It's not a game for everyone, that much is obvious. But what it does, it actually does quite well.

Sword Art Online: Fatal Bullet is one of the stronger outings for the series in a video game format. However, it’s still bogged down by heavy-handed and often thematically troubling melodrama that’s delivered at a glacial pace and prefers to eschew the potentially interesting aspects of the world it depicts in favour of stereotypical male heroics, teenage matters of the heart and questionable attitudes to its female characters. Beyond this, and judged solely as a game, the combat of Gun Gale Online itself is a rather bland, clunky and repetitive experience – albeit one with a ton of customisation options and modes of play to engage with. Fans of Sword Art Online will already know whether they’re into this or not; for everyone else, it’s a pretty tough sell that doesn’t really manage to do anything it attempts well enough to earn a recommendation.

When you consider its low price, Gravity Duck is a genuinely fun little game with a simple premise that works, and works well. It won’t last long, and you may want to pop some of your own tunes on whilst playing it, but taken on its own merits as an addictive little time sink, this is definitely one to keep an eye on.

Ittle Dew is a lovely, endearing title that will undoubtedly appeal to Zelda fans thanks to its birds-eye view and heavy focus on item-based puzzles. The bothersome combat remains unchanged from the Wii U version, which is a shame, but the game is technically much more impressive on Switch. If you're after something to keep you busy for a while while you wait for the next big Zelda title, this is the one to go for.

Vasara Collection jumps from obscurity into the top tier of bullet hells on the Switch by offering both original brilliant titles without any technical hiccups and supporting the ever popular TATE option along with a whole new game that proves to be one of the few proper four-player options of the genre on the system. The zany characters and plot just make things sweeter, and make up for the somewhat derivative origin of the series. Considering the relative obscurity of the original releases, for a reasonable asking price you might just end up with three quality, 'brand new' manic shooters in your collection.

Mutant Year Zero: Road to Eden is one of the best additions to the tactical RPG genre years; a well-written and rewarding experience that combines the creative use of stealth found in the legacy of its ex-Hitman developers with a world that’s full of interesting characters and ideas. Almost every game in this genre lives in the shadow of XCOM, but Mutant offers enough new ideas to set itself apart. The visual downgrade on the Switch version can be a little hard on the eye, but considering how this sacrifice has preserved the quality of the game within, we’d call that a worthy trade-off.

DC Universe Online is one of the older MMOs on the market, so while it’s benefitted from quite a few updates and DLC packs, it still looks and plays like a game on PS3. If you can look past the dated visuals and repetitive gameplay, there’s a decent amount of content to be accessed as a free player. The customisation options are deep, although the need for a premium membership does gate some of these options off. However, with a solid server, a high population of players and enough content to keep you flying around Metropolis, Gotham and beyond, this is further proof that practically any genre can work on Nintendo’s latest hardware.

Exception is, by and large, a great game that introduces a unique and compelling twist to the platforming genre with its transforming levels. There's plenty of incentive to play for the long haul with a good focus on speedrunning and simply stunning visuals, but those looking for a good story driven experience may be disappointed. There's room for improvement, though, specifically with its sometimes cumbersome jumping and relatively poor boss fights. Its short overall length might put some people off, too, but if you're after a slick-looking action platformer, this is a virus you'll want to catch.

It's not quite fluid enough to stand toe-to-toe with Super Meat Boy, but Never Give Up is nevertheless a solid platformer that offers up highly inventive, ludicrously challenging levels along with a smattering of dry humour that's well suited to the style of the game. Add to that a collection of unlockable costumes that only become available after gathering a certain number of collectable, and you've also got a hefty amount of replay value.

During the sixty to seventy hours it takes to make your way through the main story and DLC on offer in Pillars Of Eternity (much more should you choose, quite rightly, to meander), you’ll meet a cast of unforgettable travelling companions, fight your way through labyrinthian dungeons, explore deserted Dwarven fortresses, become Lord of your very own stronghold and undertake quests as varied as they are beautifully-written and acted. Obsidian has created a heartfelt tribute to the classic 'Infinity Engine' RPGs of old; one that takes the best of those games, delicately updates them and – in the process – becomes something of a classic itself. For RPG fans, this is a must-buy.

You can never really go back – the game is still there, but the magic of that time mixes the memory up to something more intoxicating than it really was. Go back to the SNES Ninja Warriors now and it’s still fun, but it’s stuck in the square box of a 4:3 screen, the animation doesn’t stand out like it did and one-player-only looks weak alongside the other Final Fight tribute acts of the day. But when you see The Ninja Saviors, it’s somehow exactly what you remember: huge, lush backdrops, silk animation, and tight, mob-levelling ninja moves. It’s like being a kid again, and stands as yet another essential Switch release you really should own.

It’s a testament to the quality of Turok 2: Seeds of Evil and the great enhancements made by Nightdive Studios that this remaster is still an essential chapter of FPS history – more so than its rough-around-the-edges predecessor. Every gun still feels incredible, every level still looks unique in its design and the bosses and enemies are still a riot to hunt down and slay. But the bizarre amputation of the game’s multiplayer modes renders the Switch version painfully incomplete. Until support for multiplayer is patched in or addressed in some shape or form, we’re forced to give this N64 classic a score it doesn’t deserve.

Hamsterdam is a mobile title through-and-through. It's got all of the tropes normally associated with mobile games, such as limited gameplay mechanics and a heavy focus on purchasing cosmetic items, with none of the depth you should come to expect from your average Switch title. There's a lot of potential in the game's premise and presentation that could well be capitalised on for any future games, but here it feels like a bit of a wasted opportunity. Add to this the lengthy load times and technical issues, and this is game you'd be best off avoiding.

The Forbidden Arts feels like a game from the early GameCube era, but not a particularly good one. Whilst the dungeons are vast and varied, and the platforming mechanics competent enough, the combat really brings the whole experience to its knees thanks to poor enemy AI and half baked elemental mechanics that make the entire experience feel very repetitive. Add to that the lacklustre graphics and empty overworld, and this is a game that only the most ardent of fantasy enthusiasts will enjoy.

Subdivision Infinity DX is a decent space dogfighter that makes the transition from mobile to console without feeling like a cheap port. Controls are tight and responsive, but they are let down by an auto-targeting system that makes engaging in combat a little too easy. Missions do get a little repetitive after a while, but those involving battles with much larger ships (including the enjoyable boss fights) really help redress the balance. Presentation is a little inconsistent, but the visuals and performance really show a) how far mobile games have come, and b) how a little extra processing power can go a long way.

Omega Labyrinth Life is a Whopper of a game – delicious and juicy on the poster, but it's really just salt and stodge. If you’re after some decent dungeon-crawling filler, it certainly does the job and there’s pleasure to be had, but there are far cheaper, more adventurous meals on Switch eShop that are ultimately more satisfying and won't leaving you feeling mildly guilty. If you’re a curious onlooker whose interest is piqued, we’d wait for a sale; fanservice isn’t enough to justify the asking price at launch for anybody but diehard Omega Labyrinth devotees.

Friday the 13th: The Game - Ultimate Slasher Edition serves up a bloody feast that’s a treat for schlock horror fans who want an authentic Jason experience while taking that tricky asymmetrical multiplayer template and making it truly enjoyable. With a ton of extra skins, weapons, signature kills and more this complete edition couldn’t be any more stacked with DLC. Sure, it’s still a little janky, but with servers that are seemingly holding and two years of refinements straight out of the box, this multiplayer gem still knows how to make an entrance on Switch. Mrs Voorhees will be pleased.

A stuttery frame rate isn’t enough to derail one of the most memorable FPS campaigns of yesteryear. Doom 3 still has the power to unnerve and while elements of it may be showing their age now, the overall package – complete with the BFG Edition improvements and expansion packs – still guarantees value for money.

FIA European Truck Racing Championship does offer an officially-licensed way to race some of the biggest motorsport vehicles around, and with its unique brake cooling system, there’s a really rewarding balance between traditional racing tactics and resource management. However, the problems with performance on Switch - both in the framerate and the poor optimisation of trucks and track assets in handheld mode - really cause an already unwieldy racing experience to veer off the track. It's not without positives, but there are far better options for race fans on Switch right now, and far better examples of multiplatform optimisation.

Redeemer: Enhanced Edition is something of a misnomer. Yes, it’s the same two-year-old top-down brawler/twin-stick shooter, but there’s very little that’s been enhanced here. Local co-op is technically a new feature for the game but considering its woeful performance on Switch that’s not much of an addition. There’s an attempt to divide skills between two different paths, but with such a barebones approach to stealth, you’ll often just run in, pull limbs off and start dealing death loudly. If these issues can be addressed then those looking for Mortal Kombat-levels of gore will slake their thirst for blood, but until then, its performance remains as battered as your unfortunate enemies.

Every now and then, a game comes along that captures our hearts and reminds us why we love the medium in the first place. Forager is the latest in a line of stellar independent games to grace the Switch, featuring wonderfully designed crafting mechanics, addictive progression systems and more charm than you can possibly handle. It has very minor drawbacks, and its longevity will ultimately depend on how comprehensive its upcoming DLC will prove to be. Nonetheless, there's enough good stuff present here for us to confidently declare that Forager is a game all Switch owners should look into adding to their collection.

So, throw away the dud story, the awful presentation and the violence-and-shame-based soft porn and haven’t we got a great little shoot-em-up here? The fact is that this mechanically competent shooter in a classic style from a proven team comes with all those crummy decorations attached. It’s up to you if it’s worth overlooking all the ugliness for the sake of a good game that isn’t particularly world-changing.

Much like the port of the first game, Doom II on Switch delivers a solid rendition of a classic FPS with only a handful of audio and visual issues preventing it from being perfect. It holds up just as well the original Doom does, and its price is similarly reasonable: as a result, we naturally recommend this one just as much as we do its predecessor.

Given that we’ve only had SNES and GBA versions before, this new Switch port of Doom is the best version ever released on a Nintendo system by a country mile. That doesn’t mean it’s perfect, though: its annoying still-to-be-fixed DRM and its smattering of small technical issues does dampen the entertainment somewhat. That aside, if you’re looking to slay hordes of Hellspawn on the move, there’s no better way.

Trine 3: Artifacts of Power is by no means a bad game. It’s visuals are exemplary, the characters charming and delightful, and the overall tone of the game is very well suited to the Switch. Unfortunately, in transitioning over to fully 3D environments, the poor depth perception and limited sense of progression really hurts the experience. If you enjoy collecting items, there’s just about enough here to warrant a purchase, but everyone else would be wise to hold off until the upcoming Trine 4.

Picross: Lord of the Nazarick certainly proves to be an odd addition to the Picross canon, but it proves itself worthy through the consistently excellent puzzle design and rewarding gameplay, which is every bit as great as that which has come before. That being said, there are also some notable shortcomings in this release, such as a shoehorned and useless ‘story’ and a notably smaller number of overall puzzles. Despite the Overlord elements, this in some ways feels like a sloppier and lesser release than the remarkably focused entries that preceded it. Fans of Picross that are rabid for more puzzling action can’t go wrong here, but if you’re looking to dip your toes into this series for the first time, we’d recommend you take a look at Picross S3 first.

Mighty Switch Force! Collection is a great way to bring Wayforward’s 3DS series to the Switch that will undoubtedly appeal to both fans of the series and newcomers alike. The decision to separate the first game and its HD remaster is one we’re not fully on board with, and we’d love to have seen some extra content like concept art and soundtracks. Nevertheless, every game included features superb gameplay and level design, making this a collection that every Switch owner should experience.

Raiden V: Director’s Cut quietly lands on the Switch with little fanfare, and yet feels right at home along with all the numerous other bullet hell shmups currently available on the system. It pays homage to the classic series while also introducing several welcome new features that manage to outweigh its few unfortunate shortcomings. We recommend it for both newcomers to the franchise or the genre itself; those looking for a game to experience all the thrills that a bullet hell blaster can offer. Veteran players need not feel left out either since you can easily customize the difficulty within the game’s options and getting to fight the last true boss of the game will require a super-human level of skill. A great package for a great price; can we have the rest of the Raiden series now, please?