Cleaning Up! is a game I think that will really depend on what you want out of it. If you (like me) have already played dozens and dozens of hours of games like Powerwash Simulator, this is another game in the genre and I liked its attempts to distinguish itself with puzzles and fun costumes. But if you haven’t played games in this genre, I’d probably tell you to try something else, because the controls and bugs don’t leave a great impression.

Prism Peak is a game I liked being a part of, even when I was frustrated with its odd pacing and metaphors. It's pretty, thoughtful, and more emotionally honest than most games that wear their hearts this visibly. But it's also a game that crams too much into a single frame. Too many puzzles, too many metaphors, too many systems and ideas layered on top of a core loop that didn't need them. Trim some of the fat, and this is a standout. As it stands, though, it's a flawed gem.

Pushing through some of the more devious sections, I felt a sound sense of accomplishment in rolling credits on Saint Slayer: Spear of Sacrilege, in all its alliterative glory. In more ways than one, it's not for the faint of heart, but those seeking a retro-style challenge in 8-bit packaging will very likely enjoy the ride. While not all of its design choices land flush, the overall journey makes for a fun afternoon. A co-op mode made me wonder whom I might subject to this punishing experience, but once through was enough for me to hit my cursing quota for the year.

Sigma Star Saga DX is an interesting curio–a forgotten WayForward joint that I’m thrilled to have an opportunity to play in 2026, warts and all. I can honestly say I’ve never played anything quite like it. That said, no single aspect of the gameplay is without some measure of frustration. The overworld is interesting but the zoomed-in camera, respawning enemies, and retraversal can get old. One late-game planet in particular adds a foggy filter and a quickly-ticking timer that required several retries. I eventually grew tired of the SHMUP encounters because they’re so repetitious and while Gun Data is a cool idea, its implementation is ham-strung. All that said, I think this game has great bones and I’d love to see a sequel someday that addresses some of my issues with it.

Although it may strike a chord with those who really love its theme and aesthetic, People of Note plays it a bit more monotone than I had hoped. The few high notes aren't able to fully compensate for the safe storytelling and narrative design, and the combat waffles too much between tedious and novel. That said, I couldn't help but feel taken by the game's commitment to being a music-themed adventure; constant puns and shake-ups to the combat mechanics gave me a genuine sense of joy. There wasn't enough momentum, however, to sustain those positive vibes, and I was left wanting to just roll credits in double time rather than slowing down the beat and soaking it all in.

It is these elements that kept me from enjoying Super Meat Boy 3D as much as I’d like. Yes, it is still a fun platformer. But it is also the modern embodiment of why ‘just make it 3D’ is still as challenging today as it was back on the Nintendo 64. At times, Super Meat Boy 3D gets to do its own thing and focus on what made that original game a modern classic. Great controls with tight level design that encourage the player to replay it over and over again to get the best time and find the collectibles. Yet, too many times I felt like the meat was left cooking too long. It’s bent into very specific ways to adhere to that original game, instead of standing on its own two meaty legs.

It’s a shame that this game couldn’t be more focused on its puzzle platforming, because these half-baked distractions suck a lot of the fun out of what could’ve been something really special.

This being a Legacy Collection brings up the question of Star Force’s legacy. While not bad games, the series is more continuation than evolution of the previous series, especially in presentation, story, and age range. Star Force 3 was also the direct predecessor to the somewhat ongoing Mega Man drought. While the perfect cure for a shonen anime friendship speech craving, Mega Man Star Force Legacy Collection feels a bit interchangeable with what came before.

Rubato is both a provocative game in its presentation, but also a bit too obsessed with its drawn out story and strange characters. I had a good time, but was only really able to enjoy the game in shorter bursts. If you’re a platformer veteran and looking for something that is out of your comfort zone, you really cannot go wrong with Rubato. Even though I don’t think I’ll personally revisit it any time soon.

If you're into the art style and don't mind Etrange's constant need to be the center of attention, you may find an interesting time-sink type of action-RPG. If you're more put off by the anime-style storytelling, chibi-looking characters and combat mechanics that lack real depth, I'd say skip this one, just like I ended up skipping Etrange’s musical numbers.

Monster Hunter Stories 3 tries to be an epic RPG, but it’s bogged down by so many systems and ideas that it starts to take on water as you progress deeper into it. The story wound up being a highlight, but even the streamlining of monster dens couldn’t solve the heavy-handedness of monster collection and enhancement. If you want to painstakingly tweak the dials on habitats and splice monster genes while dealing with an acquired taste of a combat system, you’ll find a better time than I did in this game. Maybe at the end of the day, the twisted reflection was a metaphor for the entire game.

PGA Tour 2K25 is a fantastic golf game, possibly the best feeling and most realistic golf game I’ve ever played. On Switch 2, it has so many compromises though and I can earnestly only recommend this game to a specific type of player: the Switch 2 gamer who doesn’t own another platform and never leaves their house. It has frustrating technical issues and is little more than a crappy demo when you’re not connected online. It’s impressive to see PGA Tour 2K25 run well on a Switch 2, but you’re better off golfing with this game on a platform it was actually designed for.

You can’t go through half a steam store page without tripping over a Metroidvania. Lots of great experiences to be had exploring wide ranging maps with hard stop gates you can only cross once you get that next special ability. The Prisoning: Fletcher’s Quest decided to step in that pond but stayed in the shallow end of map travel. There’s some comedy that oversteps the bounds of where my humor lies. Bluntly, in these spaces, a little bit of editing could go a long way. That said, when the jokes do hit, they’re really funny. When Elden Pixels tees up a gameplay surprise, it’s pure joy. When you get to that next boss, you’re going to feel good about dispatching them. The Prisoning: Fletcher’s Quest is a game whose highs are in the atmosphere, and is short enough where the flaws aren’t felt for long.

Big Hops is an extremely attractive looking game regardless of platform.

The game wants you to feel the living, breathing town, meet your neighbors, and understand the importance of this cultural moment. Otherwise, you could blink and miss what makes Despelote truly fascinating. You have to engage with the game on its terms; otherwise, you’ll miss everything the developers are trying to show you. This is Despelote’s most glaring weakness and its highest strength. It’s ability to ferry you to another place and time, if only to experience what it was like living during the Ecuadoran hype of the World Cup. To help you understand why Soccer and sports in general, really traverse cultural barriers and bring people together. United in a search for representation.

This second generation of Pokemon games on the Switch - Scarlet, Violet, and Legends: Z-A - has repeatedly gone back and forth between “we are so cooked” and “we are so back”. Pokemon Legends: Z-A has basically distilled that down to one game, because it feels like everything that annoyed me about the game was countered almost immediately by the game doing something I enjoyed or impressed me. Of the two Legends, I still prefer Arceus though, and I do hope a third Legends game is more focused on catching than combat.

Viewfinder is a fun puzzle game bogged down by its ambitions. I loved the way in which the game uses the gameplay to speak for itself. At the same time, whenever the characters started speaking I was kind of turned off by the experience. The Nintendo Switch version runs fine enough, but can have a bit of a hard time with the framerate and loading of stages. For puzzle game die-hards, especially fans of Portal, The Talos Principle and Superliminal I’d recommend Viewfinder in a heartbeat. But if you’re hoping to find something beyond that incredible viral video, I’m afraid that Viewfinder will not be able to change that perspective.

I’m happy to give any roguelike or lite a try to see if it hooks me, and after successfully completing my first run, I knew that my stomach was already full of Morsels. If you enjoy its gross, purposefully ugly style and love everything run-based, you’ll probably get a kick out of Morsels. In such an oversaturated genre, there are plenty more appetizing offers to satiate your hunger.

There are some tense and memorable character interactions, such as when you break into your therapist's room to learn more about another motel guest. When you have multiple objectives on the go, Rue Valley has a genuine sense of momentum that means almost everything you do will lead to a new insight or twist. However, the way in which your create-a-character's mental profile gates off certain interactions and dialogue trees is frustrating and made me feel often like I had just rolled a bad character; I can't see myself returning to a narrative experience like this one after seeing the story through, so I'm not sure why all the gatekeeping and roadblocks exist. If you're a sucker for Groundhog Day, time loop tales, or point-and-click mysteries, your enjoyment of Rue Valley may reach a higher peak. I was already tempted to check out of this motel before my suitcase was unpacked.

House Fighters: Total Mess is a great concept, but it just never quite executes on it as well as it should. The single player campaign is the only mode and only took me an hour or two to complete. Now and then some more interesting level design will peek through but for the most part this is a forgettable shooter wrapped in a very charming shell that ends just when it is starting to get interesting.

As an adult playing this game, I’m bewildered. It’s a game of tag for two people. I don’t think it’s that great, but it’s weirdly charming. And I can’t fully knock it too much because my kids love it. They’re both grade-schoolers and one of them was Hello Kitty for Halloween this year. Their taste might not be fully refined, but this is the type of game that is made for them more than it is for me. They enjoy playing against each other (though they don’t understand why they can’t be on the same side) and they enjoy cheering each other on in the mission mode. Hello Kitty and Friends: Freeze Tag Party succeeds at what it’s trying to do, in that it’s a vehicle for young fans to engage with Sanrio characters in a familiar game. It’s not a great adaptation of that game, but who doesn’t love running around with Tuxedosam.

Reus 2 has the skeletal structure to be a game I’d love. It’s low stress, uncomplicated sim gameplay that scratches an itch for grand strategy like Civilization but breezy and bite sized. The systems are multilayered and play off each other well while also being approachable. The world and character design is cute and friendly, and that tone mates with a mostly constructive ethos (the battles are really a slim part of the game). I enjoy the act of building out the solar system and making better planets as I learned the best approach. It’s a shame that the way to navigate and read the game is so crippling for an otherwise fun game. Fingers crossed they consider some enhancements in the future.

NBA Bounce is a totally fine arcade sports game geared towards a younger audience. It’s cartoony and fun with a decent variety of modes and a solid local multiplayer experience. The gameplay and scope of the modes never elevates that far past competency, though. I left this game wanting a little bit more out of it, but I had a fun time playing it while the fun lasted. With the right local crowd, this could be a recurring arcade sports game, but outside of that, this is a sixth man of a basketball game - it’s a good complement more so than the main attraction.

Overall, there’s a bit too much holding Towa back from a recommendation. There are better Hades-likes out there, most notably Hades II: Melinoe Goes West. If you’re a dyed-in-the-wool roguelite fan, Towa and the Guardians of the Sacred Tree will definitely fill your cup, but I think it’s too easy to walk away from.

This love letter to all that is Formula 1 is a unique and fun way to pass the time and feed the beast that lives within each gear head gamer. The pros greatly outweigh the cons in analysis. It's retro enough to show the kids how it used to be done back in the day, yet modern enough to run at a smooth framerate in a handheld form factor. Still, this subversively styled game can be a difficult taskmaster with all of the race assists disabled and rule accurate settings in place. It's the tsundere waifu that will happily cook you dinner with a smile but will clobber you with a frying pan using all the force of the Incredible Hulk if you dare say it’s a little salty.

Ultimately, I think my biggest frustration with Storm Lancers is that I feel like it could be something more. It could have more variety in weapons and have more interesting builds. It could push the retro anime aesthetic harder in the UI and while playing the game to be more visually interesting. But it doesn’t. And this is the biggest issue with this game. Storm Lancers isn’t bad, but every element in it has been done better and could be done better. When I saw the trailer come up in the Nintendo Direct I had high hopes it could be a new favorite in a genre I love, but sadly it was just OK.

Lynked: Banner of the Spark is a totally fine attempt at blending an action RPG with a life sim foundation. The town building aspects are stronger than the action RPG component, but even if the combat left something to be desired, it’s an enjoyable game. The online interaction is largely a disappointment, especially because it’s an online structure that seems adversarial to the handheld half of the Switch. This won’t go down as a memorable Nintendo Direct shadowdrop, but it’s a game that has some heart, even if it gets lost in some of the repetition and online emptiness.

Some stuttering, some janky animations, and even a softlock put a damper on my time with it, but Wander Stars is a relatively fun romp while it lasts, particularly if you're in it more for the RPG mechanics over the plot.

Even if you are locked into the Nintendo Switch eco system, it is still a competitive field and while Rally Arcade Classics does a lot well, it doesn't do them better than say, Art of Rally or the V-rally series, even if RAC does offer more game modes and locales. The end result is an above average racing experience. It’s definitely not a bad game but it lacks a certain je ne sais quoi that would keep me returning in lieu of competing titles. If you have played out your digital copies of the aforementioned games and hunger for a new experience, Rally Arcade Classics is indeed worth your time and money for a quick rally romp on the go.

WWE 2k25 is a game with a solid, satisfying gameplay foundation, a flashiness befitting the product, and options galore to play your way. It also has game modes that aren’t all that compelling, a questionable presentation of their superstars’ appearance, a silly amount of self-importance, and a user interface that rivals the worst design this side of Sakurai menu screens. For me, returning to wrestling games with WWE 2k25 is like returning to your hometown after being gone for a decade. The bones are still there, you can see the resemblance in the local landmarks, but the people are different. You meet with friends to reminisce, but the dive bar is now a flashy speakeasy with a cover fee.

Gradius Origins feels like a more niche collection in some ways. Fighting games are at a relatively high point in popularity, so it makes sense that the Capcom’s of the world would pump out collections of their huge library. Side-scrolling space shooters haven’t hit the same kind of resurgence, so what we’re left with is a series of similar-playing shooters wrapped in a best-in-class collection of features that make them just close enough to playable. I appreciate the level of effort that was made for Gradius Origins, it has been treated with a kind of reverence that makes me think M2 truly cared about preserving these games. That said, in practice it feels more like a niche history lesson rather than a source of deep fun.

Daemon X Machina: Titanic Scion has a neat premise and fun ways of customizing your character and your Arsenal to meet the different combat challenges found in its world. It’s unfortunate that the world itself feels lifeless at times, with repetitive enemy encounters and side missions. The best moments are when you come across a gigantic Immortal that you just know will require the combined might of co-op partners, be they real or NPC, but you make a solo attempt anyways, only to be smashed to pieces, which is a humbling experience. Those interested in online multiplayer will be glad to know that the whole campaign is playable cooperatively, but I did not have a chance to check out the cross-platform multiplayer for myself, and I am concerned that online play could further compromise how the game runs. If you’re not afraid of a bit of jank and some performance hiccups, Titanic Scion offers a good time in short bursts. That said, the cracks begin to show through a little more during longer play sessions, and ultimately the sequel appears to have taken only baby steps ahead of its predecessor.

My experience with Super Mario Party Jamboree is likely an uncommon one for some reviewers, but especially as the Switch 2 ages, it probably won’t be completely unique. Unless you expect to get a lot of mileage out of the specific Mario Party additions to the game, including the goofy camera support, faster Frenzy mode, and novel Tag Team mode, you’re likely better off just playing the original Switch 1 version. The barrier for entry for the Switch 2 Jamboree TV content is very high and while I’ve been digging most of what’s added to it, the new additions are on the whole middling. This might be the most fun I’ve had with Mario Party since the Wii, but I also would much rather have a brand new Mario Party game on Switch 2 than this weird frankenstein.

Herdling has most of the pieces of a strong and unique narrative adventure, but comes up a little short where it matters. It rarely gives you moments to form any specific attachments to its characters. The world certainly has some cool setpieces accompanied by a soaring soundtrack, but at the end of the day I struggled to care. There is still a well crafted world and some interesting mechanics at play, but the storytelling causes it to fall short of the genre greats.

OFF is among the curios of independently developed video games that appears to have had a noticeable impact on the indie landscape. It's worth playing as a reminder of how far smaller, more unique RPGs have come in the last two decades, but its gameplay and story aren't captivating enough to warrant a full recommendation. While I respect how its niche-ness is part of its identity, you really need to value that aspect prior to diving in. My overall impression is that I'm happy to have experienced it and glad to have another piece of video game history on the Switch eShop. But once I've turned it OFF, I'm ready for something with more meat on the bone.

At its core, Discounty is a fun experience. The gameplay loop of running a supermarket is satisfying, and I enjoyed my time quite a bit. My hesitation is that I think it’s about halfway there between being a fun indie shop sim and being an indie game with a message, and I wish they could have pushed their narrative just a bit further to be more memorable. Discounty is still worth playing, but it makes me want to see what the developers can do next. While the ideas and the gameplay are there, there’s some untapped potential as well.

It's enjoyable for a little while to see the numbers go up and down as your profits soar and your inventory dwindles, but there's so little variety in the main loop that I didn’t feel compelled to discover all of the areas and associated characters. As a background game for the cozy-inclined, it offers a fairly passable experience, but Tiny Bookshop is far from a page-turner.

Like its predecessors, Toree Saturn plays great. But at this point I’m ready for more from this little bird. It's clear that the developer skill is there to do more with these games but they seem to be stuck retreading the same ground. It is well executed, but if you’ve played other games in the series, you know exactly what you’re getting here.

Tales of the Shire is a really solid idea. It should work. There are great ideas here and some solid writing. This feels like the early access version of what could eventually be a very good game. But right now, it isn’t. Instead it is a shallow glimpse at what could be. When you factor in significant performance issues that even the Switch 2 can’t seem to brute force, and constant stability problems, it becomes very hard to recommend this game. I really want to like Tales of the Shire. I think there is a reality in which it could potentially get better in time, but it just isn’t there yet.

This is a very straightforward HD release of System Shock 2. This remaster does little to modernize actual gameplay, and playing with a controller is simply not ideal. On a technical level it does exactly what it sets out to do and does it very well. The game itself remains an important release that would lead directly into iconic titles like Bioshock and thus makes for a fascinating historical curiosity. But it is important that you approach System Shock 2 from the right perspective, keeping in mind its ambition at the time of its original release.

Worms Armageddon: Anniversary Edition is a good, faithful port of a classic PC game, for better and for worse. If you’re a fan of the series, it’s an enjoyable way to play it despite the clunky controls, but if you’re a new player you should expect a steep learning curve. The classic Worms games are neat to play around with for an hour or two, but are not worth buying the game just to see.

Hungry Meem reminds me a little bit of Pikmin except clumsier. The zoomed-in dungeon perspective makes it difficult to position the storage bag so that the Meems will act how you want, but even then they can struggle in a multitude of ways, like eating the foods you want to bring back because they’re hungry little Meems. Much like raising toddlers and kids who seemingly have bottomless stomachs and insatiable desire for snacks, so too do the Meems that you rely on to progress forward in the game. This means that you are constantly juggling enjoyable but fleeting moments and frustrating considerations, and the end result is one that’s hard to recommend. It’s a little fun once you figure out how to get what you want from it, but Hungry Meem takes a bit more than it gives, and ultimately it serves up a feast that filled me up after just a few courses.

My primary impression of Welcome Tour is that it’s more robust than I had initially expected, and it provides a comprehensive, hands-on experience with all of the upgrades offered by the Nintendo Switch 2. I’m eager to return to the game in small bursts to finish off more advanced versions of the mini-games I’ve unlocked, while also being a good student and “studying” for the numerous quizzes that help you learn about the new console and features. Just as the name implies, this tour lingers and doesn’t overstay its welcome. However, it does feel like it may have served as a very effective pack-in title, perhaps just outside the pantheon of those I mentioned earlier. I get it, though: in a world where many don’t have the patience for or interest in multi-page manuals, Nintendo Switch 2 Welcome Tour fills a role. Ultimately, I come away with a better sense of the capabilities of my new Nintendo console, and that at the very least helps ease the pain of my poor wallet.

As a pleasant distraction, Yasha: Legends of the Demon Blade fits the bill with challenging boss fights and three characters that feel different enough to play as. While the slow progression and plain dialogue mean that you really need to enjoy the combat to see this roguelite through to the end, fans of quick-paced, action-focused games where you’ll need to start over again and again may find a more satisfying experience here. There wasn’t quite enough nuance or uniqueness to keep me coming back for more Legends of the Demon Blade, but I had a good time with what I played.

Saga Frontier 2 Remastered is a unique, complicated relic of its time. A compelling cast of characters in a game that gives you glimpses of their personal struggles while focusing more on the long arc of history. A fresh feeling, flexible combat system tied to a series of dungeons that are thematically interesting but fundamentally humdrum. Special features and additions to this remaster that highlight its beauty, give better accessibility to weapon stocks, and give the tempo a much-needed speed boost, but feels incomplete compared to its remaster contemporaries. Ultimately, I had a gratifying experience playing this game in full and checking it off my bucket list, but it’s a game which should be seen more as an incremental improvement and way to preserve it on modern consoles than something that’s likely to draw in a new crowd.

It’s clear that the team behind Star Overdrive is very talented and ambitious in their craft. The visuals make for an enticing world and there is a great feel for what makes a good movement mechanic. But it all comes together in the final game as a clunky project with too many influences and too little of its own. I am mostly disappointed in Star Overdrive because I can see the gem of a good game that was there and it just doesn’t come to fruition. Even if the performance was more consistent and the animation was a bit more polished, there is very little to the loop here that makes Star Overdrive a good recommendation.

Overall I found Rift of the Necrodancer to leave me feeling a bit mixed. On the one hand the game’s design is very solid, where battling monsters as a rhythm game feels like a natural continuation of the ideas on Crypt of the Necrodancer. And while the soundtrack is excellent, I did feel like I needed a few more recognizable songs to avoid the feeling of repetition in the core gameplay. Especially paired with the fairly high learning curve that ended up me lowering the difficulty and I just couldn’t get to proper grips with the controls. The story mode is a fun exploration of the characters of the series and in particular the Rhythm minigames that serve as little breaks in between the regular gameplay. But there really wasn’t enough for me here to sink my teeth into and it got repetitive a bit too quickly.

Who is Yu-Gi-Oh! Early Days for? Well those looking to relive the glory days of Yu-Gi-Oh! will probably find some enjoyment here. The amount of games looks impressive on paper, but in practice it is hard to say that these titles will keep your attention. I did find myself returning to a few as pick up and play experiences. Rebuilding decks and reinventing strategies for the tweaked, but ultimately same card games wasn’t really keeping my attention by the time I arrived at the later GBA titles. It could’ve been fun to explore this with a friend, but as only one game would support online play I’d find it hard to recommend to even the most dedicated of Yu-Gi-Oh! players. But lowering your expectations and going in blind, especially for some of the more unusual titles in the collection, could still be fun. Just know that there is a high likelihood that by the end you’ll be happy that you’ve moved past those early days.

River City Saga: Three Kingdoms Next starts with the baseline understanding of what makes a River City game, then plays experimental jazz with the rest, to varying levels of success. There’s a lot of good in its presentation and core combat elements, but the dings of bland music and the slog of traversing the world are glaring and kneecap the experience. There’s still plenty of fun to be had for fans of a good beat-em-up, but expect to be playing this more as a curiosity than your next favorite game.

Trails through Daybreak 2 is the first time I’ve ever thought to dissuade anyone–be they casual RPG fan or Falcom diehard–from playing a game in the series. The new mini-games like basketball and a hacking maze add almost nothing to the package, with the latter actually being more of a net negative, and there’s a lack of charm and vitality to the character interactions and story as a whole. Gone are the cross-country tours of Cold Steel 1, and in their place are an overuse of familiar surroundings and lackluster bonding events. Van is a memorable protagonist, but he doesn’t have the poignant character moments he did in the first game. It may be that these Trails have simply run out of road, which is sad to say given the RPG heights the series has achieved.

At the end of the day Macross: Shooting Insight is a passable shooter, and a fun treat for fans of the franchise. But an oftentimes inscrutable, poorly told story is unlikely to win over any new fans.

There’s a lot about Farmagia that I liked. I like a lot of these elements that are put together; the character design is great; some of the writing is funny and charming. It also ran very well on Switch, which is impressive given how many monsters could be on screen at one time. I enjoyed a lot of the writing with the elemental spirits, for example, and I think this is an incredibly solid concept. Ultimately, for having so many mechanics, all of them ended up feeling half-baked. Farmagia in a lot of ways feels like a first draft, and I’d love to see these mechanics pared down and refined in a future game. Farmagia needed a little bit longer to grow, and I hope another game can pay attention to this in the future.

Achilles: Legends Untold is a functional isometric souls-like that plays well enough and has plenty of territory to explore but falls short in its Switch port. It isn’t completely unenjoyable by any means and mechanically it is quite solid. But ultimately through the combination of a rough Switch port, poor voice acting, and a general struggle to do anything that stands out, it winds up being a forgettable journey.

I appreciate that Night Dive chose this game to remaster because I’ve held it in such high regard for so long. Despite all my complaints, it was fun to revisit this 2002 game in part because I came to appreciate how far squad-based shooters have come in the 22 years (good lord) since. There is one more nice feature worth bringing up: you can access a bundle of concept art from the main menu, which is fun to peruse. And like I said in my Shadow Man review, I’m glad Night Dive didn’t “fix” the game. It was a great game in 2002, and, like so many games of that era, was a product of its time. And that’s how it should be experienced.

IronFall: Invasion was a perfectly solid third-person shooter wrapped in an incredibly technically accomplished shell back on 3DS. I would list it as one of the most technically impressive 3DS games ever made, up there with Resident Evil Revelations, Star Fox 64 3D, and Nano Assault. Without the context of the 3DS, IronFall: Invasion on Switch sorta just winds up being a perfectly acceptable third-person shooter. It is still technically excellent, but it isn’t as remarkable now as it was back in 2015. Still if you want a cheesy Gears of War-like game developed by a small talented indie studio, IronFall: Invasion is worth checking out.

There is plenty to enjoy here, but the brilliant pacing, focus and storytelling from Case of the Golden Idol looms large over its sequel. It’s a shame it doesn’t live up to that potential, while still reinforcing the great ideas that are the foundation of the gameplay. Let’s hope the Golden Idol shows up once more in the future to bring both styles together for a spectacular conclusion.

Sashingo: Learn Japanese with Photography could be a great supplemental tool if you’re already working on learning Japanese. Its cute artstyle and miniature version of Shibuya is fun to explore and allows you to learn and discover a ton of Japanese words, but it falls a bit short as a full method to learn Japanese and as a photography videogame. Still, on your flight to Japan this is a fun way to learn a few words and phrases that you can put into practice when you’re there.

There’s a really enjoyable 20-30 hours here if you cut out a portion of the early game and the over-tutorializing, but in a year of incredible additions to the RPG genre, 8-Bit Adventures 2 is a tougher sell.

TMNT Mutants Unleashed has some really good ideas that don’t coalesce into a great game. The combat is fine, but nothing to write home about. The social RPG concept is novel, but not well executed. It’s all the more frustrating because the writing for the relatively engaging plot is great. Part of me wished this game had some time to be refined because the framework of something totally radical is here. It just doesn’t make it out of the sewers.

There may be an eager audience for an NES puzzle room game, but it’s apparently not me. Your mileage may vary, so watch a few videos before making the call.

Reynatis is ultimately a frustrating experience. I adore many of its characters and concepts, and when the combat works, it’s incredibly fun. But when it doesn’t, it’s maddening. The boss battles can be particularly aggravating, with some enemies relying on stun-locking attacks, which wouldn’t be as much of an issue if not for the game’s poor performance. I wish the game had been given another year of development, as it’s releasing with squandered potential. I truly hope future patches address some of these issues, as I’d love to return to the game with renewed enthusiasm, especially with the upcoming DLC collaboration with The World Ends With You. If the game’s core concepts interest you and you can look past the performance issues, it’s worth checking out. Just play it on another console or PC, where these problems will hopefully be less prevalent.

There are certainly sections of Reborn that made me question how much fun I was actually having, but in truth I was largely enjoying myself. I wish Arcade Mode had a better and/or better explained save system, and it’s entirely too easy to get overwhelmed with enemies and environmental hazards, but if tough as nails combat platformers are your thing, Shadow of the Ninja Reborn is a good time. And it’s just so pretty.

A game where you actually explore a world, engaging in Gunpla battles as an RPG encounter mechanic, rather than selecting them from a list. Gundam Breaker 4 is good, but it feels like there is an obvious path to be something more.

Star Wars: Bounty Hunter is simultaneously a fairly mediocre Star Wars game, while also being one of Aspyr’s best efforts. It still isn’t perfect, but it is largely an improvement on the original release, which I cannot always say for their ports and remasters. The Switch version specifically gets nearly all the new graphical features while maintaining 60 frames-per-second. While you may have forgotten just how repetitive Star Wars: Bounty Hunter is over the last twenty years, this is a pretty solid way to play it, so long as you can put up with a slightly shorter version of Jango Fett than you’re used to.

Magical Delicacy is a difficult game for me to write about. There are a lot of little points of frustration which at times made me want to stop playing, but then another piece of the world or another crafting puzzle would bring me back. These pain points are most easily felt early on in the game, which is a shame because I think it will stop a lot of people from playing before they can experience all the delights that Magical Delicacy has to offer. Perhaps this makes Magical Delicacy a particularly apt title - this game is a bit of an acquired taste, but there’s nothing quite like it.

Night Reverie offers a pleasant adventure game jaunt with basic mechanics and a touching ending. It's a serving of lite fare if you're in the mood for something that won't overly tax your brain (but still might make you feel a wee bit clever); ultimately, though, it's a lot of putting round pegs in round holes. While the pixel art is nice to look at, the text font is decidedly not. As a palette cleanser, it did the job for me, but I can't say it will linger on my mind for more than a night.

DarkStar One’s greatest strength is in its open (though not seamless) world and its RPG mechanics. Its space combat is passable and enemies are reasonably fun to fight, but it was somewhat simple compared to its contemporaries in 2006 and remains so in 2024. Still, if you enjoyed classic Wing Commander Privateer games or more recent genre standouts such as Rebel Galaxy Outlaw, you’re likely to find something to enjoy here.

The UI issues withstanding, Metal Mind is still a competent roguelike that provides simple, fun shooting, but that’s kind of it. The action doesn’t vary enough to keep players engaged, there’s almost no story to speak of, and since you can’t replenish your health (only your armor), you can see a run being doomed based on one bad room. I found myself actively discouraged to continue on and push for a boss and instead restarting the run entirely. That’s not a good feeling. In a space where there’s games like Hades or even classics like Enter the Gungeon, I can only recommend Metal Mind as a budget intro for people who want to poke at the genre and not dive in head first. Metal Mind might be better for players new to the genre, but the roguelike enthusiasts will likely need to find their fun elsewhere.

All in all what we have here is an updated yet faithful recreation of a classic arcade racer that is sure to appeal to the hardcore retrogamer (Gen X and Gen Y, i'm looking at you). It’s not a game that will appeal to the “Need for Speed” crowd but it’s quick and easy to pick up and put down, which means a lot in this world of overly complex racing games that become a time suck that a parent of 2.5 children can rarely afford. Keeping in mind the goal of the game and not comparing it to modern racing sims or Street racing smash-fests; Neo Sprint hit the target it was aiming for, retro Arcade action in a world full of VR and AI noise.

It’s probably not fair to say that the Rocket Knight Adventures games are bad, because when they were originally released (1993 & 1994) they were probably very good, and in fact while doing research on the series, I was surprised to find they were reviewed quite favorably. This was, of course, during a time when degree of difficulty was a positive thing. I don’t think they hold up particularly well, but perhaps I should be grateful that they’re being preserved somehow, a window into the 16-bit era that I grew up with, but have mostly left behind. I suppose if you’ve been itching to revisit Sparkster’s adventures, this is the best way to do it.

As someone who enjoyed Monster Hunter Stories when it came out on 3DS seven years ago, I’m happy it has a new home on Switch, even if it’s not a full remake. It’s well worth diving into if you missed it the first time around, especially since the relative simplicity makes it a decent entrypoint for a younger audience into this world and genre (especially since it has so much voice acting). If you are looking for something more complex, you can always try Monster Hunter Stories 2 or just go on hunts in one of the many other available Monster Hunters.

Xtreme Sports is an interesting curio, an artistic ancestor of WayForward’s heroic half-genie franchise, and a somewhat frustrating Game Boy Color game that may not be all that fun to play in the Year of our Arceus 2024. It also, and this may be a deep cut for many of you, reminds me of the Survivor parody Total Drama Island, which often involved some degree of extreme sports challenges.

The story of Surmount on Switch is a sad one, a pleasant, cute, challenging, uncomplicated, and fun bite-sized adventure that gets completely cratered by insurmountable show-stopping bugs that completely throttled my momentum and made me ask several times “what am I wasting my time for?” I have to balance giving the developer a chance to produce a minimally disruptive experience and a guidepost of whether to spend hard earned money on a game. Regretfully I have to recommend you find your sense of adventure elsewhere, whether giving the PC version a flyer or turning to a much more serious title like Jusant.

The greatest achievement of Read Only Memories: NEURODIVER is that it helps to conjure up nostalgia for its much more effective predecessor. The sequel really feels much more like a robust piece of DLC than a full-fledged release. Fans of the original who go into it expecting a similar amount of content and playtime will be sorely disappointed. While the retro-looking aesthetic and FM synthesis-filled soundtrack are noticeable high points, there isn’t much else that makes the journey worthwhile. If you’ve already played 2064: Read Only Memories, you may get a bit of a kick out of NEURODIVER, but you’d probably be better served replaying the original, which overshadows its follow-up in almost every way. As likable as most of its cast is, they simply don’t get enough time to shine, leaving the adventure of Luna and co. feeling flat and incomplete.

It really hits the classic Hotline Miami tropes. Kickass techno music that enhances the action? Check! Fast paced shooting and response action? Check! Limited but expressive pixel art? Check! Unfortunately, after that, it all comes to varying degrees of skill, to the point that progression can be entirely halted if you get on tilt. I personally had to step away from the game because the more frustrated I got the more time I wasted making stupid mistakes, and with OTXO, those are the ones you just can’t make.

Sokobond Express is pretty much exactly what you see. If you enjoy slightly abstract but “think-heavy" puzzle games, there is a lot to enjoy here. It is easy to pick up and play while looking to pass the time for a few minutes. Though its difficulty spikes and slightly too revealing hint system are at odds with its design, I found it to be a delightful puzzle experience that even taught me a few things about atoms and ions. While I am not head over heels for it, there was certainly some chemistry to be found.

It’s a shame that SaGa Emerald Beyond doesn’t stick the landing outside of the enjoyable turn-based combat because it’s still a fascinating and distinct series. I wish I was more engaged in the story, because the potential of bouncing between 17 worlds and criss-crossing replayed stories sounds cool. It just doesn’t coalesce into something all that fun. Maybe the SaGa series is something best left to ports and remakes.

In a world where the Switch is filthy with TMNT arcade games across the Cowabunga Collection and Shredder’s Revenge, Wrath of the Mutants is a distant third place. It’s fine in the sense that if you get three buddies to play through it with you, you’ll probably have a good time. But beyond that camaraderie, this is a middling port of an okay game.

Playing Hundred Heroes feels like a burden, and even more so when you consider the high caliber of RPGs that have already released in 2024 that it might be taking your attention away from. Any moments of joy the experience offers are immediately dashed by baffling game design choices that would feel antiquated at the turn of the century, let alone decades after that. Were I not reviewing the game I would have put it aside after a few hours and never thought about it again. Eiyuden Chronicle comes after scores and scores of excellent and successful turn-based RPGs from which it could draw inspiration. Instead, it neglects so many of the lessons learned throughout the years in favor of outdated, tedious gameplay.

Kudzu is going to be compared with Link’s Awakening at every turn, and in fact the publisher’s own PR does just that, but it can’t hold a candle to that beloved Zelda entry. It all feels very undercooked and I can’t recommend it.

Overall, while there were some flaws to my time in Terra Memoria, I’m glad I was able to experience this captivating world which was full of great ideas, beautiful art, and an entertaining combat system. Some aspects felt not fully realized, but hopefully this means the developer is just getting started.

Felix the Cat may have been a bit more of a novelty on the ‘90s platforms it arrived on, but time hasn’t been kind to this comic feline’s pixel-based adventures. Despite starring a cat with a magical bag, these two games have almost no tricks up their sleeves. The addition of the Famicom version yields very little in terms of noticeable gameplay differences, so its inclusion is a bit of a mystery. I know the answer, but why couldn’t these two games have just been added to NSO instead? What's more, the overall challenge will be markedly light for anyone with platforming experience, and there’s no shortage of extra lives to earn and power-ups to keep you from danger and propel you through the largely pedestrian level design. If this 2024 collection had a few more interesting extras thrown in, it may be worth a pick up, but as it stands, this is just another black cat you don’t want crossing your path.

Car X Highway racing feels like a missed opportunity to give us an enhanced experience of the mobile game and a bigger miss on giving us an American “Wangan Midnight”. While the music and graphics hold up, the plot and game play are just too thin for a console release. Other mobile ports like Gear.Club unlimited feel better polished and the races feel more satisfying. Even some of CarX technologies other releases such as CarX street give more driving depth. With so many other racing games on offer within the Nintendo Switch Library, it is difficult to stand out. CarX highway attempts to give us something a little different than the market standard in racing games and for 10 bucks, it's not a bad buy but I would be looking at a few better polished titles first.

The Legend of Legacy HD Remastered is a solid port of an interesting but flawed game. If you want to explore some dungeon-like areas, rock some SaGa-like combat, and listen to some beautiful music, then it’s worth journeying through Avalon. Otherwise, this remains a game I think is neat but wouldn’t necessarily emphatically recommend to most aside from the specific group I just described.

Honestly the disappointment on Cavern of Dreams hit me pretty hard. This genre has hit a fantastic revival era and I feel that the game really does attempt to carve its own identity. But it gets stuck in the mud of not being able to stand on its own. It feels too slow for a 3D platformer and there are too few collectibles to call it a collect-a-thon. Cavern of Dreams left me dreaming for a better game and that's just a real shame.

It’s good to see that Sympathy Kiss is strong on the technical end, it just didn’t click with me. If you’re a little more amenable to dealing with people at the office, you’ll be able to get through it quickly and easily. I’m more of the kind who wants to interact with as few people as possible in the run of a day.

Lords of Exile is a relatively fun, but not particularly noteworthy, NES-like. If you’re itching for some old-school Castlevania gameplay, you’ll probably find something to like here, but for the rest of you, there are more robust offerings out there.

Your enjoyment of this collection will depend entirely on why you’re playing it. If you want to play using the original graphics, with optional modernized controls, at a high resolution, and with widescreen support, this is essentially perfect. But if you’re looking for a remastered experience, Tomb Raider I-III is both an artistic mess, and a remarkable misunderstanding of some of the original visual game design. So come for the genre-defining original trilogy, but I wouldn’t recommend staying for their remastered incarnations.

Once I rolled credits on Bahnsen Knights, I hadn’t felt like I played a game as much as I participated in a very simple visual experience that wanted to be more than what it was. The mechanics here are all ideas that never pan out to anything substantial, which makes me think this actually was more of an experiment–trying out inconsequential mechanics before releasing something more cohesive. That’s the hope at least because as of right now, Bahnsen Knights is a game that speaks at you instead of to you. It’s got interesting ideas but nothing concrete….yet. I’ll be keeping an eye on LCB Game Studios and Chorus Worldwide Games because Pixel Pulps is something I would be interested in, if fleshed out more. This just ain't it.

I enjoyed Born of Bread despite how much its flaws became more glaring the more I played, and I think that’s the most incriminating and interesting thing about it. The story kept me hooked and the charm of the world made me want to see it through to the end even though my issues with it never got any better. There’s something special here, buried amongst a lot of redundancy. Dial back some of the mechanics and forced humor–trim the fat (or crusts)–and this would be a definite recommendation. As it stands now, though, maybe wait for a Thousand-Year Door-inspired sequel.

Turnip Boy Robs A Bank offers a lighthearted roguelite romp in the pursuit of Stinky’s riches, hidden within the bowels of the Botanical Bank. The gameplay loop is pretty fun, and finding new weapons to dispatch the security flora and fauna standing in the way of your heist manages to entertain, at least up until the final parts of the game. The performance on Switch also leaves something to be desired, with more detailed areas of the bank leading to noticeable frame drops. If you wanted a bit more action from your Turnip Boy escapades, this follow up might be the serving of veggies you’re craving. That said, it doesn’t quite do enough to rise to the upper echelons of roguelites already available on the eShop.

If you want more from these games the DLC is a solid addition to Scarlet and Violet. But if you found Scarlet and Violet to be lackluster before, this DLC won't do much to change your mind. I have thought so many times: “let's hope that next time Game Freak learns from this for the next game in the series”. But by now they've shown again and again that is wishful thinking on our part. So we'll see where they take it from here. With all the winks and nods to Unova I'm holding my breath as they seem to be gearing up to remake my personal favorite titles. So here's to hoping they won't screw it up.

If you want more from these games the DLC is a solid addition to Scarlet and Violet. But if you found Scarlet and Violet to be lackluster before, this DLC won't do much to change your mind. I have thought so many times: “let's hope that next time Game Freak learns from this for the next game in the series”. But by now they've shown again and again that is wishful thinking on our part. So we'll see where they take it from here. With all the winks and nods to Unova I'm holding my breath as they seem to be gearing up to remake my personal favorite titles. So here's to hoping they won't screw it up.

I’m glad I got the opportunity to play through Turok 3, though the game itself is something of a disappointment. All of the usual Nightdive options are available to tweak to your heart’s content, and they have done a wonderful job porting this oft-forgotten N64 game to modern systems. Shadow of Oblivion is, however, barely a Turok game, and the levels are much shorter and more directed than they were in Dinosaur Hunter or Seeds of Evil. You can probably breeze through the entire campaign–for one of the siblings, anyway–in a couple sessions. An interesting curio, but not a particularly memorable one.

I would’ve better enjoyed any one of these systems had they been more fully fleshed out. As well, the game is certainly visually impressive but lacks depth to its mechanics and character growth. I’m incredibly happy to see more cultural representation in games, but I wanted more from the story than what Thirsty Suitors was giving me. It’s an outlandish take on the Scott Pilgrim story but lacks the same kind of fun.

Once you make it underground, SteamWorld Build is a delight, but any time spent on the surface is filled with mild frustrations that slowly add up and leave me yearning for the mines. It should come as no surprise, I suppose, that SteamWorld is at its best when you’re digging.

The experience isn’t altogether bad, but it does leave something to be desired. The ideas don’t come together in a way that makes this title stand above the property it’s based on.

Arcadian Atlas makes a tactical misstep in terms of its soundtrack and overall performance on Switch. Even aside from its technical and artistic weaknesses, there isn’t an abundance of strength in its story pacing, even if a few beats do land fairly well. The activity you’ll spend most of your time with, the turn-based battles, are pretty good but feature little in the way of variety. If you’re a diehard tactics fan, Arcadian Atlas may be worth looking up on another platform if the performance is better there, but games like Triangle Strategy and Tactics Ogre Reborn are much stronger options if you’ve yet to play them.