Newsday's Scores

  • TV
For 2,207 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 1.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 The Crown: Season 4
Lowest review score: 0 Commander in Chief: Season 1
Score distribution:
  1. Mixed: 0 out of 1506
  2. Negative: 0 out of 1506
1506 tv reviews
  1. While beautiful to look at--some of this was filmed in Wading River, near Herod Point--Zelda can also feel like that TV biopic we’ve all seen before: The one that trudges dutifully along without adding much depth or subtlety in the process.
  2. Fans will love the sixth season opener. Prepare to be shocked. This is Scandal, after all.
  3. Well done, but formulaic.
  4. After a shaky start, Pete gets denser, trickier and better.
  5. Exciting newcomer with lots of action, and some guiding intelligence, too. (Demerits for a secondary story that doesn’t work.)
  6. Approach Victoria for what it is--a lavish production with impeccable period details and some impeccable entertainment ones--and you will be pleased. Coleman, who’s wonderful here, assures that anyway.
  7. The Young Pope is a fascinating mess with a puckish sense of humor and an outsized goal--to know the mind of God.
  8. The first two episodes promise a contemplative sixth as opposed to a shock-and-awe one.
  9. A little too Lemony, but genial, well-produced and presumably faithful to the Lemony Snicket vision.
  10. Hardy and cast are first-rate, but the story lumbers.
  11. A beauty that will mostly make you laugh and, of course, cry.
  12. Not perfect, but pretty darned good, and Moreno and Machado are a formidable comedy team indeed.
  13. A grim grind of a trip down that emblematic yellow road.
  14. The material’s the problem. "The Mick" lumbers along instead of flies. Scenes grope for punchlines that — when or if they come — lack punch or just belly-flop. "The Mick" wants to be outrageous, but instead settles for excessive.
  15. A warm, welcome and even moving return. Best of all, a reflective one.
  16. A prime-time soap that wants to be harder-edged than “Empire,” but instead manages to be less fun.
  17. A lesser known, and unloved Shakespeare play (which, incidentally, had other co-authors) comes to life Sunday, but the better plays air over the next couple weeks.
  18. Hairspray Live! is forgettable.
  19. There’s a fascinating sideshow here--Carey’s tough manager--otherwise this is a by-the-book celebrity reality series that just happens to star one of the world’s biggest celebrities.
  20. Nothing much new here (based on the first hour), but Remini appears resolute, tough-talking and potentially formidable.
  21. A Year in the Life is a triumph. ... A sweet, sad, sentimental and (above all) joyous return to Stars Hollow.
  22. Uneven, intelligent, weird, sometimes funny (more often not)--and almost consistently engaging.
  23. Dark and thrilling, The Affair returns with a huge wallop--and glorious French star Irène Jacob is in the house.
  24. A well-crafted, well-intentioned documentary series that excels when it offers rare concrete examples of the amorphous role producers play in the musical process, while also shining a spotlight on a who’s who of great producers.
  25. Mars is interesting, and much more: Quirky, funky, earnest, intelligent, engaging and occasionally melodramatic.
  26. Not nearly enough fresh information on the Long Island case, and cluttered with tangents that seem to lead nowhere, The Killing Season still makes its case — a terrifying one.
  27. Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same.
  28. From the setup to the incidentals, People of Earth is packed with humor and heart forever revealed in clever ways.
  29. Good Girls gets the journalism part almost laughably wrong, but as an ensemble drama with a good cast, high production values, and much else, even a crusty editor might observe that, “This story has legs.”
  30. Marred by the usual hospital prime-time melodramatics, Pure Genius is still a compelling idea matched to a superior cast.

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