Newsday's Scores

  • TV
For 2,207 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 1.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 The Crown: Season 4
Lowest review score: 0 Commander in Chief: Season 1
Score distribution:
  1. Mixed: 0 out of 1506
  2. Negative: 0 out of 1506
1506 tv reviews
  1. The Son is mostly about a son with two fathers, one white, the other Comanche. He absorbs the soul, spirit and perspective of the latter. It’s a particularly interesting idea and character based on a celebrated book. Here’s hoping the miniseries lives up to the promise. Saturday’s opener suggests that it should.
  2. The usual C.K. show--fresh, funny, smart, bleak, offensive, entertaining--with one minor demerit, for an overlong finish.
  3. Yes, this story’s kind of been told before, in various places, and in various forms over various decades--but with not nearly as many vulgar words called into service here.
  4. Linc’s still tough and impulsive. Michael still has that lonely middle-distance stare. Tuesday’s opener suggests there’s plenty of action ahead, some real-world parallels, and a shaggy dog that could lead us to an interesting place. Hopefully that place will finally be closure.
  5. Elfman is good (as usual), but Alice doesn’t give her a whole lot of room to expand either. ... There’s not much more here, other than those standard sitcom garnishments, and that spunky, chatty fuzzball.
  6. Singleton’s first TV series has a nice retro vibe, but otherwise not much action, not much originality, and not much wallop.
  7. Ambitious and intelligent, but also a sprawl that can’t quite master all the big themes and ideas.
  8. With his 2000 show, HBO’s “Killing Them Softly,” as another baseline for the best of Chappelle’s TV standup, this one’s right up there, too--not quite its equal, but close.
  9. A featherweight entertainment with a good cast, some charm, and not nearly enough laughs.
  10. Another brilliant, powerful, moving season of one of TV’s best.
  11. Remarkable film.... Based on a look at the first two episodes, this particularly well-produced film insists that even in death, Kalief Browder can still change a broken system--and must.
  12. Too much of the carnal Amy, not enough of the smart, cultural critic Amy.
  13. The fourth season was great. The fifth at least needs to match it, and the evidence so far establishes that it will.
  14. Full of joy, humor, brilliant writing and performances, and a deep unabiding love for what really makes Hollywood great--the women.
  15. Time after Time is timeworn.
  16. The show spurts onto the air like ketchup spewed from an oversqueezed bottle, plopping frenzied mayhem all over everything.
  17. Important television, but also wildly, maddeningly uneven TV, too.
  18. Taken exercises its thriller muscles effectively, dashing between locations and speed-introducing people as props to help/harm Mills while he races the clock to save the day.
  19. Sure, it’s understandable that CMT wants to make the mini series interesting to non-music fans, but a little more music is what would take Sun Records from good to great.
  20. Prepare to reattach those jaws once again. Spectacular. What else?
  21. Solid opener, compelling premise, good cast and one major hole.
  22. Yes, it can be mean, and yes, superficial, and yes, a little draggy (almost a whole episode about a kids’ party, really?). But the cast is fabulous, and the script by Kelley sparkles. A winner.
  23. Think of this as “Grey’s” in a courtroom, with a good New York cast, two legends (Gould and Bill Irwin, who plays a judge), a TV star and a TV pioneer.
  24. Girls' moment is almost up, but this lovely, gossamer line ["I want to write stories that make people feel less alone than I did, to laugh about the things that are painful in life.”] reminds us why that moment was so special.
  25. Beautifully crafted, occasionally incoherent, often challenging and insistently demanding, but what’s not entirely clear in the early episodes is whether the payoff will be worth all the trouble.
  26. A not nearly as bad (as you feared) cop procedural, plus toys that go boom.
  27. Great cast, and Hawkins is a worthy Jack Bauer successor. But Legacy can be lethargic and loquacious. More action, less talk, will hopefully close out this day.
  28. Reminiscent of “Chico and the Man” (the mid-’70s NBC sitcom about a cranky garage owner and his Chicano employee), but it also aspires to a contemporary relevance--but manages only a weary crustiness.
  29. Bruckheimer assembly-line sausage stuffed with plenty of hooey and violence--but the leads are plenty appealing.
  30. Funny idea that doesn’t quite attain the level of “funny show,” but a good cast along with a few good lines indicate this superhero sendup will eventually get there.

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