Plants vs Zombies: Replanted offers a faithful yet cautious return to PopCap's iconic tower defense formula. While the core gameplay remains charming and the co-op features add fresh appeal, the overall package feels underwhelming for returning fans. Enhanced visuals and accessibility are welcome, but new modes and questionable art choices muddy the experience.

Curios Expedition 2 is a roguelike that would probably be lots of fun to play on a video chat with friends, voting on actions as a group, and watching the chaos unfold. Otherwise, it’s an enjoyable exploration game with a host of unique features that lets you put your mind to the test without too much stress unless you want it to be.

The Legend of Legacy HD Remastered brings together a renowned development team for an adventure steeped in exploration and discovery. While the game shines in its unique approach to map-making and the random skill learning system, it stumbles with its lack of clear direction and sometimes tedious gameplay mechanics. The HD remaster enhances the visual appeal, and the addition of a guidebook attempts to address the original's steep learning curve. However, the core experience remains divisive, catering to a niche audience that appreciates the challenge and depth of its exploration-based gameplay.

Tales of Luminaria would have benefited from a beta period where the development team could have heard and addressed concerns before launch, but they seem to be listening. The bigger issue is that you only get one first impression, and while the scope of this project for its platform is notably impressive, it’s just not much to write home about right now. Tales of Luminaria will be getting weekly episode updates, which is sorely needed because of the lack of launch content. Ultimately, it needs more polish and genuine care to shine as best as it can.

It can be entertaining, but you’ll probably want to play something else once the novelty wears off a year later. Due to the catering of this particular audience, the fact that there are no signs of this arcade cabinet ever coming West in an official manner, and the fact that a good chunk of Ace Angler: Fishing Spirit’s game modes are a matter of luck rather than skill makes this just a very frustrating game overall unless you aren’t bothered by the randomness of it.

Calamity Angels: Special Delivery is a charming new IP that blends board game inspired dungeon crawling with light JRPG combat. Its underdog story and expressive cast carry the experience, with strong voice performances and comedic writing giving personality to nearly every scene. However, shallow systems, repetitive encounters, and awkward quality of life decisions keep it from reaching its full potential. While the foundation shows promise, especially in its character work and unique structure, the overall package feels like a solid first step rather than a fully realized breakout hit.

Fate/Samurai Remnant Record Fragment: Keian Command Championship is really only for those really desperate for more content, as the DLC itself isn't particularly memorable in most of its gameplay or narrative applications. The few standout scenes and unique Caster route don't necessarily make it worthwhile.

Hotel Barcelona is a wild, unfiltered roguelike horror-action experience from the minds of Swery65 and Suda51. Packed with creative chaos, the game delivers a surreal narrative, inventive systems, and unapologetically janky gameplay that somehow keeps pulling you back in. Despite technical hiccups and clunky combat mechanics, its relentless pace and bizarre charm make it a standout for fans of experimental indies.

From the constant localization mishaps to the design feeling like a copycat, I was constantly left with the urge to just drop the game and play something else, as it had failed to keep me engaged for more than a couple of minutes every time. Further, as much as I tried, I just couldn’t stop comparing it to Genshin Impact, which harms the identity it’s trying to pass as. And only time will tell if this will ever change in the future.

SaDistic Blood is a visual novel that appeals to a very particular audience. I am not that audience. It’s a relatively short, horny, gory, torture porny VN made for people who, well, enjoy that. It gets points for having a strong visual style and being honest about it, but the target audience is exceptionally niche. Only enter if you want this, and expect your stomach tested. Those who wish to play without the gore can expect a patch to release soon, which removes those sections but leaves in the H-content.

STARBITES is a scrappy sci-fi JRPG with an engaging lead character, rewarding boss battles, and surprisingly rich worldbuilding beneath its rough exterior. While the turn-based combat system shows flashes of strategic depth, repetitive dungeon design, shallow regular encounters, and dated presentation prevent the adventure from reaching its full potential. Fans of shorter retro-inspired RPGs may still find charm in its heartfelt cast and bleak post-war setting, but the experience often feels stuck between nostalgic homage and underdeveloped ambition.

Gears of Dragoon: Fragments of a New Era offers a fascinating blend of adult content and intricate storytelling, accompanied by a somewhat complex RPG experience. While the game has its lows, such as a lack of tutorials and occasionally repetitive dungeons, it manages to leave a good impression with its well-written narrative, diverse characters, and captivating fantasy elements. Whether you’re here for the romantic entanglements, the challenging battles, or the intriguing character customization, this game has something to offer.

Strawberry Vinegar ends up being incredibly straight forward if not a little messy with some of its story elements. I thought the writing was comical and engaging, but then the pacing would be hurt by Rie’s unbalanced characteristics and overly mature attitude. In the end, it’s a visual novel about food and friendship, and you’ll get plenty of that here.

Mega Man X DiVE Offline is an unusual game to review. I wouldn’t label it as “good,” and I wouldn’t recommend it to newcomers to the franchise. Given its nature as a collection of Mega Man characters, it’s evident that this game is designed for fans. Nevertheless, I can’t help but appreciate it on principle. For the sake of preservation and making the game accessible to those who dislike gacha experiences, Mega Man X DiVE Offline is a commendable effort, showing that all gacha titles should offer offline versions so that both contemporary and future audiences can enjoy them without the burden of excessive monetization.

Crysis Remastered is not the best way to play Crysis, but it isn’t a terrible port. Still, calling the Switch version a “remaster” is a bit of a stretch. You’ll have to look past the dated visuals of the experience and maybe a few technical bugs, but if you’re looking to play Crysis on the go you’re covered. However, if you can wait, it might be better to wait for a more powerful console release (or just play it on PC).

Madden NFL 21 is a strange beast. It is the same fun football experience that millions of players have come to love, yet I still expected a little more from it. While it features refined gameplay and fun game modes, its lackluster story mode and plethora of graphical glitches don’t reflect what a game releasing this year should look like. The online modes will keep you playing through various simulation and customizable options, but most of this is just more of the same in comparison to what has already been delivered. If you’re a seasoned Madden fan looking for your yearly fix of football goodness, I doubt Madden NFL 21 will disappoint you, but that doesn’t mean it’s a flawless experience.

Sonic Colors Ultimate‘s gameplay loop is enjoyable and boasts high replayability. However, the Tails Save implementation, boss battles, and some Wisp power utilization slow this speedy adventure down to a crawl. It’s undeniably fun, but never trips up the moment you find your pace. Here’s to looking forward to new Sonic adventures in the future...Yes, that was a plea for a new Sonic Adventures.

Boomerang X is a speedrunner’s delight, but it seems to forget casual action fans. After the first playthrough, you’re free to refine your skills, but there’s not much to do thereafter. The beautiful environments beg to be explored but offer no reward or discovery, which is a missed opportunity. There’s little denying how fun this game is, but I couldn’t help but want more.

It’s no doubt that Into the Pit draws heavy influence from the Doom franchise, with its old-school graphics, fast-paced shooting, and rock and roll heavy background music, but the core gameplay loop makes it hard to recommend as a rogue-like. It’s fully functional and fluid with snippets of fun thanks to its brief runs, but its lack of variation for dungeons, weapons, and bosses makes it difficult to stand out from others in the genre.

Ravenlok is a surface-level action experience but a memorable fantasy adventure. It does its best to balance these genres for seasoned gamers to appreciate, but the target audience will likely be younger players. That’s not to say I didn’t find beauty in this fairy tale. The characters and world design leave a lasting impression making this a great way to cap off the Voxel Trilogy.

Sadly, most of the time players will be spending with A New Power Awakens: Part 1 will likely be spent grinding senseless battles to get to the main event against Beerus. However, the fight and how the game presents it isn’t interesting enough to warrant going back to the game for. Unless you are really clamoring for more Dragon Ball Z: Kakarot content, it might be best to wait until the second part of the DLC is out for a complete experience.

Arashi Gaiden blends turn-based tactics with fast-paced ninja action in a bold, stylistic package. While its innovative hybrid gameplay and striking visuals shine, technical hiccups and unclear mechanics hold it back from true greatness.

Lost Ruins manages to stand out from others in the genre and establish itself as a unique experience. The masterclass of pixel artwork alongside the conceptually engaging gameplay ideas more than shows that much effort and care went into this adventure. Still, implementation is everything, and sadly, Lost Ruins doesn’t seem to have a clear idea of what it wants to be. Opting instead to throw everything at a wall and see what sticks.

If the Voice of Cards series continues, I hope they either refine the gameplay systems or undergo a major enough shakeup to breathe new life for returning players. Still, if you enjoyed the last two games, this one will likely be up your alley and is worth considering. Though, those who were not drawn in beforehand won’t find anything to compel them this time around either.

Onee Chanbara Origin is a hack-and-slash that does nothing more than any other hack-and-slash available. It’s best moments are the fluid and fast action when you’re cutting through hordes of enemies at a smooth frame rate with oceans of blood spraying all over. The series seems to be having an identity crisis about how it wants to continue. It needs to make a choice, keep the bikinis and have a bit of more campy fun with these characters, or lose them entirely and create a more polished action experience.

Loop8: Summer of Gods is a gorgeous and ambitious JRPG that introduces unique elements to the genre but doesn’t know how to properly mix them to deliver a cohesive and memorable experience. The narrative gets insanely good, but I wish it didn’t take several loops to figure that out. Sadly, the limited quality-of-life features, strange battle system, and lack of character attachment make the entire experience more effort than it’s worth. However, if you look past that, you may find enjoyment in this one-of-a-kind JRPG that took some commendable chances on the genre.

While I’m sure plenty of people enjoy the constant references to the Fire Emblem series and the heavy use of tropes, the bulk of the experience wasn’t satisfying. I enjoyed the combat, even with difficulty, but the time mechanic added a surprising amount of stress that wasn’t enjoyable. In addition, for every character interaction I enjoyed, there were two that I found grating at best. Studio Daimon certainly did a great job forging a game they can be proud of as fans of Fire Emblem, but it will not resonate well with everyone.

For a video game to demand the player derive their own meaning from it is asking a lot. This makes Sky: Children of the Light a challenging proposition even as a free release on Switch. For many, it may be a few hours of wandering about before they are put off by the aimlessness of it all. Still, at least for its niche audience, they will likely self-select into this unique gaming community. Sky is a pointless online video game experience driven by the player’s own subjective interpretation, but that’s perhaps the entire point.