New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Petersen's speculative reenactment makes for gripping summer entertainment -- if you don't mind a little corn floating in your brine.
  2. Its leisurely pace and surreal poetry won't break box-office records, but will surely serve to introduce Mendelsohn as a major new talent.
  3. An amusing and unusually compassionate look at today's corporate culture.
  4. A worthy addition to what must take up a whole section of the video store - the heartwarming comedy that reaffirms the power of personal choice, while also promising to love and to cherish even the most hidebound cultures.
  5. As a premise, this is thinner than a strand of cotton candy, but fairy tales have been hung from less, and what keeps this one together is the surprisingly easy chemistry between Grant and Barrymore.
  6. The always reliable Kingsley and Shaw are hilarious, and if the movie isn't quite a triumph, it's still far better than the junk food currently cluttering movie screens.
    • New York Daily News
  7. It is no small compliment to Pierce Brosnan to say that his performance in writer-director Richard Shephard's goofy black comedy The Matador could only be rivaled by Christopher Walken.
  8. Though the film does have the modest, human-interest feel of a "60 Minutes" segment, it grows stronger as it goes along.
  9. A very clever update of the 16-year-old heroine, managing to make her seem both as square as the Bobbsey Twins and as contemporary as MySpace.
  10. Matt Damon's performance isn't bad, but it pales in comparison with Law's.
  11. Along with "The Others," -- represents a welcome diversion from loud, senseless Hollywood extravaganzas.
  12. Newark Mayor Sharpe James is the kind of politician that Tony Soprano would be happy to own.
  13. Note: We're giving this one 4 stars if you're under 12; 2-1/2 stars if you're not...That unwieldy name should give you some sense of Disney's intentions: this is, plain and simple, a consolation prize for all the frustrated fans who couldn't get tickets to Cyrus' sold-out stadium tour last year.
  14. Lurie has made an impressive contribution to the bulging library of political film, and he has showcased some performances sure to get Oscar consideration.
  15. A no-frills, homespun documentary that gives so much more than its humble technical credits would suggest.
  16. Unlike so many indie films, Michael Kang's gently empathetic debut embraces eccentricity without drowning in its own hip irony.
  17. A fairly nifty piece of suspense filmmaking, with a strong if relatively undemanding performance from Douglas.
  18. I say bring 'em on, if the stories can be told as well, as convincingly and as inspirationally as Richard LaGravenese's Freedom Writers, an educational fantasy that happens to be mostly true.
  19. When Carrey is doing his thing as the Almighty, histrionically whipping up one miracle after another and relishing the power, "Bruce" has you spring-cleaning your lungs with laughter. But you are made to pay for it with a third-act sap-rising that's as thick as the final reels of "Patch Adams."
  20. Piddington does a beautiful balancing act, creating a movie that works both on the level of suspense and as a detailed factual chronicle.
  21. Frustratingly, though, and not a little ironically, Justman chooses to focus on the new stars when they sing, rather than on the Funk Brothers playing in the background. Just as curiously, he paints a remarkably rosy picture of the old days, overlooking the racism and exploitation the Brothers surely experienced.
  22. Private, Italian director Saverio Costanzo's stunning human drama, would seem like something out of Kafka if it weren't based on real events and a relatively common fact of contemporary Palestinian life.
  23. Is the story being told worth a movie on its own merits? No way. Time Code exists as an esthetic event -- either a trick or a treat, depending on your expectations.
  24. Time of the Wolf is grounded so deeply in the reality of society gone awry that the anxiety faced by Isabelle Huppert's character as she struggles to keep her family together transfers onto the audience and never leaves.
  25. The movie is filled with sweetly funny moments, but its exposure of class, income and cultural differences makes it an uneasy charmer right up to its violent denouement.
  26. Her story (Ganatra) -- and the rest of the gifted, multicultural cast that brings it to life -- represents another step in the evolving face of film.
  27. A merry romantic comedy in the screwball tradition.
  28. When it's funny, Best is hilarious.
  29. Winterbottom informs us that, though fictional, his story represents thousands of real lives, and there is a hardly a false note, which makes this both a difficult and exceedingly memorable film to watch.
  30. This is Murray's subtlest performance, and one of his best.

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