Lacking the bells and whistles of other titles, Star Force provides basic shooting action. With a good variety of enemies (and their attacks) to contend with it can still provide some entertainment, but the difficulty mostly feels annoying, rather than providing an enjoyable challenge. The audio can prove to be a further irritant and although Arcade Archives Star Force can be fun at times, it's unlikely to offer long-term appeal especially with so many high-quality shooters already on Switch.

Life is Strange: Double Exposure is a perfectly enjoyable narrative adventure, but one which we’d strongly suggest you play elsewhere unless Switch is your only means. Timeline-hopping antics, a compelling murder mystery, and a cosy atmosphere all work strongly in this one’s favour, but the Switch’s hardware limitations lead to an experience that feels notably blunted due to the various visual cuts that had to be made to fit this one on the humble handheld. The story itself is a fine adventure that fans (especially of the first entry) may find worthwhile, but the value proposition on Switch makes it harder to justify that $50 price tag. We wouldn’t say to outright avoid the Switch version, but we’d suggest you wait for a deep sale before diving in.

There’s a decent core game here, but the graphical issues of the first game are still intact and frustrating, and the save system might drag things down depending on how and where you tend to play.

There is a good game in Paper Cut Mansion, but it would need at least a year polishing and refining what's here to make it worthwhile. As it is, the interesting concept and excellent art direction can’t make up for shallow gameplay and clunky mechanics. Nothing in this game is terrible, but there are far better roguelites out there to spend your time and money on.

Yu-No: A Girl Who Chants Love at the Bound of this World was clearly once an incredibly daring visual novel, but some of that sense of mystery is done a disservice when revisiting the concept via this remake. Games like Steins;Gate or the Danganronpa series have since eclipsed it. That said, there’s nothing as expansive or daring as Yu-No’s branching timeline system, which still comes across as impressive even today. Despite all of its archaic design elements, cringeworthy perverted dialogue and now-bland characters, you can’t refute the fact that the modern visual novel genre would simply not exist without Yu-No. It's just a shame that this remake feels like it has lost some of the soul of its original release, with nothing but bland character designs to refresh it for a modern audience.

With a patch or two, this one could be worth investigating, but for now, maybe stick to other platforms.

We're not sure where things went wrong, but Mighty No. 9's finished product is just a "mega" disappointment.

The driving and shooting are both unsatisfying, the mission structures lack variety and the writing shows off every negative stereotype under the sun.

The tricks are fun for a short amount of time, but given how quickly the novelty wears off, this is not likely to be a title you'll spend much time with.

The Trail: Frontier Challenge is too much of a barebones experience for us to give it anywhere near a solid recommendation. The act of getting about is minimal when it comes to interaction, and the performance issues turn the game into far too much of a slog. The skill tree and the art style itself are two brief high points, but they’re not enough to make us recall this trip through the countryside with any degree of fondness.

Tomy has succeeded in converting Pop-Up Pirate! to a video game through the Pop-up Party game mode. Although it works well, it doesn’t go far enough due to a lack of variety in the gameplay. This is the case for the game as a whole, you’ll only get a few hours of entertainment out of it at maximum.

Sports Island could have been a great addition to the Wii catalogue, but sadly the lack of polish and emphasis put on fine tuning the controls drags it way below its potential.

Baldo: The Guardian Owls is a beautiful looking Ghibli-esque adventure that draws you in with its wonderful art style and atmosphere and then beats you into submission with its bewildering gameplay. This is an excruciatingly frustrating game filled with bad design choices, clunky combat and traversal, a terrible UI and map and instant, unfair death waiting around every corner. For a small number of gamers who thrive on pointless, unfair punishment, there may be some joy to be found here. For everyone else this is one adventure you'd do well to avoid taking.

On a platform that is destined to become almost overcrowded with colourful, vibrant, ‘happy’ games, having a burst of horror as an option is very welcome indeed. Unfortunately, this isn’t the game to showcase the genre, nor is it one to showcase games in general. Some promising early moments left us with high hopes for this title – there were times where we felt genuine, edge-of-your-seat fear – but it soon becomes clear that it cannot live up to the standards it is trying to achieve. If you’re looking for a horror fix, maybe wait until something else comes along.

Hamsterdam is a mobile title through-and-through. It's got all of the tropes normally associated with mobile games, such as limited gameplay mechanics and a heavy focus on purchasing cosmetic items, with none of the depth you should come to expect from your average Switch title. There's a lot of potential in the game's premise and presentation that could well be capitalised on for any future games, but here it feels like a bit of a wasted opportunity. Add to this the lengthy load times and technical issues, and this is game you'd be best off avoiding.

Nanda's Island is a tedious and frustrating physics puzzler featuring raindrops that act nothing like water and an interface that turns every horizontally flat surface or slight dip into a level-ruining trap.

It is a shame that Rango on the Wii cuts corners and, worst of all, is over all too quickly.

Copter Crisis is another example of a good concept for WiiWare that has been poorly executed. With bland visuals, repetitive gameplay and an absurd Pay and Play pricing plan, there's little that speaks in this title's favour.

If you can look past the blatant consumerism and potentially damaging image-crafting effect that the classic line of dolls has on children, Barbie Dreamhouse Party has a lot going for it when scrutinized with an eye for metaphor.

It feels harsh to draw so many comparisons between Back in 1995 and the classic survival horror games of the '90s, but then again, the former is an intentional attempt to replicate the latter, so it's unavoidable. Unfortunately, by staying so rigidly faithful to the typical survival horror tropes – like tank controls and fixed camera angles – the developer has left out important elements like plot and art direction. As it is, Back in 1995 only succeeds in reminding you why its ancestors were so good in the first place – but perhaps more importantly, why some of them should be left back in the '90s.

We were, as you can tell from the body of this review, consistently frustrated with Beautiful Desolation, another ambitious and lovely-looking game whose Switch incarnation just wasn't an acceptable way to experience it - shades of Genesis Noir's port (though that was better). It's especially unfortunate because this is exactly the sort of different that the Switch needs, but it needs to run better than what's on offer here. If you can muscle past the problematic controls, excessive loading and weak performance, you may be able to get into Beautiful Desolation. There is a lot to like in its worldbuilding, gorgeous backgrounds and interesting premise. But we felt like it just asked us to overlook way, way too many problems for the privilege.

As hard as it tries, Blades of Time rarely comes close to emulating the success of any of its obvious muses. Its mixture of third-person melee combat, environmental puzzles and platforming are entertaining for a while, but they lack the nuance of Capcom’s long-running Devil May Cry series or Sony Santa Monica’s refreshed God of War. Only the ability to control time, creating a co-operative element as you team up with your past self, offers something truly rewarding to use in battle or as part of a puzzle solution. The MOBA-style overhaul of the game's Onslaught mode offers an improved take on multiplayer, but the wonky combat and lacklustre presentation are impossible to overlook.

MUJO is a decent casual puzzler with a pleasant aesthetic, but the total lack of effort made to bring the game in line with its new platform is deeply disappointing. The game's poorly optimised user interface and ill-fitting legacy in-app purchase system smack of a rush job. We've got no problem with developers bringing mobile games across to Switch. This is a portable system that's built on mobile technology, and there are plenty of top mobile games out there that would make for a good fit with just a little effort. MUJO, however, is a deeply lazy and cynical port.

Unless you're one of the biggest DreamWorks fans on the planet, you'll struggle to fall in love with DreamWorks All-Star Kart Racing. Its attempts at authenticity and its numerous references are admirable, but it really lets itself down on the track with frustrating design choices, unstable performance, and a forgettable range of power-ups.

As a small, short experience, it's not entirely without merit, but if you enjoy lightly randomised action then the Switch already has the likes of Enter the Gungeon, Dead Cells, and Hades for you to play. Heaven's Machine is sadly best left for collectors to keep safely sealed away.

Twisted Fusion misses its potential. The skeleton of a solid game is here, but it falls short in various regards and is plagued with issues. What fun you might have from searching for secrets and gaining new abilities is completely marred by tedious combat, a shaky camera and movement, a lack of navigational help, and overall boring gameplay. The variety of technical issues suggest that perhaps this game could have used some more time in development.

Fire Emblem Shadows is a turgid mobile game that serves up dull automated battles involving pay-to-win nonsense, timers, and cooldowns. The main selling point of a unique social experiment/turn-based battle hybrid is very weak in its setup, with neither enough players nor time in combat to create any semblance of actual strategy, and the game itself looks and plays poorly on the battlefield. There are a few nice cutscenes for fans who persist, and outfits for the outfits fans. But beyond this, it's thumbs down as far as the eye can see for this failed experiment.

It’s a shame that a game as idiosyncratic and thematically dense as Indika arrives on Switch in such a dire state. Its story and ideas linger long after the credits, offering plenty to reflect on. Still, this version is marred at every turn by technical shortcomings and visual compromises that diminish the impact of an experience that deserves far better.