absolute speed.

It's true that you have to pay a lot to have access to several games from the past, which should be cheaper, but Capcom Fighting Collection 2 is still an alternative and a correct way to preserve games that are so important and loved by fans.

Marvel Cosmic Invasion shows us a version of the multiverse that worked. Despite its simplicity, there's not always a need for a multi-million dollar production, as long as the game is made with care and competence.

Marathon's biggest fight was against the narrative: in an industry of failed projects, it's easy to assume that a game will be DOA. Somehow, Bungie managed to revert those allegations and create something that is, at least, unique.

The Outer Worlds 2 delivers exactly what players want: good combat, a compelling story, fun quests, and an RPG system that truly makes you feel like it's worth investing your time in. And that's something few Western RPG companies can achieve in their players these days. And with The Outer Worlds 2, Obsidian lets us dream of a bright future for the studio, as long as Microsoft lets them keep working this way.

A beautiful and stunning journey about a lighthouse and a seabird full of fun puzzles and an atmospheric adventure that can relax any player who might need a little break from other titles.

Tales of Xillia stands out from other RPGs of its generation. Being able to enjoy this PS3 gem now on the PS5 (and other platforms) is an adventure no one wants to miss.

The Beast succeeds in bringing back old mechanics of the franchise while brings some new elements to the table. Focusing in combat, the game is a natural evolution of Kyle Crane, that is as charismatic as ever.

Even though more than two decades have passed, it seems that nothing has changed for the mind behind the pink puffball, Masahiro Sakurai. Kirby Air Riders is, for the most part, the original game made again, with more flavor and style that only the Nintendo Switch 2 can deliver. But to me, it feels like this mix is missing a bit of substance.

We need more heartful games like this one, that makes us smile with each new character and leaves us emotional while the plot is unveiled. Digimon goes further than generation and languages. It's a franchise that has always been about personal and collective growth, and the importance of friends and bonds. Time Stranger collects all of these elements and repackages them beautifully.

Metroid Prime 4: Beyond aims for modernity but falls into the traps of modern games. The result is a shallow, mixed experience, far from the quality of the first two games in the Prime series.

It's not malicious to say that Tomodachi Life: Living the Dream is a life simulator with a peculiar sense of humor. After all, it's this very characteristic that makes it unique among a community of passionate gamers. For fans of the genre, the real challenge will likely be dealing with countless possibilities and a few fits of laughter during the numerous hours of gameplay.

Z-A marks a new beginning. A Pokémon game that isn't scared to be different, and delivers the joy of playing something entirely new. If Legends: Arceus was the experiment, Z-A is the final result. And, honestly, it's the Pokémon game for which I've been waiting for years.

Through an unusual mix of roguelike and battle royale, Elden Ring: Nightreign will make you love soulslike games in a different way.

The new FC hits the essential marks: gameplay is more polished and fun than ever. Still, a step up in game modes and presentation as a whole is needed for the franchise to reach the grandiosity it once had. EA is probably on the right track, but there are a few steps left to bring the series back to the top.

The Posthumous Investigation is a formidable title that doesn't hide its inspirations, yet manages to find its own voice to the point of stamping its name in the history of Brazilian video games.

South of Midnight hits the bullseye when we’re talking about the art aspects of the game: the stop-motion graphics are awesome, the OST is nothing short of amazing, and both help bring the Cajun culture to life. Still, combat feels more like an obligation than something that was really thought out, and seems disconnected from the rest of the game.

Screamer didn't need much more than anime aesthetic and a whole lot of drifts to catch my attention. Still, it presents an intricate plot and great mechanics that brings some freshness to the arcade racing genre.

A fun, fast-paced and brutal tag-team fighting game that seemingly straddles the line between casuals and veterans with near perfection.

Mario Tennis Fever knows exactly what it wants to be. Without trying to reinvent the series, the game leans on creative mechanics, chaotic matches, and a strong focus on multiplayer to deliver a solid and enjoyable experience. The Fever Rackets give the game its identity, the varied roster supports a healthy competitive scene and, even with a somewhat uninspired story mode, the overall package stands as a confident and easy-to-recommend return for the series.

Known for the excellent Teenage Mutant Ninja Turtles: Shredder's Revenge (2022), the Canadian studio Tribute Games hits the mark once again by delivering the definitive beat 'em up for fans of the Sex Bob-omb bassist. Fun and chaotic, the experience has the potential to please both long-time fans and newcomers to the franchise.

Minos shows promise when it hands the player a myriad of options. Pacing, however, isn't optimal, and creativity is not always rewarded.

Great performances all around in a game that doesn't try to be perfect. Dead Take is about the imperfections in art, acting and the movie industry, so it's fitting that there's a few hiccups here and there. Things may not make sense and you’ll probably have a lot of questions when the credits start rolling, but the vibes are immaculate, and that's what matters.

I’m genuinely happy that RAIDOU Remastered was released. Despite not liking it that much, it still represents an important period of Atlus’ history that can now be experienced in a much better way. The treatment this game received should be standard for every remaster.

Reigns: The Witcher prioritizes serving the hungry CDPR fanbase, who are desperate for anything related to Geralt's saga, over providing something truly fresh for its own community. But that isn't inherently bad.

Poor technical aspects in ChromaGun 2 are as undeniable as the creativity in all the scenarios and puzzles. Yes, there are a lot of loading screens, but visuals, level design and the immaculate Portal-esque vibes make up for them.

Crisol: Theater of Idols deliver a tedious and buggy experience that lacks the understanding of what makes their references so incredible.