New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Genuinely entertaining and, thanks to a well of self-deluded quotes from the men, shockingly funny.
  2. It's a wonderfully silly family movie that holds its audience in high regard.
  3. Seems like a genteel "Psycho."
  4. Gentle, funny and full of the lessons one expects from the scions of the late Jim Henson.
  5. Shot in Morocco with hand-held cameras, the movie has the urgency of a heart attack. Clearly tilted against the war, and heavy on explanatory dialogue, it paints a bleak picture of a desperate country that is being exploited by extremists at the expense of the despairing citizens. The situation is dire.
  6. Sometimes painful, often joyous, and altogether illuminating.
  7. The title might as well refer to the viewer who tags along on Louis' often-silent journey from solitude to some tentative form of family. Some will consider the experience insurmountably frustrating; others will find it exhilarating.
  8. A satisfying chick flick that follows all the usual rules of the modern romantic comedy except one - it's not stupid.
  9. A comedy hit, but its secret is that it delves deeper than the usual summer fare.
    • New York Daily News
  10. Despite the obvious cultural differences, what we come away with is a surprising sense of familiarity. Not even the widest political chasms, Gordon finds, can eradicate the universal pleasure of a young girl's giggle.
  11. A relatively straightforward portrait of Holmes, using interviews with family members, friends, wives, X-film producers and his former co-stars.
  12. Mendes -- wants to have it both ways, to get close to mob life, but be no part of it. And he keeps us at a dime-novel distance, too. He has made a dreamy, poetic impression of a world that exists only on film and in comic strips, and that has no resonance for most of us.
    • New York Daily News
  13. Jacques Audiard's amusingly stinging A Self-Made Hero toys with the subjectivity of historical truth by presenting one Albert Dehousse (Mathieu Kassovitz), loser, cipher, liar. But a brilliant liar. [12 Sept 1997, p.44]
    • New York Daily News
  14. Good, indecent fun starring two of the most amiable comedy actors around.
  15. Forces the audience to rethink the riots in new and difficult ways, to find empathy and revulsion where it might not have known they existed.
  16. Kudlácek's primary focus, however, is on Deren's work, which means we don't learn enough about her complex, fascinating personality. On the other hand, she's offering a too-rare opportunity to see substantial portions of Deren's seminal films.
  17. The movie raises questions that are on plenty of minds right now, including whether and how much the rules should be bent to wage a war (in this case, on drugs) that cannot be won conventionally.
  18. Morton's as good an actress as any working today and in Control, she overcomes an age gap to give one of the year's most heartbreaking and honest performances.
  19. Both compelling and disturbing, this tragicomic documentary follows five dreamers as they pursue romance.
  20. A vanity project so preposterous it deserves to become an instant camp hit.
  21. Winterbottom uses effective imagery to establish the horror and absurdity of war. [26Nov1997 Pg.39]
    • New York Daily News
  22. The computer-animation is terrific, most of the slapstick gags are fun, and Wanda Sykes' voice performance as feisty Stella the Skunk is one that will be remembered - and not because it stinks.
  23. Very good but very grim, Paul Andrew Williams' punishing debut doesn't pull many punches - although the characters certainly field their share of body blows.
  24. None of the children are professionals, and their uncontrived performances lend a painfully real quality to what becomes a rather lyrical story.
  25. Good music stands alone, and the documentary is jaunty fun.
  26. If you want old-school cool, you go to Laurence Fishburne.
  27. Work was never funnier.
    • New York Daily News
  28. What the movie cannot take from the book is its dreamily descriptive prose and interior monologue. Perhaps because of that, the movie changes the focus from Ingrid, the more fascinating creature, to Astrid, whose clay is more malleable for the big screen.
  29. It is an amazing story, filled with quiet moments of profundity and more surprises than you could imagine.
  30. This is not a film for the impatient. But director Aparna Sen finds the poetry in romantic restraint, which is a mighty rare resource these days.

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